When criticism is redundant | Arts Feature | Indy Week
Pin It

When criticism is redundant 

Alan Campbell and Lauren Kennedy beat the local critics to the punch--almost

Teachers in the performing arts know the discourse: "Well, that was pretty lame." "Not yet, but getting closer!"

They're the kind of self-critical disclaimers gifted but insecure students make after a disappointing performance, usually because they haven't adequately rehearsed. But these and other words came from show biz veterans Alan Campbell and Lauren Kennedy, during the opening night of Beyond Broadway , their new cabaret closing the Hot Summer Nights at the Kennedy festival this weekend.

I've never met a worthy artist who wasn't a decent critic in their own right. Still, the pros most often save the audible self-dissection until after the show.

Not this pair. Last Wednesday they good-naturedly assessed problematic segues, blown blocking and patter gone wrong throughout, publicly identifying what didn't work. Before a packed house of paying customers.

Now that takes chutzpah. Not to mention unprofessionalism.

Since Campbell and Kennedy presumably knew every working critic in the region was in the room that night, perhaps their running commentary was intended as something of a preemptive strike. Either way, this show wasn't ready opening night. Good things usually happened when they sang. But truly awkward, unrehearsed transitions and poorly thought-out personal stories repeatedly took this show toward the rocks while our hosts surreally kept us posted on its deficits.

With assorted Broadway and touring credits under their belts--along with the odd Tony nomination--Kennedy and Campbell's serious chops were indisputably on display during Wednesday's 90-minute dry run.

The pair convinced in an opening duet fusing "Come Fly with Me" with "Come Dance with Me." They truly amused with the two-song set from Swing!, "Two and Four" and "Hit Me With a Hot Note."

Though Brian Hunt's sound mix kept Campbell's voice relatively buried, individual triumphs were plentiful. Kennedy's turn on "The Music that Makes Me Dance" stopped the show, after David Friedman's show-bizzy satire "My Simple Christmas Wish (Rich, Famous and Powerful)." Campbell's understated rendition of "Fly Me to the Moon" scored, after a Bobby Darin tribute, "As Long as I'm Singing."

Pianist Michael Halbert's prismatic arrangements for bassist Damon Brown, Carlton Miles on drums, reedman Steve Rose, trumpeter Michael Mole and Mike Kris on trombone were tasteful, appropriate.

But random, rambling between-song patter repeatedly took us deep into the realm of Too Much Information on opening night. Kennedy's formless reminiscing about the night before seeing City of Angels marred a lovely, torchy take on "Lost and Found." Earlier, her only exit from a distended intro into "I Could Do Better Than That" involved stopping herself in mid-sentence and saying, "Shut up, blondie, and sing!"

Kennedy's even stranger intro to "The Dream I Dreamed" from Les Miserables seemed a backhand to the show and its fans ("How do I say this?" she fretted. "Everyone wanted to be in that show back then...").

What can I add to this couple's on-stage self-critique? Re-examine (and script) every word spoken on stage--particularly those that seem a dig at one other. Do we really need to know about Home Depot commercials and present casting difficulties? How one bombed for Sondheim--and might bomb for us? How easily the other got to Broadway? Which stories might be read on some level as fingering jealous old wounds when everyone doesn't get the joke?

And re-think Campbell's "rock and roll medley," which demonstrated Broadway's unfortunate tendency to sterilize earthier source material. I can say what Campbell brought to "Grateful," but not to "Old Time Rock'n'Roll" or "Shout." White-boy soul is not his strongest suit; his hiccup of a throat catch at the end of "Only You" only seems to mock it. Finally, beware smugness. If a rendition adds nothing to a song but ridicule, cut it.

E-mail Byron Woods at byron@indyweek.com.

Comments

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Arts Feature



Twitter Activity

Comments

Many thanks for the review, Chris Vitiello. There are two things I would like to clarify as the exhibition curator. …

by L Turner on In Versus, This Year's Crop of UNC Studio Art MFA Graduates Take a Long View of Immediate Crises (Arts Feature)

Most Recent Comments

Many thanks for the review, Chris Vitiello. There are two things I would like to clarify as the exhibition curator. …

by L Turner on In Versus, This Year's Crop of UNC Studio Art MFA Graduates Take a Long View of Immediate Crises (Arts Feature)

Great article , very well written which made the article more exciting …

by Linwood McNeill on You Are Here, NCMA’s Immersive Experience in Light and Sound, Tempers Wild Extravagance with Themes of Sacred, Shared Humanity (Arts Feature)

"In the eighties, Kevin Eastman set out for a modest career in underground comics, which is a reasonable goal when …

by Daniel Gregory on Teenage Mutant Ninja Turtles Cocreator Kevin Eastman Went for a Modest Underground Comics Career. He Started an Independent Pop-Culture Dynasty Instead. (Arts Feature)

Tim is an outstanding person all around!

by 3ZKL on Tim Walter’s Long Effort to Give Downtown Durham a Venue It Needed Pays Off in the Nick of Time (Arts Feature)

© 2018 Indy Week • 320 E. Chapel Hill St., Suite 200, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation