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Film times and brief film reviews 

Film times are good from Thursday, March 19, through Friday, March 27

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Our rating system uses zero to four stars. If a movie has no rating, it has not been reviewed. Signed reviews by Laura Boyes (LB), Grayson Currin (DGC), David Fellerath (DF), Nathan Gelgud (NG), Kathy Justice (KJ), Neil Morris (NM), Bryan Reed (BR), Zack Smith (ZS), Hobert Thompson (HT), Sam Wardle (SW).

Opening This Week

CHE: PART TWO—The second half of Steven Soderbergh's four-hour opus picks up the story in the mid-1960s when Che (Benicio Del Toro) sneaks into Bolivia disguised, amusingly, as a stiff, bald Uruguayan businessman. His mission is to establish a jungle outpost and train recruits for a guerilla campaign that was to begin in the mining regions of the country, which contained the most radicalized Bolivians. But the operation was a botch, virtually from the beginning, and succeeded only in hastening the date of Guevara's martyrdom. There are many reasons to recommend the film in its entirety, including its first-rate depiction of guerilla warfare, which Soderbergh no doubt appreciates as analogous to low-budget filmmaking (underfunded, overmatched groups of young people trying to achieve impossible dreams). What is especially striking about this massive project, however, is how much the two halves mirror each other; in the second half, we see Che trying to make the magic of his youth happen one more time, as if replaying history would bring the same Hegelian-style, historically inevitable outcome. Read our review. Not rated. —DF

DUPLICITY—Julia Roberts and Clive Owen star as corporate operatives in this thriller, from the director of Michael Clayton. Also starring Tom Wilkinson and Paul Giamatti. Rated PG-13.

KNOWING— Nicolas Cage stars as a professor fighting to keep dire predictions for humanity from coming true. Rated PG-13.

I LOVE YOU, MAN—This delightfully uncomplicated (see also simplistic) comedy draws from the Judd Apatow casting pool in a formula-flipping tale about a friendless milquetoast, Peter (Paul Rudd), whose fiancée, Zooey (Rashida Jones), pushes him into man-dates in search of a BFF and, hopefully, best man for their wedding. Enter Sydney (Jason Segel), a Lebowski-esque dude whose nonchalant persona masks the same loneliness as Peter. Their platonic, borderline obsessive bromance, rife with reverence for (the band) Rush and walks along Venice Beach, threatens to hamper Peter's pending nuptials and his vain efforts to sell Lou Ferrigno's house. By design, Peter and Sydney is the film's most charismatic coupling: The Apatow-lite script crackles whenever Rudd and Segel share the screen and riff off each other's pop-culture repartee. However, Peter and Zooey's relative lack of sizzle is symptomatic of a screenplay too preoccupied with infantile homo-hilarity. Only a bickering married couple played by Jon Favreau and Jaime Pressley augment the humor; seriously, isn't it high time that the quick-witted Pressley gets cast as the lead in a feature film comedy? Rated R. —NM

THE SECRETS—Two Orthodox Jewish girls, studying in the Knowledge and Truth seminary for women in a small Israeli town, bond over their desire to provide tikkun—healing—for an outcast. Naomi (Ania Bukstein) and Michelle (Michal Shtamler), seeking refuge from their oppressive families, are strangely drawn to the guilt-ridden Anouk (French film icon Fanny Ardant). Anouk's pathway to redemption also transforms Naomi and Michelle, struggling with their own heresies, not the least, Naomi's forbidden desire to become a rabbi. Films about Orthodox Judaism often depict a suffocating pall of religiosity, especially scripture's stranglehold, asserting men's domination over women, who are commanded only that "the wise woman should build a home." Naomi's unwavering belief that one should worship out of love, not fear, seemingly provides an immovable impasse to her self-fulfillment. Director Avi Nesher has some Hollywood credits to his name, and The Secrets is an absorbing character study of three nonconformist women. Rated R. —LB

WENDY AND LUCY—In Kelly Reichardt's Wendy and Lucy, Michelle Williams plays Wendy, a young woman traveling with her dog, Lucy, to Alaska, where she hopes to find work in a cannery. When her car breaks down in a small town in Oregon, Wendy's options are limited. (This is a character who sleeps in her car in a parking lot with her dog, and that's when things are going well for her.) The pace, the worn-in clothing, and the snapshot realism of the locations give Wendy and Lucy a naturalistic feel, but it's not just a mood piece. In fact, what I most love about the movie is Reichardt's presentation of a clear, consistent theme, using Wendy's predicament to examine an individual's relationship to rules and institutions. Read our review. Not rated. —NG

Current Releases

CHE: PART ONEChe: Part I is the first half of director Steven Soderbergh's four-hour formal masterwork about the iconic revolutionary Ernesto "Che" Guevara. While it is rewarding to watch the two halves in one sitting, the first half functions surprisingly well as a self-contained film, partly because it has enough styles and settings for three movies (Mexico City, New York City, all over Cuba). Any political statement that a $60 million capitalist enterprise might make about a Communist revolutionary is irrelevant by its nature. But the flickering images on the screen, the texture-rich world that the film is submerged in, and the relationships of space and time as mapped out by a capable craftsman and adventurous artist like Soderbergh—these are things actually worth caring about. Read our review. Not rated. —NG

THE CLASS—Adapted from a semi-autobiographical novel by school teacher François Bégaudeau and directed by Laurent Cantet, this Cannes Film Festival winner follows instructor François Marin (the author, playing a version of himself) as he tries to cope with his students' unruly behavior while also endeavoring to educate and, hopefully, inspire. Set squarely inside the walls of a racially mixed, inner city Parisian middle school, Cantet employs a raw, quasi-documentary filmmaking style that lays bare the increasingly uneasy relationship between teacher and student as an extended power struggle for classroom supremacy. Although provocative, The Class is not a flawless masterpiece, stylistically or thematically. However, while it is short on answers, the questions it sublimely raises are all too real. Rated PG-13. —NM

CONFESSIONS OF A SHOPAHOLIC—A disconnect seemingly runs throughout this adaptation of the first two books in British writer Sophie Kinsella's popular series. Fashionistas will ogle the endless array of Gucci, Burberry and Yves Saint Laurent literally bursting out of the closet of Manhattanite Rebecca Bloomwood (Isla Fisher), while other viewers will focus on the revolving credit lines and compounding interest endemic to Rebecca's corrosive consumerism. Although $16,000 in hock, Rebecca lands a job writing for a struggling money magazine where she parlays her angst into a column on, ironically, financially prudent shopping. Aussie director P.J. Hogan (Muriel's Wedding; My Best Friend's Wedding) keeps matters buoyant and mostly on point, and the film flies during times he accentuates the sly and surreal. But, it is Fisher's effervescent, whip-smart spunk that carries the film. Rated PG-13. —NM

FIRED UP—In Fired Up, two oversexed high school jocks (in this film, "high school" apparently means everyone looks like they are in their late 20s) engineer a plot to skip summer football practice to attend a cheerleading camp and have sex with every present female. Surprisingly, their plan works perfectly and the PG-13 film wastes a lot of time insinuating the dirty stuff with montages of awful pickup lines. Unlike many cheerleading films, Fired Up never focuses on the sport or the teamwork. Rather, the camera and characters treat the camp as a combination meat market and gay-panic joke. The script, by Freedom Jones, only aims at the broad sides of the comedy barn: George W. Bush, Crocs and '90s pop culture are all given the mocking they've had coming for so long. After climaxing with a pointless competition, the film offers a perplexing moral: All you need to succeed is to be a cocky jerk. Using this film as evidence, I disagree. Rated PG-13. —HT

HE'S JUST NOT THAT INTO YOU—This strenuously titled effort stretches a load of rom-com conventions across half a dozen separate stories, which gives it the opportunity to employ a gaggle of preppy, straight, white actors and watch them joke and despair over their dates, marriages and home remodelings on clinically clean, synthetic sets. The opening narration would have us believe that this is a story about how the women that the film fabricates need to break from the behavior that has made them clingy and desperate. Unfortunately, it insults its audience and even trespasses against its own title by fabricating a group of needy, silly women, encouraging them to keep up the good fight and eventually they'll win the right man. Rated PG-13. —NG

HOTEL FOR DOGS—Two plucky orphans, their friends, and an unexpected Don Cheadle try to cultivate a substitute family in an abandoned hotel-turned-dog sanctuary. The film is laden with kids' movie clichés, but it avoids being completely annoying. It features entertaining, Rube Goldberg-esque inventions for mass dog care, and is refreshingly low on poop jokes. Rated PG. —HT

THE INTERNATIONALThe International offers little in the way of improving upon forgettable and forgotten conspiracy thrillers. Louis Salinger, an obsessive Interpol agent (Clive Owen), teams up with New York district attorney Eleanor Whitman (Naomi Watts) to investigate a bank that funds criminal organizations with money, information and weaponry. Rated R. —HT

JONAS BROTHERS: THE 3D CONCERT EXPERIENCE—This Disney-engineered rockumentary aims straight for the Teen Beat-ing heart of its audience. The camera follows the 'tween idols through the highs and lows of stardom, cutting from a fantasy rock show at an Anaheim arena to a CD-release party at Times Square to candid shots of downtime between publicity events. Inevitably, the sugar rush of bubblegum fame wears out its welcome toward the 40-minute mark in the film, leaving an older audience snoozing. Points are awarded for director Brooks Hendrick's brief but endearing homage to Richard Lester's Hard Day's Night, but the plastic threesome aren't equal to the fab foursome, on screen or off. Rated G. —KJ

THE LAST HOUSE ON THE LEFT—In the '70s, Wes Craven revamped Ingmar Bergman's The Virgin Spring into a sadistic tale of violence in the generation of peace and love. This redux of Craven's debut rehashes the original plot—a college-age girl vacations in an isolated lake-side home with her parents, wanders out for some fun with a friend in town, then stumbles upon a gang of killers when a fellow teen offers the lure of hydroponic weed—but ultimately it strays from Craven's psycho-sadistic style. Here, Greek director Dennis Illiadis lends intimacy to the film through artistic moments (a camera lingers on a red wall and a body floats gently in a pool of blood and water) that far outweigh the provocative brutality of an extended rape scene and brutal stabbing. This film is no less depraved than the '72 version (the faint-hearted should proceed with caution) and the killers still receive their just desserts at the hands of the enraged victim's parents, but Illiadis finds grace in survival and redemption in retaliation. Rated R. —KJ

MADEA GOES TO JAIL—Populist auteur Tyler Perry's latest visit with Madea, a trash- and truth-talking "Jemima the Hutt." Half of this tale is sentimental melodrama, half is rowdy slapstick and it's all frosted with sincere Christianity. Channeling blaxploitation-like exhilaration, skeevvy racists are vanquished, crooked district attorneys outed and, in the end, family, faith and community triumph. Madea lectures "us" to get over being a victim, even if it feels so good to get mad and get even. Her tough love touches a lawyer (Derek Luke) who's engaged to a sleek fiancée but struggling with his feelings for a childhood friend, now a junkie hooker (Keshia Knight Pulliam, the Cosby Show's adorable Rudy, now way grown up). This film's success makes perfect sense; We want hope and change (and a soupçon of revenge), not the doom and anxiety threatened by the advance trailers, where even an old Disney plot is retooled into apocalypse. It's not surprising Madea's message rules. Rated PG-13. —LB

MISS MARCH—Zach Cregger and Trevor Moore of the sketch comedy group The Whitest Kids U Know wrote, directed and starred in this high concept/ half-baked sex comedy about a high school virgin who wakes from a coma to find out his girlfriend has become a Playboy model. Instead of exploring the arrested development of Eugene Bell (Cregger), the film's sexual Rip Van Winkle, the film continually piles on weird characters and out-of-nowhere circumstances. Some of these gags succeed—Craig Robinson of The Office amuses as a rapper whose lyrics defy several rules of anatomy—but the two main characters are obnoxious, and after some effective early scenes, the film quickly runs off the rails. The central placement of the less-than-fashionable Playboy magazine is the film's strangest feature. The characters fluff the questionable relevance of Playboy between sarcastically insinuating its smuttiness before their third-act encounter with the aging Hugh Hefner—the film fawns over the pajama-clad relic and presents his mansion of women as a valkyrie-filled sexual Valhalla. Rated R. —HT

PAUL BLART: MALL COP—If this is Kevin James' attempt to make himself the new box office king of stupid comedy, Adam Sandler and Will Ferrell can sleep easy. While James does play his mall cop with engaging enthusiasm and surprising physical agility, his performance is hampered by the plot, a shopworn Die Hard parody. The moral seems to be that even a stupid guy can defeat terrorists, if he takes enough pratfalls to keep the bullets from hitting him and makes a lot of things fall on the evildoers' heads. Rated PG. —HT

RACE TO WITCH MOUNTAIN—Disney revisits their Witch Mountain franchise in this innocuous diversion that is pleasant enough viewing granted you don't bother applying even a modicum of logic. Otherwise, you'll wonder why two space travelers (a delightful AnnaSophia Robb and dour Alexander Ludwig) who assume human form and exhibit superpowers—one can alter his molecular structure and the other is capable of reading minds, levitating objects, blowing things up, operating a car telepathically, etc.—need the help of a Las Vegas cabbie (Dwayne Johnson) whose woebegone backstory is belied by the fact that, well, he looks like The Rock. Aided even further by a defrocked astrophysicist (the underrated Carla Guigno), the teen E.T.s are on a mission to deliver some gizmo holding the secret to environmental renewal back to their dying home planet. In their way is an intergalactic assassin patterned after Predator and a cadre of government MIBs led by Ciarán Hinds (wearing a constipated scowl). Indeed, the derivative film blindly assimilates contemporary alien-movie conventions more than Disney films of yore. Rated PG —NM. Rated PG.

THE READER—For those of us with limited patience for the exquisitely tasteful literary adaptations that litter theaters in December, The Reader requires patience. The early scenes, set in Berlin of 1955, are a unending prologue of tinkling music, muted colors, longing glances, lovingly caressed flesh and worship of literature. When the film displays its hand, however, we get more interesting film about the limits of legal and moral responsibility for the atrocities of World War II and in the individual and collective guilt of the German people. Rated R. —DF

SLUMDOG MILLIONAIRE—Blending historical perspective, grim reality, whimsy and starry-eyed romance, director Danny Boyle (Trainspotting) crafts a masterful cinematic masala about an 18-year-old Muslim and former street orphan suspected of cheating during his successful run on a Hindi version of Who Wants to Be a Millionaire? His resulting torture and interrogation reveals the details of his hardscrabble life. The script for this epic character-driven, post-modern Dickensian tale deftly incorporates much of India's religious/ cultural conflict and transformation. But, at the film's heart beats a redemptive, romantic, rags-to-rajah fable that transcends its jaundiced milieu. Rated R. —NM

TAKENTaken has a lot in common with its main character, a vengeful uber-dad played by Liam Neelson. The film is brutal, hyper-kinetic and slightly xenophobic. As a film that explores the issue of sex slavery, it's a blunt tool; It will only succeed in terrifying the parents of kids who want to travel. However, it's a well-made and solid action thriller, and action films are rarely successful teachers. This one wisely falls back into the old standbys: gun fights and car chases. It's worth seeing if only for Neelson's performance. He plays his humbly retired spy with gentle smile that can quickly give way to a menacing glare as he cracks heads; both looks work well in tandem with his whispery, scratchy voice. His character is one of the most interesting patriarchal antiheroes since Bruce Willis's lovelorn good-cop in Sin City. Rated PG-13. —HT

TWO LOVERSTwo Lovers follows the romantic missteps of Leonard (Joaquin Phoenix)—a perhaps suicidal, probably bipolar Brooklyn boy from Brighton Beach. His parents try to set Leonard up with Sandra (Vinessa Shaw), a nice Jewish girl, but he only has eyes for Melissa (Gwyneth Paltrow), his troubled, sniveling blonde wisp of a neighbor. The choice that Leonard should be making is clear, and Two Lovers is 100 minutes of watching him not make it. What I love about director and co-writer James Gray's movie is that it doesn't just short-circuit emotional connection, it explodes the very concept. For most of the film I have no idea what Gray wants me to think of what's happening—it's an exhilarating bottomless freefall. Rated R. —NG

WATCHMEN—The renowned comic-book writer Alan Moore once declared that his epic graphic novel series was unfilmable. While now a technically inaccurate statement, one gander at the long-awaited cinematic rendering of Moore's magnum opus provides ample appreciation for the spirit behind his proclamation. Watchmen is a phantasmagorical mind trip, but not about the psychology of America's popular culture as much as the psychology of America itself. The film is visually arresting and thought-provoking; it is also bloated and unwieldy. Some will regard it as a cinematic work of art; others will see sheer fanboy pornography. It must be said that the opening two scenes are brilliant—and hover like an unmet promise throughout the remainder of the almost interminable 161-minute running time. Rated R. —NM


Film times were updated Friday, March 20.

Due to the possibility of last-minute scheduling changes, we recommend calling ahead to theaters to confirm showtimes.

Raleigh

Regal Beaver Creek Stadium 12
Beaver Creek Shopping Center, off NC 55, Apex, 676-3456

Duplicity—Fri-Sun: (1, 4:20), 7:20, 10:15; Mon-Thu: (12:50, 3:40), 6:50, 9:40. He's Just Not That Into You—Fri-Sun: (12, 2:50), 6:40, 9:30; Mon-Thu: (2:10, 5), 7:50. I Love You, Man—Fri-Sun: (1:30, 4:40), 7:40, 10:20; Mon-Thu: (1:30, 4), 7:15, 9:45. Knowing—Fri-Sun: (12:30, 3:30), 7, 10; Mon-Thu: (1, 3:50), 7, 9:50. The Last House on the Left—Fri-Sun: (12:40, 3:20), 7:10, 9:45; Mon-Thu: (1:15, 3:55), 6:45, 9:30. Miss March—Fri-Thu: 9:10. Paul Blart: Mall Cop—Fri-Sun: (1:40, 4:10), 6:50; Mon-Thu: (2, 4:30), 6:40. Race to Witch Mountain—Fri-Sun: (12:10, 1:20, 2:40, 3:50, 5:10), 6:20, 7:30, 8:50, 9:55; Mon-Thu: (1:40, 2:40, 4:10, 5:10), 6:30, 7:30, 9, 10. Slumdog Millionaire—Fri-Sun: (12:20, 3:10), 6:30, 9:20; Mon-Thu: (1:20, 4:15), 7:10, 9:55. Taken—Fri-Sun: (1:50, 4), 7:50, 10:05; Mon-Thu: (1:50, 4:50), 7:05, 9:20. Tyler Perry's Madea Goes to Jail—Fri-Sun: (1:10, 3:40), 6:10, 8:40; Mon-Thu: (2:20, 4:45), 7:40, 10:05. Watchmen—Fri-Sun: (12:50, 4:30), 8; Mon-Thu: (1:10, 4:40), 8:10

Carmike Blue Ridge 14 Cinema
600 Blue Ridge Rd, Raleigh, 645-1111

Bedtime Stories—Fri: 3:25, 5:35, 7:45, 9:55; Sat-Thu: 1:15, 3:25, 5:35, 7:45, 9:55. Bolt—Fri: 3:15, 5:30, 7:45, 9:55; Sat-Thu: 1, 3:15, 5:30, 7:45, 9:55. Bride Wars—Fri: 3:15, 5:30, 7:45, 10:05; Sat-Thu: 1, 3:15, 5:30, 7:45, 10:05. Doubt—Fri: 4:15, 7, 9:35; Sat-Thu: 1:15, 4:15, 7, 9:35. Inkheart—Fri: 4:15, 7:05, 9:40; Sat-Thu: 1:35, 4:15, 7:05, 9:40. Last Chance Harvey—Fri: 3:20, 5:30, 7:40, 9:50; Sat-Thu: 1:10, 3:20, 5:30, 7:40, 9:50. Marley & Me—Fri: 4:10, 7, 9:50; Sat-Thu: 1:10, 4:10, 7, 9:50. My Bloody Valentine—Fri: 3:20, 5:35, 7:50, 10:05; Sat-Thu: 1:05, 3:20, 5:35, 7:50, 10:05. Revolutionary Road—Fri: 4, 7, 10; Sat-Thu: 1, 4, 7, 10. Seven Pounds—Fri: 4:30, 7:20, 10; Sat-Thu: 1:35, 4:30, 7:20, 10. The Tale of Despereaux—Fri: 3:15, 5:30, 7:45, 9:55; Sat-Thu: 1, 3:15, 5:30, 7:45, 9:55. Twilight—Fri: 4:15, 7, 9:45; Sat-Thu: 1:30, 4:15, 7, 9:45. Underworld: Rise of the Lycans—Fri: 3:25, 5:40, 7:55, 10:10; Sat-Thu: 1:10, 3:25, 5:40, 7:55, 10:10. Valkyrie—Fri: 4:30, 7:10, 10; Sat-Thu: 1:40, 4:30, 7:10, 10

Regal Brier Creek Stadium 14
8611 Brier Creek Pkwy, Raleigh, 484-9994

Confessions of a Shopaholic—Fri: (12:55, 4:20), 6:45, 9:15, 11:40; Sat: 6:45, 9:15, 11:40; Sun: (12:55, 4:20), 6:45, 9:15; Mon-Thu: (1:35, 4:10), 7:20, 9:45. Duplicity—Fri-Sun: (12:15, 3:15), 7:40, 10:20; Mon-Thu: (1:15, 4:10), 7:05, 10. He's Just Not That Into You—Fri-Sun: (12:25, 3:55), 7:10, 10:10; Mon-Thu: (1:10, 4:05), 7, 9:55. I Love You, Man—Fri-Sat: (12:30, 3:30), 7, 9:35, 12:10 AM; Sun: (12:30, 3:30), 7, 9:35; Mon-Thu: (1:40, 4:40), 7:15, 9:45. Knowing—Fri-Sun: (12, 4), 7:20, 10:15; Mon-Thu: (1:05, 4), 6:55, 9:50. The Last House on the Left—Fri-Sat: (12:45, 3:35), 6:55, 9:40, 12:20 AM; Sun: (12:45, 3:35), 6:55, 9:40; Mon-Thu: (1:35, 4:25), 7:20, 10:10. The Metropolitan Opera: La Sonnambula—Sat: 1. Miss March—Fri-Sat: (4:30), 10, 12:25 AM; Sun: (4:30), 10; Mon-Thu: (3:55), 9:30. Paul Blart: Mall Cop—Fri-Sun: (12:35, 2:50, 5:05), 7:30, 9:45; Mon-Thu: (1:45, 4:30), 7:25, 9:40. Race to Witch Mountain—Fri-Sat: (12:05, 12:40, 2:35, 3:25, 5:05), 6:50, 7:35, 9:20, 10:05, 11:50; Sun: (12:05, 12:40, 2:35, 3:25, 5:05), 6:50, 7:35, 9:20, 10:05; Mon-Thu: (1:25, 1:55, 3:50, 4:15), 6:40, 7:10, 9:10, 9:40. The Reader—Fri-Sun: (12:20), 7:05; Mon-Thu: (1:10), 6:45. Slumdog Millionaire—Fri-Thu: (1, 4:05), 7:10, 10:05. Taken—Fri-Sat: (12:35, 3), 7:30, 9:55, 12:20 AM; Sun: (12:35, 3), 7:30, 9:55; Mon-Thu: (1:30, 4:20), 7:20, 9:35. Tyler Perry's Madea Goes to Jail—Fri-Sun: (12:50, 4:45), 7:15, 9:50; Mon-Thu: (1:20, 3:45), 6:50, 9:15. Watchmen—Fri-Sat: (12:10, 3:45), 7:25, 11; Sun: (12:10, 3:45), 7:25; Mon-Thu: (1, 4:35), 8:10

Carmike Fifteen
5501 Atlantic Springs Rd, Raleigh, 645-1111

Altered Courses—Mon-Thu: (4), 9:50. Bad for Business—Sat: 12 AM. Coraline 3D—Fri: (5:05), 7:30, 12:20 AM; Sat: (12:15, 2:40, 5:05), 7:30, 9:55, 12:20 AM; Sun-Thu: (12:15, 2:40, 5:05), 7:30, 9:55. Duplicity—Fri: (4), 7, 9:35, 12:10 AM; Sat: (1:20, 4), 7, 9:35, 12:10 AM; Sun-Thu: (1:20, 4), 7, 9:35. Friday the 13th (2009)—Fri: (4:50), 7:15, 9:40, 12 AM; Sat: (2:25, 4:50), 7:15, 9:40, 12 AM; Sun: (12, 2:25, 4:50), 7:15, 9:40; Mon-Thu: (12), 7:15. I Love You, Man—Fri: (4:15), 7:10, 9:50, 12:25 AM; Sat: (1:30, 4:15), 7:10, 9:50, 12:25 AM; Sun-Thu: (1:30, 4:15), 7:10, 9:50. Knowing—Fri: (4:10), 7, 9:45, 12:30 AM; Sat: (1:10, 4:10), 7, 9:45, 12:30 AM; Sun-Thu: (1:10, 4:10), 7, 9:45. The Last House on the Left—Fri: (4:10), 5:30, 7, 8:15, 9:40, 11, 12:20 AM; Sat: (12, 1, 2:45, 4:10), 5:30, 7, 8:15, 9:40, 11, 12:20 AM; Sun-Thu: (12, 1, 2:45, 4:10), 5:30, 7, 8:15, 9:40. Miss March—Fri: (5), 7:30, 9:50, 12:10 AM; Sat: (12:30, 2:45, 5), 7:30, 9:50, 12:10 AM; Sun-Thu: (12:30, 2:45, 5), 7:30, 9:50. Paul Blart: Mall Cop—Fri: (5:10), 7:30, 9:50, 12:10 AM; Sat: (12:40, 2:55, 5:10), 7:30, 9:50, 12:10 AM; Sun-Thu: (12:40, 2:55, 5:10), 7:30, 9:50. Race to Witch Mountain—Fri: (3:25, 4:50), 5:50, 7:20, 8:20, 9:45, 10:45, 12:10 AM; Sat: (12, 1, 2:25, 3:25, 4:50), 5:50, 7:20, 8:20, 9:45, 10:45, 12:10 AM; Sun-Thu: (12, 1, 2:25, 3:25, 4:50), 5:50, 7:20, 8:20, 9:45. Taken—Fri: (5), 7:20, 9:45, 12:15 AM; Sat: (12:20, 2:40, 5), 7:20, 9:45, 12:15 AM; Sun-Thu: (12:20, 2:40, 5), 7:20, 9:45. Tyler Perry's Madea Goes to Jail—Fri: (5), 7:30, 10, 12:30 AM; Sat: (12, 2:30, 5), 7:30, 10, 12:30 AM; Sun-Thu: (12, 2:30, 5), 7:30, 10. Watchmen—Fri: (3:30, 4:30), 7, 8, 10:25, 11:30; Sat: (12, 1, 3:30, 4:30), 7, 8, 10:25, 11:30; Sun-Thu: (12, 1, 3:30, 4:30), 7, 8

Colony Theatres
Colony Shopping Center, 5438 Six Forks Rd, Raleigh, 856-0111

The Class (Entre les murs)—Fri-Sun: (1:45, 4:15), 7:10, 9:35; Mon-Thu: 7:10, 9:35. Wendy and Lucy—Fri-Sun: (2:30, 4:30), 7, 9; Mon-Thu: 7, 9

Regal Crossroads 20
501 Caitboo Ave, Crossroads Shopping Center, Cary, 226-2000

Confessions of a Shopaholic—Fri-Sun: (2:35), 8:05; Mon-Thu: (5:15). Coraline 3D—Fri-Sun: (12:05, 2:30, 5:10), 7:40, 10:10; Mon-Thu: (12:45, 3:15, 5:45), 8:15. Duplicity—Fri-Sat: (11:30 AM, 12:30, 2:15, 3:15, 5), 6:15, 7:45, 9, 10:30; Sun: (11:30 AM, 12:30, 2:15, 3:15, 5), 6:15, 7:45, 9; Mon-Thu: (12:30, 1:30, 3:30, 4:15), 6:15, 7:30, 9. Gran Torino—Fri-Sat: (1:45, 4:50), 8:10, 10:55; Sun: (1:45, 4:50), 8:10; Mon-Thu: (2:10, 4:50), 8:25. He's Just Not That Into You—Fri-Sat: (1:30, 4:25), 7:25, 10:35; Sun: (1:30, 4:25), 7:25; Mon-Wed: (1:35, 4:25), 7:20; Thu: (1:35). I Love You, Man—Fri-Sat: (12:15, 1:15, 3, 4:15, 5:45), 7, 8:30, 9:30, 11:15; Sun: (12:15, 1:15, 3, 4:15, 5:45), 7, 8:30, 9:30; Mon-Thu: (12:10, 1:10, 2:35, 3:35, 5), 6:45, 7:45, 9:20, 10:10. Knowing—Fri-Sat: (12, 1, 2:45, 4, 5:30), 7:15, 8:15, 10, 11; Sun: (12, 1, 2:45, 4, 5:30), 7:15, 8:15, 10; Mon-Thu: (12:15, 1:15, 3, 4), 6:30, 7, 9:15, 9:45. The Last House on the Left—Fri-Sun: (12:25, 1:25, 3:20, 3:55, 5:50), 7:05, 8:45, 10:15; Mon-Thu: (12:25, 1:25, 3:05, 3:55, 5:35), 7:25, 8:10, 9:55. Miss March—Fri-Sat: (12:50, 5:20), 10:20; Sun: (12:50, 5:20); Mon-Thu: (1:45), 6:35. Paul Blart: Mall Cop—Fri-Sun: (11:50 AM, 2:10, 4:35); Mon-Thu: (12:35, 2:50, 5:10). The Pink Panther 2—Fri-Sun: (3:05), 7:50; Mon-Thu: (4:10), 8:50. Push—Fri-Sat: (11:45 AM, 5:15), 10:40; Sun: (11:45 AM, 5:15); Mon-Thu: (2:05), 8:30. Race to Witch Mountain—Fri-Sun: (11:40 AM, 12:45, 2, 3:30, 4:20), 6:30, 7:30, 8:55, 9:50; Mon-Thu: (12, 1, 2:20, 3:20, 4:40, 5:40), 7:15, 8, 9:35. Slumdog Millionaire—Fri-Sat: (1:35, 4:45), 8, 10:45; Sun: (1:35, 4:45), 8; Mon-Thu: (12:55, 3:50), 6:40, 9:25. Taken—Fri-Sat: (1:05, 3:35), 6:45, 9:05, 11:25; Sun: (1:05, 3:35), 6:45, 9:05; Mon-Thu: (12:50, 3:10, 5:25), 7:40, 10. Tyler Perry's Madea Goes to Jail—Fri-Sun: (1:10, 3:45), 6:10, 8:35; Mon-Thu: (2, 4:30), 6:55, 9:30. Watchmen—Fri-Sun: (12:35, 4:30), 7:20, 9:15; Mon-Thu: (12:05, 3:40), 7:05, 8:05

Galaxy Cinema
770 Cary Towne Blvd, Cary, 463-9989

Che Part One—Fri-Thu: (4:20), 9:40. Che Part Two—Fri-Thu: (1, 4:05), 7:05, 9:45. The Class (Entre les murs)—Fri-Thu: (12:55, 3:55), 6:50, 9:35. The Reader—Fri-Thu: (1:10), 7. Sabrina (1954)—Fri-Sun: (1:05). The Secrets (Ha-Sodot)—Fri-Sun: (4), 7:10; Mon-Thu: (1:05, 4), 7:10, 9:35. Slumdog Millionaire—Fri: (1:15, 4:15), 7, 9:30; Sat: (1:15, 7), 9:30; Sun-Thu: (1:15, 4:15), 7, 9:30. Two Lovers—Fri-Thu: (12:50, 4:10), 6:45, 9:25

UA Garner Town Square 10
2600 Timber Dr, Garner, 779-2212

Fired Up—Fri-Sat: (1:45, 4:30), 7:35, 9:55; Sun-Thu: (1:45, 4:30), 7:35. Hotel for Dogs—Fri-Sat: (1:30, 4:05), 7:15, 9:40; Sun-Thu: (1:30, 4:05), 7:15. I Love You, Man—Fri-Sat: (12:10, 2:40, 5:10), 7:40, 10:15; Sun-Thu: (12:10, 2:40, 5:10), 7:40. Knowing—Fri-Sat: (1:20, 4:20), 7:25, 10:10; Sun-Thu: (1:20, 4:20), 7:25. The Last House on the Left—Fri-Sat: (1:40, 4:25), 7:20, 10; Sun-Thu: (1:40, 4:25), 7:20. Paul Blart: Mall Cop—Fri-Sat: (1:35, 4:45), 7:05, 9:35; Sun-Thu: (1:35, 4:45), 7:05. Race to Witch Mountain—Fri-Sat: (12:15, 2:35, 5), 7:30, 9:50; Sun: (12:15, 2:35, 5), 7:30; Mon-Thu: (12:15, 2:35, 5), 7:30. Taken—Fri-Sat: (1:25, 4:15), 7:10, 9:45; Sun-Thu: (1:25, 4:15), 7:10. Tyler Perry's Madea Goes to Jail—Fri-Sat: (12:25, 2:50, 5:15), 7:45, 10:10; Sun-Thu: (12:25, 2:50, 5:15), 7:45. Watchmen—Fri-Sat: (12:20, 3:40), 7, 10:20; Sun-Thu: (12:20, 3:40), 7

Wachovia IMAX Theatre at Marbles Kids Museum
201 E Hargett St, Raleigh, 834-4040

The Greatest Places—Tue: 10 AM; Wed: 10 AM, 12. Mummies: Secrets of the Pharaohs—Fri: 10 AM, 3, 6; Tue: 12, 2, 6; Wed: 11 AM, 2, 4, 6; Thu: 6. U2 3D—Fri-Sat: 8, 9:50; Sun: 8; Wed-Thu: 8. Under the Sea 3D (IMAX 3D)—Fri: 11 AM, 1, 2, 4, 7; Sat: 11 AM, 1, 3, 5, 7; Sun: 11 AM, 2, 4, 6; Tue: 11 AM, 3, 5, 7; Wed: 1, 3, 5, 7; Thu: 10 AM, 1, 3, 5, 7. Wild Ocean 3D—Fri: 12, 5; Sat: 10 AM, 12, 2, 4, 6; Sun: 12, 2, 4, 6; Tue: 1, 4; Thu: 11 AM

Mission Valley Cinema
2109-124 Avent Ferry Rd, Raleigh, 834-2233

Duplicity—Fri-Thu: (1:15, 4), 7, 9:45. I Love You, Man—Fri-Thu: (1:30, 4:15), 7:15, 9:55. Knowing—Fri-Thu: (1:15, 4:10), 7:10, 9:50. The Last House on the Left—Fri-Thu: (1:30, 4:15), 7:15, 10. Watchmen—Fri-Thu: (1, 4:30), 8

Regal North Hills Stadium 14
4150 Main at North Hills St, Raleigh, 786-4511

Confessions of a Shopaholic—Fri-Sun: (5:10), 7:50, 10:20; Mon-Thu: (4:20), 7:50, 10:20. Duplicity—Fri-Sat: (12:15, 3:05), 6:45, 9:35, 12:25 AM; Sun: (12:15, 3:05), 6:45, 9:35; Mon-Thu: (1:05, 3:55), 6:45, 9:35. He's Just Not That Into You—Fri: (12:25, 4:35), 7:25, 10:25; Sat: 7:25, 10:25; Sun: (12:25, 4:35), 7:25, 10:25; Mon-Thu: (1:40, 4:35), 7:25, 10:25. I Love You, Man—Fri-Sat: (12, 12:45, 2:30, 4:30, 5:15), 7:15, 8, 9:45, 10:30, 12:15 AM; Sun: (12, 12:45, 2:30, 4:30, 5:15), 7:15, 8, 9:45, 10:30; Mon-Thu: (1:10, 1:50, 4, 5), 7:15, 8, 9:45, 10:30. Jonas Brothers: The 3D Concert Experience—Fri-Sun: 12:40, 3; Mon-Thu: 1:30. Knowing—Fri-Sat: (12:30, 1, 4:10, 4:45), 7, 7:45, 9:50, 10:45, 12:40 AM; Sun: (12:30, 1, 4:10, 4:45), 7, 7:45, 9:50; Mon-Thu: (1:15, 1:55, 4:10, 4:50), 7, 7:45, 9:50. The Last House on the Left—Fri-Sat: (11:55 AM, 2:25, 5), 7:35, 10:10, 12:45 AM; Sun: (11:55 AM, 2:25, 5), 7:35, 10:10; Mon-Thu: (2:05, 4:40), 7:35, 10:10. The Metropolitan Opera: La Sonnambula—Sat: 1. Miss March—Fri-Sat: (4:40), 9:55, 12:20 AM; Sun: (4:40), 9:55; Mon-Thu: (4:45), 9:55. Race to Witch Mountain—Fri: (12:10, 2:40, 4:25, 5:05), 7:30, 9:30, 10:05, 11:55, 12:35 AM; Fri: (12:55), 6:50; Sat: (4:25), 9:30; Sat: (12:10, 12:55, 2:40, 5:05), 6:50, 7:30, 10:05, 11:55, 12:35 AM; Sun: (12:10, 2:40, 4:25, 5:05), 6:50, 7:30, 10:05; Sun: (12:55), 9:30; Mon: (2, 4:05, 4:55), 7:30, 9:30, 10:05; Mon: (1:20), 6:50; Tue: (1:20, 2, 4:55), 6:50, 7:30, 10:05; Tue: (4:05), 9:30; Wed: (1:20), 6:50; Wed: (2, 4:05, 4:55), 7:30, 9:30, 10:05; Thu: (4:05), 9:30; Thu: (1:20, 2, 4:55), 6:50, 7:30, 10:05. The Reader—Fri: (12:35), 7:05; Sat: 7:05; Sun: (12:35), 7:05; Mon-Thu: (1:35), 7:05. Taken—Fri-Sat: (12:05, 2:35, 4:55), 7:20, 9:40, 12 AM; Sun: (12:05, 2:35, 4:55), 7:20, 9:40; Mon-Thu: (1:25, 4:25), 7:20, 9:40. Tyler Perry's Madea Goes to Jail—Fri-Sat: (12:20, 4:15), 7:10, 10, 12:30 AM; Sun: (12:20, 4:15), 7:10, 10; Mon-Thu: (1:45, 4:15), 7:10, 10. Watchmen—Fri-Sat: (12:50, 4:20), 7:55, 11:25; Sun: (12:50, 4:20), 7:55; Mon-Thu: (1, 4:30), 7:55

Carmike Park Place 16
9525 Chapel Hill Rd, Morrisville, 645-1111

Altered Courses—Mon-Thu: (4), 9:50. Bad for Business—Sat: 12 AM. Coraline 3D—Fri: (5:05), 7:30, 9:55; Sat-Thu: (12:15, 2:40, 5:05), 7:30, 9:55. Duplicity—Fri: (4), 7, 9:35; Sat-Thu: (1:20, 4), 7, 9:35. Fired Up—Fri-Thu: (5:10), 9:50. He's Just Not That Into You—Fri-Sat: (4:10), 7, 9:50; Sun: (1:10, 4:10), 7, 9:50; Mon-Thu: (1:10), 7. Hotel for Dogs—Fri: (4:50), 7:15, 9:30; Sat-Thu: (12, 2:25, 4:50), 7:15, 9:30. I Love You, Man—Fri: (4:15), 7:10, 9:50; Sat-Thu: (1:30, 4:15), 7:10, 9:50. Jonas Brothers: The 3D Concert Experience—Fri: (3:50), 5:45, 7:40, 9:35; Sat-Thu: (12, 1:55, 3:50), 5:45, 7:40, 9:35. Knowing—Fri: (4:10), 7, 9:45; Sat-Thu: (1:10, 4:10), 7, 9:45. The Last House on the Left—Fri: (4:10), 7, 9:40; Sat-Thu: (1, 4:10), 7, 9:40. Miss March—Fri: (5), 7:30, 9:50; Sat-Thu: (12:30, 2:45, 5), 7:30, 9:50. Paul Blart: Mall Cop—Fri: 7:30; Sat-Thu: (12:40, 2:55), 7:30. Race to Witch Mountain—Fri: (4:50), 7:20, 9:45; Sat-Thu: (12, 2:25, 4:50), 7:20, 9:45. Slumdog Millionaire—Fri: (4), 7, 9:55; Sat-Thu: (1:15, 4), 7, 9:55. Taken—Fri: (5), 7:20, 9:45; Sat-Thu: (12:20, 2:20, 5), 7:20, 9:45. Tyler Perry's Madea Goes to Jail—Fri: (5), 7:30, 10; Sat-Thu: (12, 2:20, 5), 7:30, 10. Watchmen—Fri: (4:15), 7:45; Sat-Thu: (12:45, 4:15), 7:45. The Wrestler—Fri: (4), 7:05, 10; Sat-Thu: (1, 4), 7:05, 10

Raleighwood Cinema Grill
Falls Village Shopping Center, Raleigh, 847-0326

Bedtime Stories—Fri-Thu: 1. Bolt—Fri-Thu: 4. Bride Wars—Fri-Thu: 7. The Curious Case of Benjamin Button—Fri-Thu: 6:30. Hotel for Dogs—Fri-Thu: 3:30. The Tale of Despereaux—Fri-Thu: 12:30. Twilight—Fri-Thu: 8:45. Yes Man—Fri-Thu: 9:30

Rialto Theatre - Raleigh
1620 Glenwood Ave, Raleigh, 856-0111

Two Lovers—Fri: 7, 9:15; Sat-Sun: (2, 4:30), 7, 9:15; Mon-Thu: 7, 9:15

Six Forks Station Cinema
9500 Forum Dr, Raleigh, 846-3904

Duplicity—Fri-Thu: (1:10, 4), 7:10, 9:40. Knowing—Fri-Thu: (1:20, 4:10), 7:20, 9:45. Race to Witch Mountain—Fri-Thu: (12:40, 2:50, 5), 7:15, 9:25. The Reader—Fri-Thu: (1, 1:25, 4:10, 4:15), 7:10, 7:25, 9:40. Slumdog Millionaire—Fri-Thu: (1:15, 4), 7:15, 9:45

Regal White Oak Stadium 14
1205 Timber Dr East, Garner, 676-FILM

Duplicity—Fri-Sat: (12:45, 4), 7, 10; Sun-Thu: (12:45, 4), 7, 9:55. Fired Up—Fri-Thu: (1:50, 4:20), 6:50, 9:10. He's Just Not That Into You—Fri-Sat: (12:40, 3:45), 6:40, 9:45; Sun-Thu: (12:40, 3:45), 6:40, 9:35. I Love You, Man—Fri-Sat: (1:15, 4:15), 7:30, 10:15; Sun-Thu: (1:15, 4:15), 7:30, 10:10. Knowing—Fri-Sat: (12:30, 3:40), 7:15, 10:10; Sun-Thu: (12:30, 3:40), 7:10, 10. The Last House on the Left—Fri-Sat: (2:20, 5), 7:40, 10:20; Sun-Thu: (2:05, 4:45), 7:25, 10:05. Miss March—Fri-Thu: 9:20. Paul Blart: Mall Cop—Fri-Thu: (2:10, 4:40), 7:05. Push—Fri-Sat: (1:05, 3:55), 7:10, 10:05; Sun-Thu: (1:05, 3:55), 7:15, 9:50. Race to Witch Mountain—Fri-Sat: (1, 2, 3:30, 4:50), 6:30, 7:20, 9, 9:50; Sun: (1, 2, 3:30, 4:50), 6:30, 7:20, 9, 9:45; Mon-Thu: (1, 2, 3:30, 4:50), 6:30, 7:20, 9, 9:45. Slumdog Millionaire—Fri-Sat: (12:35, 3:25), 6:20, 9:35; Sun-Thu: (12:35, 3:25), 6:20, 9:30. Taken—Fri-Thu: (1:40, 4:35), 6:55, 9:40. Tyler Perry's Madea Goes to Jail—Fri-Thu: (1:30, 4:05), 6:45, 9:15. Watchmen—Fri-Thu: (12:50, 4:30), 8

Durham

Southpoint Cinemas
8030 Renaissance Parkway, Suite 975, (919)313-6627

Confessions of a Shopaholic—Fri-Thu: (1:10), 6:30. Coraline—Fri-Sat: (1:40), 8:25; Sun: (1:40), 8; Mon-Thu: (1:25), 8. Duplicity—Fri-Sat: (1:25, 4:15), 7:10, 10; Sun: (1:25, 4:10), 6:55, 9:40; Mon-Thu: (1:15, 4:05), 6:45, 9:30. Gran Torino—Fri-Sun: (3:30), 6:15; Mon-Thu: (3:35), 6:15. He's Just Not That Into You—Fri-Sun: (12:40, 4:05), 7; Mon-Thu: (12:40, 4:10), 7. I Love You, Man—Fri-Sat: (12, 1, 2:30, 3:55, 5), 7, 7:50, 9:45, 10:30; Sun: (12, 1, 2:30, 3:55, 5), 6:35, 7:25, 9, 9:50; Mon-Thu: (1, 2:30, 3:50, 4:55), 6:35, 7:20, 9:15, 10. The International—Fri-Sat: (3:45), 9:15; Sun-Wed: (3:45), 9:05; Thu: (3:45). Jonas Brothers: The 3D Concert Experience—Fri: (4), 6:05; Sat-Sun: (11:45 AM, 4), 6:05; Mon-Wed: (4), 6:05; Thu: (4). Knowing—Fri-Sat: (12:45, 1:45, 3:35, 4:35), 6:40, 7:30, 9:30, 10:15; Sun: (12:45, 1:45, 3:30, 4:30), 6:15, 7:15, 9:15, 10; Mon-Thu: (12:45, 1:35, 3:30, 4:20), 6:15, 7:05, 9, 9:45. The Last House on the Left—Fri-Sat: (2:10, 5:10), 7:40, 10:20; Sun-Thu: (2:10, 4:45), 7:30, 10. Miss March—Fri-Sun: 9:55; Mon-Thu: 9:50. Race to Witch Mountain—Fri: (12:25, 1:55, 3:20, 4:25), 6:05, 6:50, 8:30; Sat: (11:30 AM, 12:25, 1:55, 3:20, 4:25), 6:05, 6:50, 8:30; Sun: (11:30 AM, 12:25, 1:55, 3:20, 4:25), 6:05, 6:50, 8:25; Mon-Wed: (12:30, 1:55, 3:20, 4:25), 6:05, 6:50, 8:25; Thu: (12:30, 1:55, 3:20, 4:25), 6:50, 8:25. The Reader—Fri-Sat: (12:10), 8:55; Sun: (12:10), 8:50; Mon-Thu: (12:55), 8:50. Slumdog Millionaire—Fri-Sun: (12:20, 3:15), 6:20, 9; Mon-Thu: (12:30, 3:15), 6:20, 9:05. Taken—Fri-Sat: (1:40, 4:20), 7:20, 9:35; Sun: (1:40, 4:20), 7:10, 9:25; Mon-Thu: (1:45, 4:35), 7:10, 9:25. Tyler Perry's Madea Goes to Jail—Fri-Sat: (12:35, 3:05), 6:55, 10:05; Sun-Thu: (12:35, 3:05), 6:45, 9:10. Watchmen—Fri-Sun: (1:15, 4:45), 8:10; Mon-Thu: (1:45, 5:10), 8:35

Carolina Theatre - Durham
309 W Morgan St, Durham, 560-3030

The Class (Entre les murs)—Fri: 7; Sat-Sun: (2), 7; Mon-Thu: 7. Nightmare on Elm Street III—Fri: 7:30. Silent Screams:—Fri: 9:30. Two Lovers—Fri: 9:30; Sat-Sun: (4:30), 9:30; Mon-Thu: 9:30. Wendy and Lucy—Fri: 7:10, 9:20; Sat-Sun: (2:15, 4:30); Mon-Thu: 7:10, 9:20

East Coast Entertainment - Northgate Stadium 10
1056 W Club Blvd, Durham, 286-1001

Coraline 3D—Fri-Sun: (10:35 AM, 12:50, 3:10), 7:25; Mon-Thu: (12:50, 3:10), 7:25. Duplicity—Fri-Sun: (11:10 AM, 1:40, 4:15), 7, 9:40; Mon-Thu: (1:40, 4:15), 7, 9:40. Fired Up—Fri-Sun: (10:45 AM, 1), 9:45; Mon-Thu: (1), 9:45. I Love You, Man—Fri-Sun: (11:20 AM, 1:55, 4:20), 7:20, 9:55; Mon-Thu: (1:55, 4:20), 7:20, 9:55. Jonas Brothers: The 3D Concert Experience—Fri-Thu: (5:30), 9:30. Knowing—Fri-Sun: (10:50 AM, 1:30, 4:10), 7:10, 9:50; Mon-Thu: (1:30, 4:10), 7:10, 9:50. The Last House on the Left—Fri-Sun: (11:15 AM, 1:50, 4:30), 7:15, 9:50; Mon-Thu: (1:50, 4:30), 7:15, 9:50. Miss March—Fri-Thu: 9:45. Race to Witch Mountain—Fri-Sun: (10:30 AM, 12:45, 3, 5:20), 7:40, 10; Mon-Thu: (12:45, 3, 5:20), 7:40, 10. Slumdog Millionaire—Fri-Sun: (10:35 AM, 1:10); Mon-Thu: (1:10). Taken—Fri-Thu: (3:20, 5:40), 7:50. Tyler Perry's Madea Goes to Jail—Fri-Sun: (10:30 AM, 12:45, 3:05, 5:30), 7:50; Mon-Thu: (12:45, 3:05, 5:30), 7:50. Watchmen—Fri-Sun: (10:30 AM, 1:45, 3:45, 5), 7, 8:15, 10:15; Mon-Thu: (1:45, 3:45, 5), 7, 8:15, 10:15

Carmike Wynnsong 15
1800 Martin Luther King Blvd, Durham, 489-9020

Altered Courses—Mon-Thu: 4, 9:50. Bad for Business—Sat: 12 AM. Confessions of a Shopaholic—Fri: 7:10; Sat-Thu: 1:30, 7:10. Coraline 3D—Fri: 5:05, 7:30, 9:55, 12:20 AM; Sat: 12:15, 2:40, 5:05, 7:30, 9:55, 12:20 AM; Sun-Thu: 12:15, 2:40, 5:05, 7:30, 9:55. Duplicity—Fri: 4, 7, 9:35, 12:10 AM; Sat: 1:20, 4, 7, 9:35, 12:10 AM; Sun-Thu: 1:20, 4, 7, 9:35. Friday the 13th (2009)—Fri-Sat: 4:20, 9:50, 12:10 AM; Sun-Thu: 4:20, 9:50. I Love You, Man—Fri: 4:15, 7:10, 9:50, 12:25 AM; Sat: 1:30, 4:15, 7:10, 9:50, 12:25 AM; Sun-Thu: 1:30, 4:15, 7:10, 9:50. The International—Fri-Sat: 4, 7, 9:45, 12:30 AM; Sun: 1:20, 4, 7, 9:45; Mon-Thu: 1:20, 7. Knowing—Fri: 4:10, 7, 9:45, 12:30 AM; Sat: 1:10, 4:10, 7, 9:45, 12:30 AM; Sun-Thu: 1:10, 4:10, 7, 9:45. The Last House on the Left—Fri: 4:10, 7, 9:40, 12:20 AM; Sat: 1, 4:10, 7, 9:40, 12:20 AM; Sun-Thu: 1, 4:10, 7, 9:40. Miss March—Fri: 5, 7:30, 9:50, 12:10 AM; Sat: 12:30, 2:45, 5, 7:30, 9:50, 12:10 AM; Sun-Thu: 12:30, 2:45, 5, 7:30, 9:50. Paul Blart: Mall Cop—Fri: 5:10, 7:30, 9:50, 12:10 AM; Sat: 12:40, 2:55, 5:10, 7:30, 9:50, 12:10 AM; Sun-Thu: 12:40, 2:55, 5:10, 7:30, 9:50. Race to Witch Mountain—Fri: 4:50, 7:20, 9:45, 12:10 AM; Sat: 12, 2:25, 4:50, 7:20, 9:45, 12:10 AM; Sun-Thu: 12, 2:25, 4:50, 7:20, 9:45. Slumdog Millionaire—Fri: 4, 7, 9:55; Sat: 1:15, 4, 7, 9:55; Sun:; Mon-Thu: 1:15, 4, 7, 9:55. Taken—Fri: 5, 7:20, 9:45, 12:15 AM; Sat: 12:20, 2:40, 5, 7:20, 9:45, 12:15 AM; Sun-Thu: 12:20, 2:40, 5, 7:20, 9:45. Tyler Perry's Madea Goes to Jail—Fri: 5, 7:30, 12:30 AM; Sat: 12, 2:30, 5, 7:30, 12:30 AM; Sun-Thu: 12, 2:30, 5, 7:30. Watchmen—Fri: 4:15, 7:45, 11:10; Sat: 12:45, 4:15, 7:45, 11:10; Sun-Thu: 12:45, 4:15, 7:45. The Wrestler—Fri: 4, 7:05, 10; Sat-Thu: 1, 4, 7:05, 10

Chapel Hill

Chelsea Theater
Timberlyne Village Mall, 1129 Weaver Dairy Rd, Chapel Hill, 968-3005

The Class (Entre les murs)—Fri: 6:50, 9:20; Sat-Sun: (1:50, 4:20), 6:50, 9:20; Mon-Thu: 6:50, 9:20. Two Lovers—Fri: 7:10, 9:30; Sat-Sun: (2:10, 4:40), 7:10, 9:30; Mon-Thu: 7:10, 9:30. Wendy and Lucy—Fri: 7, 9:10; Sat-Sun: (2, 4:30), 7, 9:10; Mon-Thu: 7, 9:10

Lumina
Southern Village, NC 15-501 South, Chapel Hill, 932-9000

Duplicity—Fri-Thu: (1:10, 4), 7:05, 9:45. Knowing—Fri-Thu: (1:25, 4:10), 7:20, 9:50. Race to Witch Mountain—Fri-Thu: (12:40, 2:50, 5), 7:15, 9:30. Slumdog Millionaire—Fri-Thu: (1:15, 4), 7:15, 9:45. Watchmen—Fri-Thu: (1, 4:15), 7:25

Regal Timberlyne 6
Timberlyne Shopping Center, 120 Banks Dr off Weaver Dairy Rd, Chapel Hill, 933-8600

Duplicity—Fri-Sat: (1:05, 4:05), 7:10, 10; Sun-Thu: (1:05, 4:05), 7:10. I Love You, Man—Fri-Sat: (1:20, 4:30), 7:30, 10:10; Sun-Thu: (1:20, 4:30), 7:30. Knowing—Fri-Sat: (1:10, 4:10), 7:20, 10:05; Sun-Thu: (1:10, 4:10), 7:20. The Last House on the Left—Fri-Sat: (1:25, 4:25), 7:35, 9:55; Sun-Thu: (1:25, 4:25), 7:35. Race to Witch Mountain—Fri-Sat: (1:15, 4:15), 7:15, 9:50; Sun: (1:15, 4:15), 7:15; Mon-Thu: (1:15, 4:15), 7:15. Watchmen—Fri-Thu: (1, 4:20), 7:40

Varsity Theatre
123 E Franklin St, Chapel Hill, 967-8665

Che Part One—Fri: 7; Sat-Sun: (2), 7; Mon-Thu: 9:30. Che Part Two—Fri-Sun: 9:30; Mon-Thu: 7. Watchmen—Fri: 8; Sat-Sun: (2:30), 8; Mon-Thu: 8

Graham

Graham Cinema
119 N Main St, Graham, (336)226-1488

The Curious Case of Benjamin Button—Fri: 7; Sat-Sun: 3:30, 7; Mon-Thu: 7. Marley & Me—Sat-Sun: 1

Roxboro

Palace Theater
5050 Durham Rd, Roxboro, (336)598-5050

Duplicity—Fri: (4:35), 7:10, 9:45; Sat: (2, 4:35), 7:10, 9:45; Sun: (2, 4:35), 7:10; Mon-Wed: (4:35), 7:10; Thu: (1, 4:35), 7:10. I Love You, Man—Fri: (4:30), 7, 9:20; Sat: (2:10, 4:30), 7, 9:20; Sun: (2:10, 4:30), 7; Mon-Wed: (4:30), 7; Thu: (1, 4:30), 7. Knowing—Fri: (4:35), 7:10, 9:45; Sat: (2, 4:35), 7:10, 9:45; Sun: (2, 4:35), 7:10; Mon-Wed: (4:35), 7:10; Thu: (1, 4:35), 7:10. The Last House on the Left—Fri: (4:30), 6:55, 9:30; Sat: (2:05, 4:30), 6:55, 9:30; Sun: (2:05, 4:30), 6:55; Mon-Wed: (4:30), 6:55; Thu: (1:05, 4:30), 6:55. Race to Witch Mountain—Fri: (4:40), 7, 9:10; Sat: (2:15, 4:40), 7, 9:10; Sun: (2:15, 4:40), 7; Mon-Wed: (4:40), 7; Thu: (1, 4:40), 7. Taken—Fri: (4:45), 6:50, 9:15; Sat: (2:05, 4:45), 6:50, 9:15; Sun: (2:05, 4:45), 6:50; Mon-Wed: (4:45), 6:50; Thu: (1, 4:45), 6:50. Tyler Perry's Madea Goes to Jail—Fri: (4:40), 7:05, 9:25; Sat: (2:10, 4:40), 7:05, 9:25; Sun: (2:10, 4:40), 7:05; Mon-Wed: (4:40), 7:05; Thu: (1, 4:40), 7:05. Watchmen—Fri: 7:15; Sat: (2:20), 7:15; Sun: (2:20), 6; Mon-Wed: 6; Thu: (1), 6

Special Showings

Chronological by date and time

Environmental Movie Series: Wed, Mar 18, 7 pm: The Greening of Southie: Documentary about the construction of an environmentally friendly building in Boston. NCSU Campus: Witherspoon Cinema. www.ncsu.edu/cinema.

Full Frame Archives: Wed, Mar 18, 8 pm: The Trials of Darryl Hunt: Full Frame archive documentary about a a man who spent 20 years in prison for a crime he didn't commit. Duke Campus: Griffith Film Theater (Bryan Center). fvd.aas.duke.edu/screensociety.

Cool Classics at the Colony: Wed, Mar 18, 8 pm: Repo Man: Surreal '80s punk rock cult classic, starring Emilio Estevez. $5. Colony Theatre, 5438 Six Forks Rd, Raleigh. 856-0111.

Bloomsbury Film Series: Thu, Mar 19, 7 pm: Howard's End: 1992 Merchant/ Ivory production based on the E.M. Forster novel, starring Anthony Hopkins, Emma Thompson, Vanessa Redgrave and Helena Bonham Carter. Nasher Museum, Durham.

A/V Geeks Present: Thu, Mar 19, 7 pm: Those Infernal Machines: Classic educational films about humanity's love/ hate relationship with machinery. Center for Documentary Studies, 1317 W Pettigrew St, Durham. —Sat, Mar 21, 7 pm: Graffiti: Fun or Dumb?: 16 mm films about graffiti and vandalism. Rebus Works, 301-2 Kinsey St, Raleigh. —Sun, Mar 22, 8 pm: Those Infernal Machines shows at Tir Na Nog, 218 S Blount St, Raleigh. www.avgeeks.com.

Animal Rights Film Series: Thu, Mar 19, 7 pm: Behind the Mask. Internationalist Books, Chapel Hill. www.internationalistbooks.org.

Lunafest 2009: Thu, Mar 19, 7 pm: Collection of short films by, for and about women. $10, $5 students. NCSU Campus: Witherspoon Cinema. www.ncsu.edu/cinema.

Campus Cinema: Thu, Mar 19, 10 pm; Fri, Mar 20, 7 pm and midnight; Sat, Mar 21, 9:30 pm; Sun, Mar 22, 7 pm: Valkyrie. —Fri, Mar 20, 9:30 pm; Sat, Mar 21, 7 pm; Sun, Mar 22, 9:30 pm: Marley and Me. NCSU Campus: Witherspoon Cinema. www.ncsu.edu/cinema.

Documentary Studies Screenings: Fri, Mar 20, 12:30 pm: Come Walk in my Shoes: Documentary about Rep John Lewis. —Fri, Mar 20, 7:30 pm: Modern Russian Feminism: 20 Years Forward: Premiere of documentary about a revival of Russian women's activism. Duke Center for Documentary Studies, Durham.

Retrofantasma Film Series: Fri, Mar 20, 7:30 pm: Nightmare on Elm Street 3: Dream Warriors and Silent Scream. Carolina Theatre, 309 W Morgan St, Durham. 560-3040.

Winter Film Series: Fri, Mar 20, 8 pm: I Am a Fugitive from a Chain Gang: 1931 Warner Bros social justice film about a veteran wrongly convicted and sentenced to a Southern chain gang. $5. NC Museum of Art, Raleigh. 715-5923.

ChathamArts "Race in NC" Film Forum: Sat, Mar 21-Sun, Mar 22. Four films concerning race by area filmmakers. See 8 Days a Week, page 34. Chatham County Courthouse, Pittsboro. www.ncfundfilm.com.

Shutdown: The Rise and Fall of Direct Action to Stop the War: Sat, Mar 21, 7:45 pm: Documentary showing for 6th anniversary of Iraq war. Marvell Event Center, Durham. www.shutdownthemovie.com.

Screen/ Society: Sun, Mar 22, 7 pm: Invisible: Documentary about a study on how chemicals from the south are affecting Inuit mothers. Duke Campus: White Lecture Hall (East Campus). —Mon, Mar 23, 7 pm: Familia: Canadian generational saga about mothers and daughters. Duke Campus: Griffith Film Theater (Bryan Center). —Tue, Mar 24, 7 pm: The Betrayal: Vietnam war epic, with discussion to follow with director Ellen Kuras. Duke Campus: Griffith Film Theater (Bryan Center). fvd.aas.duke.edu/screensociety.

Sneak Preview: Mon, Mar 23, 10 pm: Adventureland: Preview of film by the makers of Superbad. NCSU Campus: Witherspoon Cinema. www.ncsu.edu/cinema. Get tickets at www.uberduzi.com.
  • Film times are good from Thursday, March 19, through Friday, March 27

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Are you serious critics? This movie had to have been one of the most astronomically colossal movies of the year! …

by Tom Gern on Film times and brief film reviews (calendar)

According to the Galaxy's Web site, the film opens July 17, not June 17.

by David Fellerath on Film times & brief film reviews (calendar)

What about the new movie opening 6/17 "Food Inc."?? Is no where on the list. I know it is suppose …

by rgeddy on Film times & brief film reviews (calendar)

we apologize. the colony films and times have been corrected.

by Denise Prickett on Film times and brief film reviews (calendar)

The Colony Theatre is NOT playing Flight of the Red Balloon, Synecdoche, or that other thing. WTF?!!?? Correct information can …

by colony on Film times and brief film reviews (calendar)

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Are you serious critics? This movie had to have been one of the most astronomically colossal movies of the year! …

by Tom Gern on Film times and brief film reviews (calendar)

According to the Galaxy's Web site, the film opens July 17, not June 17.

by David Fellerath on Film times & brief film reviews (calendar)

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