Pin It
In 2004, River City Rebels suddenly transformed into something beyond run-of-the-mill punk revivalists.

River City Rebels 

Chrysalis moment

Listen!

If you cannot see the music player below, download the free Flash Player.

click to enlarge 10.17-musspot_rivercityrebel.gif

We all mature at different rates: Like adolescents entering puberty, bands will sometimes undergo dramatic growth spurts. In 2004, that's what started to happen with River City Rebels, suddenly transforming them into something beyond run-of-the-mill punk revivalists.

They adopted a grittier sound that owed significant debts to producer Syl Sylvain's beloved New York Dolls for their fourth album, Hate to Be Loved. On its follow-up, Keepsake of Luck, the band embraced growth, radically expanding its sound to range from baroque pop to country twang.

"We're not the Bouncing Souls. We're not Anti-Flag. We're not these bands that will keep putting out the same record to capitalize on whatever stardom they have," says singer/guitarist Dan O'Day. "I'd rather push the limit and see how far we can take it."

The album certainly took them far: They'd been working on it for a year when Victory Records dropped them (to O'Day's relief). The sextet relocated from Vermont to Tacoma, Wash., and spent another year perfecting the songs before a production company stepped up with $80,000, allowing the Rebels to "make the record we always wanted to make," O'Day says. They recorded for two months in a San Diego studio, then spent another year in court winning back the rights to the unreleased album from the production company. Morale suffered and members departed, but O'Day persisted.

It was worth it: Keepsake's a vibrant, eclectic album, from the harmonica-fueled folk-punk of "Farmhouse Blues" to the lovelorn, bluegrass-tinged "Letter in Transit" to the poignant, album-closing ballad "Little to Offer," which surveys O'Day's limited prospects.

"It was about when I was living in a box truck after tour in the middle of winter, depressed as hell," says O'Day of the string-fueled paean to hope. "It's a battle because the industry stinks, good music isn't heard, and we obviously don't fit in anywhere, but I don't want to be one of these puppets that play generic street punk music. I want to stand up on our own."

River City Rebels plays The Brewery Monday, Oct. 22 at 8:30 p.m.

Tags: ,

  • In 2004, River City Rebels suddenly transformed into something beyond run-of-the-mill punk revivalists.

Comments (0)

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Spotlight

More by Chris Parker

  • Birds and Arrows' Coyotes

    Like art that finds the magic in decay, Coyotes divines the sadness that lives within beauty; sometimes a little of that goes a long way.
    • Mar 13, 2013
  • The populist plea bargain of Rush

    Rush were never as baroque or symphonic as bigger art rock icons like King Crimson or ELP, perhaps because they weren't trying to turn classical music into rock music. They simply bedazzled hard rock.
    • May 1, 2013
  • More »

Facebook Activity

Twitter Activity

Read indyweek's Tweets

Comments

i love WXYC, except fpr the low power, hillsborough hardley gets it, metaphorically speaking. the sound quality is horrible. can …

by peterhoyt on Uncle Woody Sullender (Spotlight)

almost as good a my son, nique

by peterhoyt on Uncle Woody Sullender (Spotlight)

Most Read

No recently-read stories.

Visit the archives…

© 2013 Indy Week • 302 E. Pettigrew St., Suite 300, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation