Pin It
Chloe is a Skinemax refugee whose art house aspirations cannot compensate for a hammy, surprisingly tepid script that is high on titillation but low on dramatic tension.

The erotic thriller Chloe 

Chloe opens Friday in select theaters (see "Now Playing" below)
Our rating:

As a poor man's Poison Ivy (now there's an unlikely formulation), Chloe is stock erotica gussied up with a top-shelf cast, name-brand director, soft-focus lighting and contemporary, often translucent set designs. Otherwise, it's a Skinemax refugee whose art house aspirations cannot compensate for a hammy, surprisingly tepid script that is high on titillation but low on dramatic tension.

When Catherine (Julianne Moore), a Toronto-based gynecologist (shades of Dead Ringers, or Eyes Wide Shut, for that matter), suspects her husband, David (Liam Neeson), of cheating, frustration leads her to enlist the services of a call girl, Chloe (Amanda Seyfried), to seduce him and report back her findings. Chloe soon begins regaling Catherine with the lurid details of their trysts. Inevitably, the motives of Catherine and this doe-eyed Lolita become more complex and suspect.

Officially, the film is a remake of the 2004 French film, Nathalie..., which was written and directed by Anne Fontaine (Coco Before Chanel). It is also a return of sorts for director Atom Egoyan to the voyeuristic, sexual-thriller roots of his breakout film, Exotica. Likewise, screenwriter—and former Duke professor—Erin Cressida Wilson rehashes the prurience found in the more interesting script she wrote for Secretary.

Aside from its well-worn plot points, little is done to develop the characters beyond the status of unpleasant, sexually and emotionally dysfunctional haute monde. In particular, the title character proves scarcely more than a tantalizing cipher whose motives are as unknown as they are obliquely insulting to women.

Ultimately, however, the storyline is one that begins benignly before turning trashy and, finally, just plain silly. Chloe is destined to be remembered by those sifting through the bargain bin at Blockbuster as "that movie where Julianne Moore and Amanda Seyfried get it on."

Related Films

  • Chloe

    • Rated R - Drama, Suspense/Thriller
Chloe
96 min. | Rated R
Official Site: www.sonyclassics.com/index.php
Director: Atom Egoyan
Writer: Erin Cressida Wilson
Producer: Jeffrey Clifford, Joe Medjuck, Ivan Reitman, Simone Urdl and Jennifer Weiss
Cast: Liam Neeson, Amanda Seyfried, Julianne Moore, Nina Dobrev, Max Thieriot, Meghan Heffern, Laura DeCarteret and Mishu Vellani

Comments (0)

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Film Review

More by Neil Morris

Facebook Activity

Twitter Activity

Read indyweek's Tweets

Comments

Jean-Luc Godard’s “Contempt/Le mepris” (1963) is the first part of his religious trilogy, followed by “Hail, Mary” (1985) and “Woe …

by actingoutpolitics on Contempt, a Jean-Luc Godard masterpiece (Film Review)

It’s important to understand that hypnosis is NOT a tool for retrieving lost memories – period. “Memories” that surface during …

by ronaldgbegley on Danny Boyle's heist film Trance is slick (Film Review)

Most Read

© 2013 Indy Week • 302 E. Pettigrew St., Suite 300, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation