
The past few months have been an exciting time for Hiss Golden Messenger, the Durham-based recording project of M.C. Taylor. Last year’s excellent and sedately funky folk-rock trove, Poor Moon, saw a CD reissue via the venerable imprint Tompkins Square. Taylor also contributed to a compilation honoring folk legend Michael Chapman and shared the stage with him in Durham. With recording under way for HGM’s Poor Moon follow-up, the outfit is offering yet another 2012 highlight.
Paradise of Bachelors, the Durham-based label that first unveiled Poor Moon, is releasing a split 7-inch from HGM and Elephant Micah, the somber and seductive songwriting outlet of Indiana’s Joe O’Connell. The single, called Hiss Golden Messenger Plays Elephant Micah Plays Hiss Golden Messenger, finds each outfit covering one of the other’s songs. Elephant Micah offers an ethereal and elegiac take on Poor Moon's “Balthazar’s Song,” while Taylor takes on O’Connell’s “My Cousin’s King,” filling it with reassuring warmth via acoustic guitar and mandolin. You can stream both covers below.
PoB will release the single on Sept. 4, just before HGM’s appearance at this year’s Hopscotch Music Festival, but you can go ahead and pre-order it right here.
I don't know that there is a harder working musician in the triangle than Jason Kutchma. Rather writing, recording or performing live, he is a musician who does not allow his audience to be bored. As most people know, Kutchma has released two albums this year: The first was Welcome Home, by the rock band Red Collar, which he fronts. Then there was Pastoral, the roots-rock project of JKutchma & The Five Fifths. That's not to mention the album's companion book. Both records have different styles of presentation, but when stripped down to their barest bones, they are very similar.
Today's session presents two songs, one from each of these albums. When Kutchma came into the studio on one early Saturday afternoon, it was extremely warm. Kutchma ran through several songs with only a few slip ups. Notice the uncommon focus and intensity of his performance. This really lends the viewer just a small window into the dedication and passion Kutchma has for what he is doing.
And speaking of the hard working, Kutchma will be performing all three days of the upcoming Hopscotch festival. With the Five Fifths Thursday at Tir Na Nog at 10pm, solo during the Hopscotch at Hibernian day party Friday, and finally with Red Collar at the Raleigh Times-sponsored day party Saturday.
The purpose of the Independent Weekly's Simple Music Video Series is to capture local and touring musicians who we feel are producing something special. The hope is to capture something very simple in order to mirror the experience of viewing a performance as if you were in a small crowd watching a quiet set. We hope for content of the music to be the primary focus of the series, not multiple camera angles meant to keep the viewer guessing and entertained.
Most bands featured in the series will be a sample of the deep pool of talent in the Triangle, while others will represent some of our touring favorites.

"Remember when heavy metal was supposed to be fun? COLOSSUS does."
That's the first line from the bio passed around with promos of The Sepulcher of the Mirror-Warlocks, the new EP from appropriately named Raleigh-Chapel Hill metal band COLOSSUS. The self-release represents the outfit's first new music since 2009.
The band's claim rings true on The Sepulcher's six songs, which pair riffs that churn, tangle and soar with outlandish lyrics about Frank Herbert's sci-fi epic Dune, a transdimensional love affair and the pulp fantasy series Fafhrd and the Gray Mouser. The record succeeds via the same mix of hyper-reverent Iron Maiden worship and fun-loving abandon that was also the boon of COLOSSUS' first two releases, though The Sepulcher moves with a relentless energy those previous efforts can't match. COLOSSUS' music treats heroic struggle with the color-drenched bliss of a great Saturday morning cartoon. Sean Buchanan's powerful belts will make metal fans of the right ilk feel like eight-year-olds, sitting dangerously close to the TV, pumping their fists as Lion-O raises his sword and screams "ThunderCats, ho!"
The album is available for $6 at KungFuNation and can be streamed in full below. COLOSSUS' next local show is Aug. 31 at Slim's in downtown Raleigh.
Today's session is the first we shot at Capital Club 16. We had the bright idea of filming this outside, not taking into consideration the late-winter chilly wind or the general ambient noise that comes with being in downtown Raleigh. Despite an en route ambulance, a few cop cars and buses, it turned out pretty well. Granted, it is much easier to try these setups when your subject is both a friend and genuinely enjoys visiting your hometown.
Adam Granduciel of The War on Drugs (TWOD) sat down with us and ran through several numbers off of 2011's Slave Ambient, lauded by many as Album of the Year. Today we present "I Was There." Later that evening, the 2010 Hopscotch alumnus played an amazing set at the Lincoln Theatre. Double cool points to TWOD for being taper-friendly so we all can enjoy hearing that show again until the next one.
Although TWOD is not playing Hopscotch 2012, you might see Adam wandering around downtown at this year's festival. "I think I'll be coming down anyway to watch awesome music, hang with friends and maybe book some studio time. I'd be super psyched to see Hiss Golden Messenger, Philly boy guitar jammer Chris Forsyth, Yo La Tengo, and hells yeah to Wye Oak!!!"
Also performed during our session was one cover song common to TWOD's setlist around this time; however, I don't believe it was performed often as solo acoustic. We will be posting that in the upcoming weeks.
The purpose of the Independent Weekly's Simple Music Video Series is to capture local and touring musicians who we feel are producing something special. The hope is to capture something very simple in order to mirror the experience of viewing a performance as if you were in a small crowd watching a quiet set. We hope for content of the music to be the primary focus of the series, not multiple camera angles meant to keep the viewer guessing and entertained.
Most bands featured in the series will be a sample of the deep pool of talent in the Triangle, while others will represent some of our touring favorites.
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