Preview: Pilobolus and Art Spiegelman's "Hapless Hooligan in 'Still Moving'" | Arts
Arts
INDY Week's arts blog

Archives | RSS | Follow on

Thursday, July 1, 2010

Preview: Pilobolus and Art Spiegelman's
"Hapless Hooligan in 'Still Moving'"

Posted by on Thu, Jul 1, 2010 at 2:39 PM

The news is already breaking on the new Pilobolus Dance Theater collaboration with cartoonist Art Spiegelman, creator of In the Shadow of No Towers and the ground-breaking graphic novel, Maus.

Laura Collins-Hughes' June 20 article in the Boston Globe first tantalized us with descriptions of the working process and still images from the work.

Then Dartmouth, where the ADF co-commission work premiered, released three juicy minutes of highlights from the work, on YouTube:

About the same time, Pilobolus published a ten-minute featurette on the work, including behind the scenes intervews with Spiegelman, chhoreographer Michael Tracy and animators Dan and Jason of Hornet Inc., who had to find common ground between Spiegelman's still imagery and Pilobolus' choreography:

And finally — at least, for now — Alastair Macaulay's review of the new work, which ran Monday in the New York Times, praised its "dizzying overlap of cartoon, film, silhouette theater, and live dance," which "picks up on, and refreshes, aspects of Pilobolus that have been there since the beginning: the dream logic, the clowning, the sense of physical liberation that’s only at times highly sexual, and the defiance of categorization."

Tags: , , , , , , ,

Pin It

Comments

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Arts



Twitter Activity

Comments

...as did I, Ms. Margolis -- in a very small handful of moments over a two and a half hour …

by Byron Woods, INDY Theater and Dance Critic on Theater Review: The South Is Hard to Hear in the Opera Version of Charles Frazier's Cold Mountain (Arts)

I certainly heard the accents.

by Elizabeth A Margolis on Theater Review: The South Is Hard to Hear in the Opera Version of Charles Frazier's Cold Mountain (Arts)

Most Recent Comments

...as did I, Ms. Margolis -- in a very small handful of moments over a two and a half hour …

by Byron Woods, INDY Theater and Dance Critic on Theater Review: The South Is Hard to Hear in the Opera Version of Charles Frazier's Cold Mountain (Arts)

I certainly heard the accents.

by Elizabeth A Margolis on Theater Review: The South Is Hard to Hear in the Opera Version of Charles Frazier's Cold Mountain (Arts)

Nice write up. Love the twists and turns and I hardily agree with the ultimate statement (and Camus since I …

by Perry on As the Durham Bulls Enter the Playoffs, We Wonder: What Exactly Is the Value of a Minor-League Championship? (Arts)

Just saw this last night. Did Rubin say that being around the Avetts would make life "matter" or just that …

by Drew Rhys on Full Frame: An Avetts Agnostic Finds Some Faith in May It Last: A Portrait of the Avett Brothers (Arts)

She made me a peanut butter and banana sandwichwithout bread. Now that's art.

by Geoff Dunkak on ADF Review: Queering Objects and Decoding the Body in Cherdonna's Clock that Mug or Dusted (Arts)

© 2017 Indy Week • 320 E. Chapel Hill St., Suite 200, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation