Luego's Ocho | Record Review | Indy Week
Pin It

Luego's Ocho 

(Arbor Ridge Studios)

With Caitlin Cary and a gang of sonorous backup singers in tow, Luego frontman Patrick Phelan glides into the final minute of "How Bout Them Rules?" "Oh I broke the rulebook," they sing, Phelan out front, smiling like a proudly poisonous snake, "just to see an end." If you're familiar with Phelan or his backing band—Jeff Crawford, Nick Jaeger, Charles Cleaver and James Wallace, all current or former members of Max Indian and a half-dozen pop-rock locals—such a proclamation may feel a touch ironic. For better and worse, the stacks of dusty records that comprise their influences—The Beatles, Philly Soul, Van Morrison—have sometimes felt like instruction manuals for Phelan and friends. The goal, it's long seemed, has been sharpening those aged hooks, not discarding them as past masters.

But Ocho, Phelan's second LP as Luego, works best when it pulls both from and against the classic pop songbook, or when Phelan and his generally excellent band play hard, fast and loose with their fascinations. Dramatic cello, distant piano and circular drums fuse against sheets of guitar—some jangly, some surfy, some squealing—on the mid-album instrumental "+/-," offering a pleasant disruption between the tender sad smile of "Run Away" and the seething, searching "Dear Penpal." That last tune closes with a long stretch of kaleidoscopic guitar tones that splash against noise squalls, harmonies that sound swiped from sunburned vinyl and a piano that barrels through the blues like an attitude problem. The still-strong hooks remain paramount, but, this time, they're simply given vibrant settings.

"Bienvenidos," the silly 48-second, welcome-to-my-album jingle that opens Ocho, works as more than a gimmick, then, suggesting that the next nine tracks are open to anything. From the howling Faces-in-a-fistfight coda of "Two No Ones" to the mid-verse Spanish counting game of "Getting Married," Ocho thrives on trying more. Influences are a burden. Finally folding them until they're beneath your tunes rather than simply on top of them—which Luego does on Ocho—is an accomplishment that can't be understated.


Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Record Review

Twitter Activity

Most Recent Comments

Love it! All the songs are beautiful!

by Jon Champion on Record Review: The Return of The Veldt, The Shocking Fuzz of Your Electric Fur: The Drake Equation, Is Great (Record Review)

This release will be available Friday December 4th here:

Thanks! …

by Scott Phillips on Review: The electronic excellence of GNØER's Tethers Down (Record Review)

You should have let Currin write this. One of the best singers on earth and these were your observations? sounds …

by Remo on Record review: Jeanne Jolly's A Place to Run (Record Review)


Most Read

© 2017 Indy Week • 201 W. Main St., Suite 101, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation