If the First Deadpool Was a Halfhearted R-Rated Spider-Man, the Superior Sequel Is a Controlled Comic Detonation of the Superhero-Movie Template | Film Review | Indy Week
Pin It

If the First Deadpool Was a Halfhearted R-Rated Spider-Man, the Superior Sequel Is a Controlled Comic Detonation of the Superhero-Movie Template 

A sequel to the surprise 2016 blockbuster, Deadpool 2 is one of those rare follow-ups that improves upon the original, expanding its ideas instead of repeating them. If the first movie was a halfhearted R-rated Spider-Man (it was), then the new one is a controlled detonation of the superhero-movie template: filthy, funny, and cheerfully ultraviolent.

The Deadpool series stars Ryan Reynolds as a suicidal wiseass mercenary whose superpower is that he can't be killed. He can be shot, stabbed, lacerated, suffocated, decapitated, eviscerated, mutilated, and incinerated, but he can't actually die. Deadpool is also aware that he's in a movie, which opens up another layer of meta comedy as he delivers a steady patter of fanboy in-jokes. ("You're so dark," he says to one villain. "Are you sure you're not from the DC Universe?")

Plot-wise, Deadpool 2 is ostensibly about the formation of the super group X-Force and its battle against the time-traveling cyborg Cable (Josh Bolin). But this movie isn't about what it's about. The talky script (cowritten by Reynolds) deploys plot elements only to serve the film's more noble purpose of making us laugh.

Hundreds upon hundreds of gags crash down in a delirious cascade of dirty jokes and disposable pop culture. Jokes about LinkedIn and body cavities and Arby's. Jokes about melanoma and strap-ons and dubstep. Jokes about Basic Instinct and Flashdance and Yentl. Jokes about Dave Matthews and Pat Benatar and Enya. At times, the script achieves the giddy density of peak TV comedies like 30 Rock; you're afraid to laugh because three more punch lines will slip past.

Not all the jokes land, and the movie sometimes tries too hard to offend. For instance, I counted at least three jokes about pedophilia and sexual violence against kids. Really? We're doing that now? For laughs? These aren't throwaway lines, either; they're graphic and directed specifically at a fourteen-year-old character played by a sixteen-year-old performer. Call me old-fashioned, but that's fucked up.

On balance, though, Deadpool 2 is a seriously funny comedy and a genuinely good time at the movies. It's fearless in a way that the first film only pretended to be. I laughed more at this superhero story than at any other multiplex comedy in recent memory. Avoid spoilers, watch for some great cameos, and hang around for the post-credits scenes.

Speaking of...

Comments

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Film Review



Twitter Activity

Comments

Much as I hate to be that guy, I must nonetheless point out a minor error in your review. The …

by Just Another Malcontent on Wes Anderson’s Isle of Dogs Is an Alternately Respectful and Baffling Parable About Japan (Film Review)

I loved the movie but I'm curious about the Japanese version. Will it be translated or subtitled? I assume they …

by Neil Robertson on Wes Anderson’s Isle of Dogs Is an Alternately Respectful and Baffling Parable About Japan (Film Review)

Most Read

Most Recent Comments

Much as I hate to be that guy, I must nonetheless point out a minor error in your review. The …

by Just Another Malcontent on Wes Anderson’s Isle of Dogs Is an Alternately Respectful and Baffling Parable About Japan (Film Review)

I loved the movie but I'm curious about the Japanese version. Will it be translated or subtitled? I assume they …

by Neil Robertson on Wes Anderson’s Isle of Dogs Is an Alternately Respectful and Baffling Parable About Japan (Film Review)

Lurid and Trashy? Clint Eastwood is a true pioneer of cinema-in front of the camera and in the directors chair.For …

by jde on In Her Remake of Clint Eastwood's Lurid, Trashy The Beguiled, Sofia Coppola Probes Deeper Rhythms (Film Review)

Americans are really good at watching movies and everyone knows that they spend a lot of money on watching them, …

by Anil Sharma on The Average American Sees Five Thousand Movies in a Lifetime. Half of Them Come Out This Week. (Film Review)

I read a couple of good reviews about this movie in Hungarian papers. Actually it could be my mother's and …

by Gabor Lukacs on Ferenc Török’s 1945 Is a Dark Fable and a History Lesson Wrapped in Fine Cinematic Storytelling (Film Review)

© 2018 Indy Week • 320 E. Chapel Hill St., Suite 200, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation