Pin It
This is a collection of seven willfully weird, delightfully corroded Nuggets, each having more to do with defiance and dignity than shit and saddles.

Shit Horse's They Shit Horses, Don't They? 

(Odessa Records)

If you're compelled to wince at Shit Horse on first glance, that's understandable. The band—three young, white rock musicians from Carrboro and Danny Mason, a black frontman two decades older than the band's youngest member—doesn't do itself many favors: They're called Shit Horse, of course, and the title of their debut cassette is a riff on the 1969 Jane Fonda film about a dance marathon. They have a theme song—"Shit Horse! Is Gonna Ride!," ad infinitum—and they prefer to present their songs via guerilla sets late at night on the streets of Orange County. Their lyrics are a wasteland of scatological and equine references. "Have you ever bitten off more than you could chew? Have you ever had a log you couldn't poo?," the track "Twelve Horses" concludes.

But don't pardon yourself too quickly. They Shit Horses, Don't They? is a collection of seven willfully weird, delightfully corroded Nuggets, each having more to do with defiance and dignity than shit and saddles. The 78-second "Get Out of My Face" is a whipsmart kiss-off. Mason barks at the way the world's been treating him, and the band chants his layman mantra between verses: "I see you every day/ You get into my face/ Won't you just go away/ This job would be pretty cool without you." "Floating/ Drifting" is a brooding builder, guitars, bass and drums slinking through a morass as Mason earnestly condemns some naysayer. The band ratchets the rhythm until they deliver Mason into a post-punk fistfight, his exasperated voice insisting that he won't be defeated. So, yeah, maybe Shit Horse is a gimmick with an attitude and a sense of humor for teenagers. But what else did you think rock 'n' roll promised?

Comments (3)

Showing 1-3 of 3

Add a comment

 
Subscribe to this thread:
Showing 1-3 of 3

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Record Review

More by Grayson Currin

  • Dancing babies

    What if this was making love? What if this was sex? What had Boyz II Men made me do?
    • Apr 3, 2013
  • The Darkness and the woes of revivalist one-hit wonders

    No matter how well Hot Cakes recaptures and reasserts the charisma that made people love them a decade before, The Darkness are now only a relic of a previous moment.
    • May 8, 2013
  • More »

Facebook Activity

Twitter Activity

Read indyweek's Tweets

Comments

LiLa's music is unbelievably hype and I think that IV supports this claim. It certainly doesn't "eat away at one's …

by Savannah Kimbrough on LiLa's IV (Record Review)

I'm not a longtime Lila fan, so I don't feel the need to defend their honor like some other commenters. …

by J.P. McPickleshitter on LiLa's IV (Record Review)

Most Read

© 2013 Indy Week • 302 E. Pettigrew St., Suite 300, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation