Bare Theatre's As You Like It | Theater | Indy Week
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Bare Theatre's As You Like It 

Shakespeare's As You Like It is a crowd-pleaser, a spirited comedy rife with wordplay, falling in love and mistaken identity. Last summer's stunning production of the play for New York City's annual Shakespeare in the Park at the Delacorte Theatre showed how well its forested setting and musical numbers lend themselves to an outdoor presentation; the result was a joyful, funny and at times melancholy production, reset in 19th-century Appalachia. Bare Theatre artistic director Heather J. Strickland may have taken a cue from the New York version's success when she, too, chose to place As You Like It outside, staging it in Raleigh Little Theatre's Stephenson Amphitheatre, placing the action in the Southern backwoods of the 1800s and commissioning local folk band The Zinc Kings to write and perform original bluegrass songs that thread through the production.

The music is fun and lively, and late summer weather makes for a beautiful evening outdoors. But the production is marred by an overreliance on hokey physical humor (actor in bear suit), the reduction of characters to stereotypes and, most notably, a malfunctioning sound system that, between high-frequency static and microphones randomly cutting out, rendered large chunks of dialogue inaudible on Saturday night. The terrible sound was no fault of the actors, of course, and they had to be applauded for pushing through unflaggingly. But even when sound was temporarily clear, the plotline wasn't. Over-the-top gestures and gimmicks may make for easy laughs—and may have been designed to keep the audience's attention through long speeches—but the result was a loss of believability, stakes and clarity that overshadowed the innate humor of the text.

This article appeared in print with the headline "Guiding lies."

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these people are a bunch a weirdos. and that's what we like about them.
i like a a performance …

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Most Recent Comments

these people are a bunch a weirdos. and that's what we like about them.
i like a a performance …

by Geoff Dunkak on With The Changeling, Jaybird O'Berski Runs Amok Through a Quintessentially Problematic Seventeenth-Century Script and Leaves Us to Figure Out What to Make of It (Theater)

Point well taken. I wish more people had seen HE/SHE AND ME at The Womens' Theatre Festival, an intriguing original …

by Jerry Sipp on Plays About LGBTQ History Are Plentiful in the Triangle. We Need Them All. But Isn’t It Time to Look Ahead? (Theater)

Quite an insightful assessment. I believe Mr. Britt has many strong points. In order for North Carolinas theaters to successfully …

by nperry on Plays About LGBTQ History Are Plentiful in the Triangle. We Need Them All. But Isn’t It Time to Look Ahead? (Theater)

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