The Hot At Nights' Nice Talk | Record Review | Indy Week
Pin It

The Hot At Nights' Nice Talk 

(self-released)

The Hot At Nights are fronted by guitarist Chris Boerner, also of The Foreign Exchange, The Proclivities and a host of other local projects. Like Phonte's casually experimental soul group, there's a strange menace underneath this Raleigh trio's lithe, sophisticated approach to a stalwart genre past its "cool" expiration date, if it ever had one. The Hot At Nights' template is straight, clinical jazz, down to the sometimes silly song titles ("CisforKaddafi") and minimalist artwork. Importantly, they also screw around with the style however they see fit, keeping it compelling while moving toward a sound that doesn't exactly have a genre. It definitely doesn't fall into the fusion trap, either.

There's a trick the Nights pull out every once in a while, when they allow all their instruments to tumble into noise, all slathered with near-psychedelic effects. Just when it gets too weird and you're thinking, "I bought a jazz album, right?", they leap out of the gorgeous din with a clean, jaunty, George Benson-like melody, slapping this debut of effortless epics back into focus.

When the group wanders, though, they're at their best. "Abandon Debit" builds like a seasoned pop composition, beautiful but menacing and anchored by thudding drums fit for doom metal's slow-burn. Contemporary jazz hybrid Robert Glasper comes to mind, especially on a nervous cover of Joe Jackson's "Steppin' Out." Then again, it also recalls the weirdness of early King Crimson. See, The Hot At Nights aren't simply exhibiting the extremes in which they can operate; anybody can combine disparate sounds and styles. They're making these delightfully unexpected turns the thrust of their music.

Comments

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Record Review



Twitter Activity

Comments

DJWurkz just become a new fan! I will see them live at first opportunity I get.

by Keith Ramon DjWurkz on Record Review: Youth League's Second EP Is a Propulsive, Powerful Effort (Record Review)

I'm all in on this album. Love the sound, love Amelia's soaring vocals. She brings a humanizing element to electronic …

by aburtch on Record Review: Sylvan Esso Refines its Slick Synth Pop Formula on What Now (Record Review)

Most Recent Comments

DJWurkz just become a new fan! I will see them live at first opportunity I get.

by Keith Ramon DjWurkz on Record Review: Youth League's Second EP Is a Propulsive, Powerful Effort (Record Review)

I'm all in on this album. Love the sound, love Amelia's soaring vocals. She brings a humanizing element to electronic …

by aburtch on Record Review: Sylvan Esso Refines its Slick Synth Pop Formula on What Now (Record Review)

This record is "All Over the Place". I mean that in the best way possible.

by hubbble on Record Review: Trust Trandle's Comfortable Instrumental Hip-Hop (Record Review)

Love it! All the songs are beautiful!

by Jon Champion on Record Review: The Return of The Veldt, The Shocking Fuzz of Your Electric Fur: The Drake Equation, Is Great (Record Review)

© 2017 Indy Week • 320 E. Chapel Hill St., Suite 200, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation