Violet Vector and the Lovely Lovelies' EPII | Record Review | Indy Week
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Violet Vector and the Lovely Lovelies' EPII 

(Colorwheel Records)

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The short format is perfect for Violet Vector and the Lovely Lovelies. The band's charm, aside from its crafty pop hooks, has long been its psychedelic glee club aesthetic—a super-peppy and often cartoonish obsession with candy and bright colors. But it's also been one of the band's biggest drawbacks in terms of long-player potential because, when it comes to items like candy and bright colors, a little bit goes a long way. Too much can make you sick.

In the pragmatically titled EPII—a follow-up to the band's Holidays For Quince-released EPI—the Lovely Lovelies are tighter and more refined, though the fuzz in their psychedelic pop remains intact. In fact, if anything, this effort is more tense and less twee than EP I. "Technicolor Electric," especially, goes deeper into the hallucinogenic haze than the EP's other four cuts. It dissolves into a thick swarm of synth buzz and acid-washed slabs of wah-driven guitar before recoiling at the end to evoke the rubbery bass, handclaps, xylophone and keyboard bop of its beginning.

As the title suggests, "Applesweet" goes in the other direction. Perhaps more than any VVLL cut yet offered, it's the most twee, capturing the beach-party camp and uninhibited pop spirit that the band has made its trademark since it began. Front woman Amanda Brooks enunciates every syllable like she's at a choir recital: "I wanna be the one you keep," she implores, politely.

Indeed, her guitar is the only thing remotely rough around the edges, as her band backs her with oohs and aahs as sweet and cushion-y as cotton candy. It's a sugar buzz of a pop song, for sure, one that's indicative of the band's oeuvre to date.

I just wonder if, after more than this generally delicious second helping, we'll be left with a toothache. At least this serving's fun-sized.

Violet Vector and the Lovely Lovelies play Slim's Friday, Aug. 7. The 10 p.m. show costs $5. Billy Sugarfix and Gross Ghost open.

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Where is the Q and A with Pepper?

by Alex Marsh on Record Review: Hardcore Titans Corrosion of Conformity Bring Pepper Keenan Back Into the Fold (Record Review)

There's bass in this. It's not a duo, at least in the recordings. …

by Steve Grothmann on Record Review: Raleigh's Naked Naps Explore Urgency on Year of the Chump (Record Review)

Remember that time the "journalist" took to the comments section to fire off a snarky response when called out on …

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