Chicago brings the razzle-dazzle, but not the Brinkley | Arts
INDY Week's arts blog

Archives | RSS | Follow on

Wednesday, August 1, 2012

Chicago brings the razzle-dazzle, but not the Brinkley

Posted by on Wed, Aug 1, 2012 at 9:19 AM

Too bad Christie (above) is sick, but cmon... Bianca Marroquin is covering for her.
3.5 stars (out of five)
@Durham Performing Arts Center
Through Aug. 5

I never thought I’d say this, but I’m glad I missed Christie Brinkley last night.

A buzz of disappointment ran through the opening-night crowd for the brash and bawdy musical Chicago at the Durham Performing Arts Center. Supermodel Brinkley, due to play murderous ingénue Roxie Hart, would not appear due to illness. She may return later this week. (DPAC announced this morning that Brinkley will not perform in Durham.)

But Bianca Marroquin, who's playing the lead in the current Broadway incarnation, hopped a plane from New York to stand in for the cover girl, and knocked her performance onto Waveland Avenue.

Frankly, it’s hard to imagine Brinkley bringing but a fraction of the pizzazz to Roxie that Marroquin does. Combining a muscular sexiness with the jerky slapstick sensibility of Cheri Oteri, Marroquin gave Roxie rich layers of innocence and libido. The Mexican actress knows this role, for she's been playing it on and off since she made her Broadway debut as Roxie Hart in 2002.

Marroquin wasn’t the only stand-in for a principal. Kecia Lewis-Evans stepped into the role of Matron “Mama” Morton, garnering some of the loudest cheers of the evening for belting out her character’s signature tune “When You’re Good to Mama” and providing the only voice in the cast to fill the cavernous DPAC.

Bianca Marroquin (left) and, as Velma Kelly, Amra-Faye Wright

Amra-Faye Wright is brassy and hilarious in the other lead role of Velma Kelly and Tony Yazbeck’s slick-and-sleazy lawyer Billy Flynn glues the evening together with a solid, steady performance amid the burlesque hysteria of almost incessant musical numbers.

The one thing lacking from the performance was the title character itself. The city of Jazz-Age Chicago, land of speakeasys and feverish promiscuity, fails to make a real appearance in the production. The staging couldn’t be more spare, as the orchestra occupies the majority of the performance floor in a three-level riser that images a nightclub. This leaves a surprisingly narrow area between the riser and the lip of the stage for the cast to perform in, which presented occasional challenges Tuesday night. Marroquin’s nose was nearly taken off by a chorus dancer skidding in for the final ta-da to “We Both Reached for the Gun.” If anything, it gives the numbers a dangerous edge.

But the absenteeism of the City of the Broad Shoulders is hardly the fault of the cast, who top to bikini-briefs-clad bottom blasts the audience with enthusiasm. Chicago stays fun and fast throughout, with or without a supermodel in the mix.

Tags: , , , , , , ,

Pin It

Comments (2)

Showing 1-2 of 2

Add a comment

Subscribe to this thread:
Showing 1-2 of 2

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Arts

Twitter Activity


Great movie! I finally watched it online in HD. I figured some of you guys would want to watch it …

by Vhia setiawan on Movie Review: Believe the Hype About Black Panther, an All-Time Great Superhero Saga (Arts)

Most Recent Comments

Great movie! I finally watched it online in HD. I figured some of you guys would want to watch it …

by Vhia setiawan on Movie Review: Believe the Hype About Black Panther, an All-Time Great Superhero Saga (Arts)

Les miserable is listed starting earlier and still running. Not hating just saying. …

by GordonBombayIII on Love never dies, but many terrible musicals have: Sitting through Andrew Lloyd Webber's Phantom sequel. (Arts)

want to go to all! where and when?????

by Amanda Kyser on Sick of Facebook Invites? UNC-Chapel Hill Just Launched an App for Tracking Events on Campus. (Arts)

Not to be picky, but Harding was the first *American* female skater to land a triple axel in competition.

by xtinaxtina on Movie Review: I, Tonya Cribs Scorsese's Tricks for a Uniquely American Tale of Crass Competition and Class Conflict (Arts)

© 2018 Indy Week • 320 E. Chapel Hill St., Suite 200, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation