Pin It
The musical backing serves as flickering streetlights, directing you to the voice and words of one Mary Johnson Rockers down below.

Mary Johnson Rockers' No Place for Birds to Rest 

(self-released)

  Listen up!   If you cannot see the music player below, download the free Flash Player.

click to enlarge Mary-Johnson-Rockers.gif

Poor Mary Johnson Rockers: How many times has she explained to a booking agent or journalist that it's her name, not her band's name? And that her music—a porch-swing summit of folk and introspective country, solo and formerly in the band Pawnshop Ruby—couldn't be more incongruous with her name? Well, unless her parents had been named Metalgoddess-Overdrive. On another note, rich Mary Johnson Rockers: Hers is a voice that's pretty without being too pretty, familiar but never humdrum, gutty at just the right times. It's built to sing of lingering touches and to tell of "Just one dance, just one midnight chance to tell the truth," as she does on the achingly gorgeous "Two Step," making you feel like a lucky confidant.

Similarly, intimate closer "Patsy on the Radio" and "Sweetness"—the album's most instantly embraceable song thanks to a sing-along chorus and a near-roots-rock lather—welcome you into her head. Even more impressive is Rockers' comfort with other people and other times: "Clara" comes calling from the perspective of a sweet-talking fella with his heart set on a waitress—and with a lot of miles and wives behind him. "Thanksgiving in Manchester Jail" unveils the thoughts of a man imprisoned for an unspecified crime and by his own years of regret. "Penny on the Tracks," close kin to Bobbie Gentry's "Ode to Billie Joe" in both tune and tone, depicts an era when clutching a penny flattened by a passing train was as out-of-town as one might hope to get.

Throughout, you only really notice the swells of violin (or fiddle, depending on the song's mood) or pedal steel when Rockers takes a breather. Such a supporting role fits the songs. The musical backing serves as flickering streetlights, directing you to the voice and words of one Mary Johnson Rockers down below. And that's where the brightest lamp should shine.

CORRECTION: The print edition of this review incorrectly identifies Mary Johnson Rockers' former band. She was in Pawnshop Ruby.

Comments (3)

Showing 1-3 of 3

Add a comment

 
Subscribe to this thread:
Showing 1-3 of 3

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Record Review

Facebook Activity

Twitter Activity

Read indyweek's Tweets

Comments

LiLa's music is unbelievably hype and I think that IV supports this claim. It certainly doesn't "eat away at one's …

by Savannah Kimbrough on LiLa's IV (Record Review)

I'm not a longtime Lila fan, so I don't feel the need to defend their honor like some other commenters. …

by J.P. McPickleshitter on LiLa's IV (Record Review)

© 2013 Indy Week • 302 E. Pettigrew St., Suite 300, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation