Pin It
Stratocruiser's fourth album successfully highlights more nascent psych influences that augment the ringing jangle pop and glammy hard pop of antecedents such as Badfinger and Cheap Trick.

Stratocruiser's The Spark 

(Zip Records)

Stratocruiser isn't going for style points. That's certainly not to say their mix of bar-band rock and power pop isn't competent; rather, The Spark is as crisply recorded and executed as any of their '70s rock radio influences. But they haven't been trying to impress or innovate, especially in the past. The lack of solos comes compensated by a no-frills, big-hooks mentality that keeps pretense in check.

Stratocruiser's fourth album successfully highlights more nascent psych influences that augment the ringing jangle pop and glammy hard pop of antecedents such as Badfinger and Cheap Trick. Evident in washes of distortion and swirls of guitar, these newer elements add space and depth to their otherwise driving, straight-ahead songs, producing their most arresting music to date. Elsewhere, a few fine, short instrumental interludes add further spice to the album's lyrical arc of obsessive madness. The story imbues a certain flow, and some songs feel stronger for their placement within it, such as the creeping menace of psychedelic blues boogie "Slush," the rising folk-pop exultation of stealing "Somebody's Girlfriend," and the punchy resolution, "Living in the Future Tense." Stratocruiser has always been solid, but this greater eclecticism, increase in musical detail and the overarching conceptual conceit have taken the band from erudite to exciting.

Correction (Oct. 27, 2011): The Spark is released through Zip Records (not self-released).

Comments (0)

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Record Review

More by Chris Parker

  • Deep Chatham's Flood

    A string trio at the time of their 2011 debut, Deep Chatham leaps forward with this follow-up, a significantly more nuanced effort opened up by the addition of a keyboard and accordion player.
    • Mar 27, 2013
  • The populist plea bargain of Rush

    Rush were never as baroque or symphonic as bigger art rock icons like King Crimson or ELP, perhaps because they weren't trying to turn classical music into rock music. They simply bedazzled hard rock.
    • May 1, 2013
  • More »

Facebook Activity

Twitter Activity

Read indyweek's Tweets

Comments

LiLa's music is unbelievably hype and I think that IV supports this claim. It certainly doesn't "eat away at one's …

by Savannah Kimbrough on LiLa's IV (Record Review)

I'm not a longtime Lila fan, so I don't feel the need to defend their honor like some other commenters. …

by J.P. McPickleshitter on LiLa's IV (Record Review)

Most Read

© 2013 Indy Week • 302 E. Pettigrew St., Suite 300, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation