Logan Pate's The Difference Between Moths and Butterflies | Record Review | Indy Week
Pin It

Logan Pate's The Difference Between Moths and Butterflies 

(Grip Tapes)

On the Bandcamp page for The Difference Between Moths and Butterflies, the second of two startlingly beautiful 2011 EPs from Chapel Hill's Logan Pate, the singer lists his influences: Bon Iver, Lykke Li, Fleet Foxes and Madeleine Peyroux. At first, the list seems like a trite run-down of popular indie artists for marketing purposes. Thing is, the album stacks up.

Building from the soulful electronics of his earlier Moths EP, Pate adds hypnotic acoustic guitar, gracing the mix with his extraordinary voice. Even as he lets go in upper-register belts, he manages to maintain a rough whisper. The technique shines brightest on "Give Thanks."

Carried by a soft electronic pulse and subdued handclaps, Pate alters his singing between extreme highs and lows. Keeping one track of his voice clean, he douses another in reverb, allowing it to build into a wash of comfortable noise. At the track's end, additional beats pile on, pushing the momentum. Through distortion, Pate cries, "Good things are coming my way!"

After this EP, it's hard to think he's not right. Pate melts heartache into simple, yet entrancing arrangements and a truly disarming croon. On his Bandcamp description, Pate also claims this EP is "clumsy and sleepy." Oh well. You can't be right every time.

Comments

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Record Review



Twitter Activity

Comments

I'm all in on this album. Love the sound, love Amelia's soaring vocals. She brings a humanizing element to electronic …

by aburtch on Record Review: Sylvan Esso Refines its Slick Synth Pop Formula on What Now (Record Review)

This record is "All Over the Place". I mean that in the best way possible.

by hubbble on Record Review: Trust Trandle's Comfortable Instrumental Hip-Hop (Record Review)

Most Read

Most Recent Comments

I'm all in on this album. Love the sound, love Amelia's soaring vocals. She brings a humanizing element to electronic …

by aburtch on Record Review: Sylvan Esso Refines its Slick Synth Pop Formula on What Now (Record Review)

This record is "All Over the Place". I mean that in the best way possible.

by hubbble on Record Review: Trust Trandle's Comfortable Instrumental Hip-Hop (Record Review)

Love it! All the songs are beautiful!

by Jon Champion on Record Review: The Return of The Veldt, The Shocking Fuzz of Your Electric Fur: The Drake Equation, Is Great (Record Review)

© 2017 Indy Week • 320 E. Chapel Hill St., Suite 200, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation