Our rating system uses zero to four stars. If a movie has no rating, it has not been reviewed by Laura Boyes (LB), Godfrey Cheshire (GC), David Fellerath (DF), Kathy Justice (KJ), Neil Morris (NM) or Zack Smith (ZS).
Opening This WeekDEAD SILENCE
—There's a ventriloquist and a dummy (and a Wahlberg) in this frightfest. Rated R.
THE DEATH OF MR. LAZARESCU
—Named the best film of 2006 by the largest poll of American film critics, this sophomore feature by Romanian director Cristi Piui takes a banal-sounding tale (a dying alcoholic's odyssey through the ERs of four hospitals) and transforms it into something strange and marvelous through a brilliantly deadpan stylistic acuity plus a sense of metaphysical drollery worthy of Kafka. With one tour de force, Piui joins the ranks of greats like Bergman and Antonioni. Rated R. —GC
click to enlarge
I THINK I LOVE MY WIFE—
Chris Rock does French New Wave? Well, at least a loose remake of Eric Rohmer's Chloe in the Afternoon
starring Rock as Richard, a Manhattan investment banker with a nuclear family and a bad case of the seven-year itch. Enter sultry Nikki (Kerry Washington), an old friend looking to ignite new sparks. The humorous screenplay by Rock (who also directs) and comedian Louis C.K. smartly captures the corrosive effect of an emotion-based affair—albeit one with an undertorrent of sexual tension—and portrays the specter of extramarital infidelity as both alluring and pathetic. Moreover, resetting the film to middle-class, African-American suburbia injects a dimension of social and cultural poignancy. This near-classic, which also reverberates with echoes of early Woody Allen, is regrettably hamstrung by language that occasionally leans more crass than caustic and a few superfluous appendages, such as Richard's allergic reaction to Viagra and an odd musical denouement. Rated R. —NM
—A plot-driven, vaguely moralistic blend of The Sixth Sense
destined for endless repeats as the FX Sunday Afternoon Movie, Premonition
stars Sandra Bullock as a housewife who finds herself living the days before and after the untimely death of her husband (Nip/Tuck
's Julian McMahon) out of order. The dyslexic timeline is poorly organized, and the few chilling moments involve the likes of finding a dead bird on your lawn. The film offers a fairly brutal set of punishments for contemplating adultery, not putting up safety stickers for your kids, and worst of all, losing faith. Apparently, in the movies, not believing in God gets you a one-way ticket to the Twilight Zone. Rated PG-13. —ZS
Current Releases 300
—Directed by Zack Snyder (Dawn of the Dead
) as a cinematic adaptation of Sin City
author Frank Miller's graphic novel 300
, this film attempts to retell the story of the Battle of Thermopylae in 480 B.C., where a force of 300 spirited Spartans fight off a million man march of pillaging Persians. But Snyder gets lost in the eye-popping details of Miller's pulp fiction world—the historical context becomes muddled as the film turns into a school boy's fantasy of a romanticized militant society and ends up as little more than a green screen's wet dream. 300
takes the cake in the realm of visual excess: It's a smorgasbord of mangled limbs, stone-cold skulls and blood splatters set up squarely against sexed-up images of warriors with abs of steel, excessive piercings and a few naked breasts and orgy-rific bare bottoms. Rated R. —KJ
Director Michael Apted commemorates the 200th anniversary of the law banning the slave trade in the British Empire with a hagiography of abolitionist MP William Wilberforce (Ioan Gruffudd). Apted takes an important historical episode and sets it inside an echo chamber of parliamentary brinkmanship and guilty white hand-wringing with barely a mention of the sober economic, sociological and political arguments offered in defense of, in hindsight, an indefensible industry. Rated PG. —NM
THE ASTRONAUT FARMER
—Another minimalist production from the Polish brothers (Northfork
, Twin Falls Idaho
) smacks of Field of Dreams
meets October Sky
, starring a farmer named Farmer (Billy Bob Thornton) who lives on Midwestern ranchland so nondescript the billboards read "Space Available." This double-entendre also refers to Farmer's single-minded fixation on constructing a rocket-ship and blasting himself into outer space, even to the detriment of his family's finances and the public perception of his sanity. Partly an ode to human ingenuity, there is also a wry commentary on the stifling of the American spirit. Rated PG. —NM
BELIEVE IN ME
in ponytails would best describe this derivative, lazily constructed drama about Clay Driscoll (Jeffrey Donovan), a high school basketball coach who moves to a Western Oklahoma dust bowl in 1964 to helm the boy's team but is instead assigned to the floundering, under-funded girls program. The film is loosely based on the novel Brief Garland
and legendary real-life Oklahoma coach Jim Keith, who battled institutional obstacles in the pre-Title IX era of women's athletics. But for some passing references to this struggle, the film is mainly a collection of broad stereotypes and overblown accents. Donovan, last seen in Come Early Morning
and a television near you, is singularly awful. And, while broadly based in fact, writer-director's Robert Collector's fictionalized plot is curiously reminiscent of the 2006 documentary The Heart of the Game
, even down to the fight to reinstate a teenage mother back onto the team. Rated PG. —NM
BLACK SNAKE MOAN
—Craig Brewer, the Memphis-based auteur of Hustle & Flow
, serves up another steaming slice of distinctive Southern cinema with a musical core: this time, the blues. Though wryly packaged like an Erskine Caldwell lust fantasy, Brewer's sin 'n' salvation parable has the brilliant Christina Ricci as a loose girl chained to a radiator by irate bluesman Samuel L. Jackson, who aims to cure her wickedness. Directed with Tarantino-like verve, the witty, heartfelt film also features strong supporting work by Justin Timberlake. Rated R. —GC
—This workmanlike film of the plan to catch real-life FBI agent turned traitor Robert Hanssen (Chris Cooper) is a suitably taut cat-and-mouse thriller. While the story is told from the point of view of Eric O'Neill (Ryan Phillippe), the greenhorn agent assigned by his handler (Laura Linney) to spy on Hanssen, it is Cooper who steals the show by effectively conveying the internal contradictions of a man whose reticent facade of devout Catholicism and conservative personal politics masks a psyche plagued by megalomania, sexual repression and daddy issues. Rated PG-13. —NM
THE BRIDGE TO TERABITHIA
—It's a dog eat dog world for poor sensitive Jesse (Josh Hutcherson), whose big family is unimpressed by his woes. Then, a nervy new girl (AnnaSophia Robb) appears, with a no-nonsense attitude and a bizarrely hip wardrobe who leads him to the locus of fairy tale transformations, the Big Woods behind their houses. Terabithia
seems a bit like Lord of the Rings
Lite, a starter fantasy minus the carnage of those aimed at slightly older viewers. A desperately needed antidote to the vulgar comedies and product tie-in generators often targeting children, Bridge to Terabithia
is nobly inoffensive and formulaic, and sadly, a tad dull. Rated PG. —LB
DADDY'S LITTLE GIRLS
—Evidently Madea is back in the closet for now, as Tyler Perry instead stays behind the camera for a romantic comedy tracing the complications that ensue when Gabrielle Union's rich lawyer falls for a struggling auto mechanic. Rated PG-13.
—The pastiche score of R&B, Motown and disco sounds is convincing, but devolves into one power ballad after another. American Idol
confirms the public's insatiable thirst for these anthems, but enough already. Rated PG-13. —LB
EKLAVYA: THE ROYAL GUARD
—At a majestic citadel in dusty Rajasthan, a noble heir (Saif Ali Khan) arrives during the apparent twilight of the gods. Palace intrigue has taken its toll: his mother has been murdered by his father, an act witnessed by his dotty sister. Only the iconoclastic young prince and two companions can salvage value from the traditional monarchy. Vidhu Vinod Chopra's Eklavya
is exquisitely photographed, runs under two hours and has only a single song, a nostalgic lullaby. —LB
—Aaron Seltzer and Jason Friedberg (Scary Movie
, Date Movie
) gunk up the big screen for the third time with this parody of Hollywood hit-makers. The real laugh lies in the film's own unerring ability to tank while referencing said "predictability." Rated PG-13. —KJ
writer/director Mark Steven Johnson tops himself, and not in a good way, by adapting another B-list Marvel superhero into an overwritten, overwrought film. Rated PG-13. —ZS
David Lynch's first feature since his celebrated Mulholland Drive
is difficult, intermittently exhilirating and three hours long. Recapitulating the plot of Inland Empire
is pointless; by way of comparison, Mulholland Drive
seems as tightly constructed as Rear Window
. But narrative coherency isn't really Lynch's aim. As far as he has something to say, Inland Empire
seems to be a return to Mulholland Drive
's vision of Hollywood as a malignantly seductive void that draws in attractive young women, only to chew them up and leave them for dead on the corner of Hollywood and Vine. With Laura Dern, Justin Theroux, Jeremy Irons, and several ladies from past Lynch films. Rated R. —DF
THE LAST KING OF SCOTLAND
—A bravura performance by Forest Whitaker as Ugandan dictator Idi Amin anchors this smart, engrossing drama about a Third World country's nightmarish descent into tyranny. Rated R.—GC
THE LIVES OF OTHERS—
It is no coincidence that German writer-director Florian Henckel von Donnersmarck sets this socio-thriller about repression in Communist-ruled East Germany during the year 1984, as the German Democratic Republic was the literal fruition of an Orwellian dystopia. A secret police agent (Ulrich Mühe) engaging in warrantless searches and surveillance finds redemption through exposure to an embattled playwright (Sebastian Koch) and his actress girlfriend (Martina Gedeck). Donnersmarck crafts a sublime, somber and visually subfusc portrait of a modern-day police state and its timorous citizenry, who carry on as people they are not in obedience to a spurious nation-state. Rated R. —NM
—Renée Zellweger stars as Peter Rabbit creator Beatrix Potter in this catnip for the American Girls demographic. Beatrix is a drab spinster who meets a kindred spirit in publisher Norman Warne (Ewan McGregor). Sugary Zellweger seems a bit demented at times, nattering on with her—sometimes animated—little furry friends. The books, nursery room staples still, have a frank appreciation of a farm's cycle of birth and death, situating them between the horrors of Grimm and today's tamer storybooks. Virtually devoid of drama, and at times a bit too cutesy-poo, for the right audience, Miss Potter
's Edwardian girl power rocks. Rated PG. —LB
MUSIC AND LYRICS
—Written and directed by chick-flick mastermind Marc Lawrence (Two Weeks Notice
, Miss Congeniality
), the script is tried and true: '80s has-been pop artist Alex Fletcher (Hugh Grant) links up with Sophie Fisher (Drew Barrymore), a neurotic plant-waterer, poet and lyricist, to pen a hit song for a Shakira-esque pop tart. Although the two fall in love, then out of love, then in love again, the flirtatious banter between the actors tends to fizzle and pop into oblivion. Luckily, the film catches a wave of redemption through sarcastically self-referencing the music industry it caters to. Rated PG-13. —KJ
—While Oscar-nominee Eddie Murphy (yep, it's true) does little here to diminish his status as a comic genius, the problems anchoring down this patchwork are even heavier than its central harridan. Beyond its banality, what the film really trades in are a spate of mean-spirited ethnic stereotypes and fat jokes, furthered by the presence of rail-thin Thandie Newton as Norbit's childhood sweetheart. Rated PG-13. —NM
NOTES ON A SCANDAL
—Judi Dench and Cate Blanchett give razor-sharp performances in this clever, impeccably mounted British drama about a spinster teacher who discovers that a younger, married colleague is having an affair with a 15-year-old student. Blending satire, suspense and psychological scrutiny, the film delivers characters of unusual complexity and depth thanks to a well-honed script by Patrick Marber from Zoe Heller's novel; its several Oscar nominations, including for its two stars, are well deserved. Rated R. —GC
THE NUMBER 23
—Which is scarier, having to watch a suspense thriller starring Jim Carrey or anything directed by Joel Schumacher? Those two confounding queries are married in this numeric nonsense about Walter Sparrow (Carrey), an animal control officer who becomes immersed in a hardboiled crime novel seemingly based on his life. Thanks to some tortuous arithmetic, Walter also begins seeing the titular prime number everywhere—much to the chagrin of his wife (Virginia Madsen) and common coherence. Rated R. —NM
—Guillermo Del Toro's (Hellboy
) riveting dark fantasy chronicles the tale of Ofelia (Ivana Baquero), a young girl in 1944 Spain who must contend with both a stepfather who's a fascist soldier (Sergi Lopez) and a faun (Doug Jones) who draws her into an equally threatening world. The plots come together in unexpected ways, and there are brutal images that will haunt you in one of the best fantasy films of the last five years. Rated R. —ZS
THE PURSUIT OF HAPPYNESS
—With its Reagan-era milieu, the best parts of this rags-to-riches biopic of struggling Chris Gardner (Will Smith) highlight the class and economic divide that often smothers even the most well-intentioned and hard-working among us. Rated PG-13.—NM
—The latest from Stephen Frears has a great premise: a look into the lives of Britain's royal family at the time of the tumultuous public reaction to the death of Princess Diana. Unfortunately, the seriocomic concept is undermined from the first by Peter Morgan's script, which has all the obviousness and banality of a TV production. Rated PG-13. —GC
RENO 911!: MIAMI
—Naked boobs, toilet humor, masturbation jokes, a dozen F-bombs and Lt. Jim Dangle's hot-pants are the real stars here. It's hard for a TV show that typically times out at the 30-minute mark to develop a plot substantial enough to be stretched out over 84 minutes. And this proves to be the case as Reno 911
's crass humor takes the driver's seat and the film's plot is left at a dirty gas station somewhere off of I-40. Rated R. —KJ
THE ULTIMATE GIFT
—One of the more able recent offerings from the Fox Faith Movies brood, this adaptation of Jim Stovall's bestselling book from director Michael O. Sajbel follows Jason (Drew Fuller), a trust fund baby tasked by the video will of his recently deceased billionaire grandfather's (James Garner) into a 12-step course of forced contrition and self-discovery as a prerequisite to his inheritance. The film is notable for its eclectic cast, which also includes Bill Cobbs and Lee Meriwether, and exclusively Charlotte-area filming locales (although the sight of a kudzu-covered Amazon forest might raised some eyebrows). Rated PG. —NM
—Penelope Cruz's magnificent Oscar-nominated performance, and her welcome return to Spanish films, evokes Mediterranean heroines such as those played in the 1950s and '60s by Anna Magnani and Sophia Loren. Rated R. —LB
—Not so much bad as painfully pointless, this diversion about a quartet of suburban biker wannabes battling emasculation and middle-age malaise who embark on a cross-country road trip will run afoul of anyone craving something beyond faded film stars submitting to slapstick and puerile homoerotic hijinks for the sake of a paycheck. Rated PG-13. —NM
—Director David Fincher (Se7en
) crafts a spellbinding dissection of the Zodiac serial murders that terrorized Northern California in the late 1960s. This atmospheric crime saga, adapted from author Robert Graysmith's bestseller, blends elements of a newsroom drama, exacting police procedural and psychological thriller in examining how the chase to catch the killer became an obsession for those caught in its web, from Graysmith (Jake Gyllenhaal) to a San Francisco flatfoot (Mark Ruffalo) to a newspaper reporter played by Robert Downey Jr. (in an awards-caliber performance). Rated R. —NM
Times are subject to change, and we recommend calling ahead to confirm.
Beaver Creek Shopping Center, off NC 55, Apex. 676-3456.
300—Fri-Sun 1:45, 4:45, 7:30, 10:15. Breach—Fri-Sun 1:45, 4, 7:10, 9:50. Bridge to Terabithia—Fri-Sun 12:45, 3:30, 6:10, 8:45. Ghost Rider—Fri-Sun 1:30, 4:30, 7:10, 10. I Think I Love My Wife—Fri-Sun 2:15, 5:15, 7:45, 10:05. Music and Lyrics—Fri-Sun 12:40, 4 (No Sun), 6:45, 9:20. Night at the Museum—Fri-Sun 12:30, 3:15, 6:30, 9. Norbit—Fri-Sun 1:10, 3:40, 6:15, 8:40. Premonition—Fri-Sun 1:15, 4:15, 7:15, 9:45. Reno 911: Miami—Fri-Sun 2:15, 5:30, 8, 10:10. Wild Hogs—Fri-Sun 1, 3:45, 7, 9:30. Zodiac—Fri-Sun 2:30, 6:20, 9:40. Call for additional times.
Blue Ridge 14
600 Blue Ridge Rd, Raleigh. 282-9003.
Blood and Chocolate—1:30, 4:15, 7:15, 9:55. Casino Royale—1:15, 4:10, 7, 9:55. Catch and Release—1:45, 4:30, 7, 9:40. Charlotte's Web—1, 3:15, 5:30, 7:45, 9:55. Children of Men—1:30, 4:30, 7:30, 10. Code Name: The Cleaner—1:10, 3:20, 5:30, 7:50, 10. The Departed—1, 4, 7, 10. Eragon—1:45, 4:15, 7, 9:30. Freedom Writers—1, 4, 7, 9:55. Happy Feet—1:45, 4:20, 7, 9:50. The Hitcher—1:10, 3:15, 5:20, 7:25, 9:35. The Pursuit of Happyness—1:30, 4:10, 7:05, 9:45. Saw 3—1:30, 4:15, 7, 9:30. Smokin' Aces—1:25, 4:25, 7:10, 9:50. Stomp the Yard—1:15, 4, 7:15, 9:50. Unaccompanied Minors—1, 3:10, 5:50, 7:30, 9:40.
Brier Creek Stadium 14
8611 Brier Creek Pkwy, Raleigh. 484-9994.
Call for shows and times.
5501 Atlantic Springs Rd, Raleigh. 645-1111.
300—1, 1:55, 4, 4:45, 7, 7:30, 9:45, 10. Amazing Grace—1:30, 4:15, 7, 9:40. Bridge to Terabithia—1:05, 3:20, 5:35, 7:45, 9:55. Catch and Release—1:20. Daddy's Little Girls—1, 3:15, 5:30, 7:45, 10. Dead Silence—1:10, 3:20, 5:30, 7:40, 9:50. Epic Movie—1, 3:05, 5:15, 7:20, 9:30. Funny Money—Fri-Sat 9:40. Ghost Rider—1:30, 4:15, 7, 9:30. Happy Feet—1:45, 4:20. I Think I Love my Wife—1:05, 1:25, 3:20, 3:40, 5:35, 5:55, 7:50, 8:10, 10. Also Fri-Sat 10:25. Kidtoons Presents: Strawberry Shortcake—Sat-Sun 1, 3. Norbit—1:30, 4:15, 7, 9:30. The Number 23—1, 3:15, 5:30, 7:45, 10. Premonition—1, 3:15, 5:30, 7:45, 10. The Pursuit of Happyness—4:10, 7:05, 9:45. Smokin' Aces—1:25, 4:20, 7:10, 9:50. The Ultimate Gift—1:40 (No Sat-Sun), 4:20 (No Sat-Sun), 7, 9:40 (No Fri-Sat). Wild Hogs—1, 3:15, 5:30, 7:45, 10. Zodiac—1, 4:10, 7:20. Also Fri-Sat 10:30.
Colony Shopping Center, 5438 Six Forks Rd, Raleigh. 856-0111.
Miss Potter—7:15, 9:20. Also Fri-Sun 2:30, 4:30. Notes on a Scandal—7, 9:15. Also Fri-Sun 2, 4:15.
501 Caitboo Ave, Crossroads Shopping Center, Cary. 226-2000.
Call for shows and times.
770 Cary Towne Blvd, Cary. 463-9989, mygalaxycinema.com.
Eklavya-The Royal Guard—Fri-Sun 9:45. Inland Empire—7:25. Also Sun-Fri 4. The Last King of Scotland—1:15, 7:10. The Lives of Others—1:05, 4, 7, 9:45. Pan's Labyrinth—4:05, 9:40. The Queen—1, 7:15 (No Wed). The Ultimate Gift—1:10, 4:15, 7:05. Volver—4:20, 9:15.
Garner Towne Square
2600 Timber Dr, Garner. 779-2212.
300, Amazing Grace, Black Snake Moan, Bridge to Terabithia, Daddy's Little Girls, Dead Silence, Ghost Rider, I Think I Love My Wife, Norbit, Premonition, Wild Hogs. Call for times.
IMAX Theatre at Exploris
201 E Hargett St, Raleigh. 834-4040.
Forces of Nature, Mystery of the Nile, Mystic India, Night at the Museum, Sharks 3D. Call for times.
Mission Valley Cinema
2109-124 Avent Ferry Rd, Raleigh. 834-2233.
300—1:30, 4:15, 7:05, 9:45. Black Snake Moan—1:45, 4:10, 7:10, 9:50. Breach—1:40, 4:20, 7:25, 9:40. Premonition—1:15, 4:05, 7:20, 9:50. Wild Hogs—1:25, 4, 7:15, 9:40.
Movies at North Hills 14
4150 Main at North Hills St, Raleigh. 786-4511.
Call for shows and times.
Park Place 16
9525 Chapel Hill Rd, Morrisville. 645-1111.
300—1, 1:55, 4, 4:45, 7, 7:30, 9:45, 10. Amazing Grace—1:30, 4:15, 7, 9:40. Breach—1:45, 4:30, 7:15, 9:45. Bridge to Terabithia—1:05, 3:20, 5:35, 7:45, 9:55. Catch and Release—1:20. Charlotte's Web—1 (No Sat-Sun), 3:15 (No Sat-Sun), 5:30, 7:45, 9:55. Children of Men—9:35. Dead Silence—1:10, 3:20, 5:30, 7:40, 9:50. Funny Money—Fri-Sat 9:40. Ghost Rider—1:30, 4:15, 7, 9:30. I Think I Love My Wife—1:05, 3:20, 5:35, 7:50, 10. Kidtoons Presents: Strawberry Shortcake—Sat-Sun 1, 3. Music and Lyrics—1, 4, 7, 9:45. Night at the Museum—2, 4:45, 7:35, 10:05. Norbit—1:30, 4:15, 7, 9:30. The Number 23—2 (No Sat-Sun), 4:45, 7, 9:15 (No Fri-Sat). Premonition—1, 3:15, 5:30, 7:45, 10. The Pursuit of Happyness—4:10, 7:05, 9:45. The Queen—1:35, 4:05, 7, 9:30. Wild Hogs—1, 3:15, 5:30, 7:45, 10. Zodiac—1, 4:10, 7:20. Also Fri-Sat 10:30.
The Raleigh Grande
Corner of Glenwood Ave and Lynn Rd, Raleigh. 226-2000.
300—1, 2, 3:45, 4:45, 6:30, 7:30, 9:15, 10:15. Amazing Grace—1:10, 3:55, 6:40, 9:25. Black Snake Moan—1:10, 3:50, 6:50, 10:10. Bridge to Terabithia—1:05, 3:30, 6:15, 8:45. Dead Silence—1:15, 3:30, 5:45, 8:15, 10:30. Dreamgirls—1, 4:10, 7:05, 10:05. Ghost Rider—2:15, 4:50, 7:25, 10:20. I Think I Love My Wife—2:30, 5:15, 7:45, 10. Music and Lyrics—1:40, 4:30, 7:20, 9:50. Night at the Museum—1:20, 7:25. Norbit—2:45, 5:20, 8, 10:25. Pan's Labyrinth—4:50, 10:05. Premonition—1:30, 4, 7:15, 9:45. Wild Hogs—1:15, 4:15, 7, 9:30. The Ultimate Gift—1:25, 4:05, 6:45, 9:35. Zodiac—1:45, 5:30, 9.
Raleighwood Cinema Grill
Falls Village Shopping Center, Raleigh. 847-0326. www.raleighwoodmovies.com.
Call for shows and times.
1620 Glenwood Ave, Raleigh. 856-0111.
The Lives of Others—7:30. Also Sat-Sun 1:30, 4:30. Rocky Horror Picture Show—Fri midnight.
Six Forks Station Cinema
9500 Forum Dr, Raleigh. 846-3904.
300—1:30, 4:10, 7:15, 9:45. Bridge to Terabithia—12:45, 2:55, 5:05, 7:15, 9:30. Music and Lyrics—12:40, 2:50, 5, 7:20, 9:40. Premonition—1:20, 4:15, 7:25, 9:45. The Queen—1:15, 4, 7, 9:35. Wild Hogs—12:35, 2:45, 4:55, 7:10, 9:35.
White Oak Village
1205 Timber Dr East, Garner. 676-FILM.
300—1, 2:30, 3:45 (Mon-Thu 3:50), 5:45 (Mon-Thu 5:30), 7:20, 8:30, 10:05. Black Snake Moan—9:10 (Mon-Thu 9:15). Bridge To Terabithia—Fri-Sun 12:30, 3:30, 6:10, 8:40; Mon-Thu 1:15, 3:40, 6:15, 8:40. Daddy's Little Girls—Fri-Sun 12:45, 3:20, 6:35; Mon-Thu 1:45, 4:10, 6:35. Dead Silence—2, 5, 7:30 (Mon-Thu 7:45), 10. Ghost Rider—Fri-Sun 2:10, 4:55, 7:35, 10:20; Mon-Thu 2:10, 4:50, 7:30, 10:15. I Think I Love My Wife—Fri-Sun 12:50, 3:10, 5:30, 7:50, 10:15; Mon-Thu 1:05, 3:30, 5:50, 8:10, 10:15. Music and Lyrics—Fri-Sun 1:10, 3:50, 6:25, 9; Mon-Thu 1:10, 3:45, 6:20, 8:55. Night at the Museum—1:20, 4:10 (Mon-Thu 3:55), 6:45, 9:20. Norbit—1:40, 5:10, 7:40, 10:10. The Number 23—Fri-Sun 1:15, 4, 7:10, 9:50; Mon-Thu 2:05, 4:40, 7:10, 9:50. Premonition—1:50, 4:30, 7, 9:40. Wild Hogs—1:30, 4:20, 6:50, 9:25. Zodiac—Fri-Sun 12:35, 4:45, 8:10; Mon-Thu 2:20, 5:45, 9:10.
309 W Morgan St, Durham. 560-3030, www.carolinatheatre.org.
Control Room—Wed 7:30. Inland Empire—7:15 (No Tue-Wed). Also Sat-Sun 2:15. The Lives of Others—7, 9:30. Also Sat-Sun 2, 4:30.
1056 W Club Blvd, Durham. 286-1001, www.phoenixtheatres.com.
300—11:25, 2:10, 5, 7:40, 10:15. Black Snake Moan—11:30, 2:05, 4:45, 7:25, 10. Bridge to Terabithia—11:20, 1:50, 4:20, 6:50, 9:20. Daddy's Little Girls—12, 2:30, 4:55, 7:20, 9:50. Dead Silence—12:05, 2:40, 5:05, 7:15, 9:45. Ghost Rider—11:35, 2:15, 4:50, 7:35, 10:05. I Think I Love My Wife—11:50, 2:20, 4:35, 7, 9:30. Norbit—11:55, 2:25, 4:40, 7:10, 9:40. Premonition—11:45, 2:35, 5:10, 7:30, 9:55. Wild Hogs—11:40, 2, 4:25, 7:05, 9:35.
8030 Renaissance Pkwy, Durham. 676-3456.
300—Fri-Sat 1, 2, 3:50, 4:50, 6:50, 7:40, 9:40, 10:30. Amazing Grace—Fri-Sat 12:15, 3:25, 6:10, 8:55. Black Snake Moan—Fri-Sat 3:05, 10:15. Breach—Fri-Sat 1:25, 4:25, 7, 9:45. Bridge to Terabithia—Fri-Sat 12:50, 3:10, 6:05, 8:25. Dead Silence—Fri-Sat 1:20, 3:35, 5:45, 8, 10:30. Dreamgirls—Fri-Sat 12:45 6:35. Ghost Rider—Fri-Sat 1:10, 3:55, 7:15, 9:50. I Think I Love My Wife—Fri-Sat 12:30, 2:45, 5:10, 7:30, 10:10. Music and Lyrics—Fri-Sat 1:30, 4:35, 7:25, 10. Norbit—Fri-Sat 12:05, 2:30, 6:05, 8:30. The Number 23—Fri-Sat 1:15, 4:20, 7:55, 10:25. Pan's Labyrinth—Fri-Sat 3:30, 9:20. Premonition—Fri-Sat 1:40, 4:10, 7:10, 9:50. The Ultimate Gift—Fri-Sat 12:10, 6:20. Wild Hogs—Fri-Sat 12:25, 3, 6:15, 8:35. Zodiac—Fri-Sat 12, 3:20, 6:40, 10:05. Call for additional times.
2523 E Club Blvd, Durham. 688-1037.
Call for shows and times.
1800 Martin Luther King Blvd, Durham. 489-9020.
300—1, 1:55, 4, 4:45, 7, 7:30, 9:45, 10. Also Fri-Sat 12:30. Black Snake Moan—1:30, 4:15, 7, 9:40. Also Fri-Sat 12:30. Bridge to Terabithia—1:05, 3:20, 5:35, 7:45, 9:55. Also Fri-Sat 12:10. Catch and Release—1:20. Daddy's Little Girls—1, 3:15, 5:30, 7:45,10. Also Fri-Sat 12:15. Dead Silence—1:10, 3:20, 5:30, 7:40, 9:50. Also Fri-Sat 12. Epic Movie—1, 3:05, 5:15, 7:20, 9:30. Also Fri-Sat 11:40. Freedom Writers—1 (No Sat-Sun), 4 (No Sat-Sun), 7, 9:55. Funny Money—Fri-Sat 9:40. Ghost Rider—1:30, 4:15, 7, 9:30. Also Fri-Sat 12. Happy Feet—2 (No Fri-Sat), 4:35. I Think I Love My Wife—1:05, 1:25, 3:20, 3:40, 5:35, 5:55, 7:50, 8:10, 10. Also Fri-Sat 10:25, 12:10. Kidtoons Presents: Strawberry Shortcake—Sat-Sun 1, 3. Norbit—1:30, 4:15, 7, 9:30. Also Fri-Sat 12. Pan's Labyrinth—1:35 (No Sat-Sun), 4:40 (No Sat-Sun), 7:15, 9:45. Also Fri-Sat 12:15. Premonition—1, 3:15, 5:30, 7:45, 10. Also Fri-Sat 12:15. The Pursuit of Happyness—4:10, 7:05, 9:45. Also Fri-Sat 12:25. The Ultimate Gift—1:40, 4:20, 7, 9:40 (No Fri-Sat). Also Fri-Sat 12:20. Wild Hogs—1, 3:15, 5:30, 7:45, 10. Also Fri-Sat 12:15. Zodiac—1, 4:10, 7:20. Also Fri-Sat 10:30.
Timberlyne Village Mall, 1129 Weaver Dairy Rd, Chapel Hill. 968-3005.
Amazing Grace—7:10, 9:30. Also Sat-Sun 2:10, 4:30. The Death of Mr. Lazarescu—7:30. Also Sat-Sun 2, 4:40. The Lives of Others—6:50, 9:20. Also Sat-Sun 1:45, 4:15.
Southern Village, NC 15-501 South, Chapel Hill. 932-9000.
Call for shows and times.
Movies at Timberlyne
Timberlyne Shopping Center, 120 Banks Dr off Weaver Dairy Rd, Chapel Hill. 933-8600.
Call for shows and times.
123 E Franklin St, Chapel Hill. 967-8665.
300—7, 9:20. Also Sat-Sun 2, 4:20. Zodiac—6:45, 9:40. Also Sat-Sun 2:30.
119 N Main St, Graham. (336) 226-1488.
The Pursuit of Happyness—7. Also Fri-Sun 9:30; Sat-Sun 2, 4:30.
5050 Durham Rd, Roxboro. (336) 598-5050.
Call for shows and times.
Chronological by date and timeThe Triangle Indie Film Meetup Group
: Events posted at indiefilm.meetup.com/134/
Fishmonger's Independent Film Forum:
Six shorts from around the world, plus the just-completed short comedy What the Frock!
and the local short Forever
. Wed, Mar 14, 6:30 pm: Upstairs at Fishmonger's, 806 W Main St, Durham. 682-0128.
NC State University Campus Cinema
: Wed, Mar 14, 7 pm: Black Gold
. Free. Thu, Mar 15, Sat, Mar 17 & Sun, Mar 18, 7 pm; Fri, Mar 16, 3 pm & 10 pm: Happy Feet
. Thu, Mar 15 & Sat, Mar 17, 9 pm; Fri, Mar 16 & Sun, Mar 18, 7 pm: The Good Shepherd
. Witherspoon Student Center, NC State Campus. www.ncsu.edu/cinema
NC Museum of Art Winter Film Series
: Fri, Mar 16, 8 pm: Sparrows.
Fri, Mar 23, 8 pm: The Old Dark House.
2110 Blue Ridge Rd, Raleigh. 839-6262, www.ncartmuseum.org
. $5, $3.50 students.
: Mon, Mar 19, 7 pm: Law and Order
. Nasher. Tue, Mar 20, 7 pm: Syriana
. Griffith. Wed, Mar 21, 2 pm: Titicut Follies
. Nasher. 7 pm: First on the Moon
. Griffith. 8:30 pm: Wild Blue Yonder
. Griffith. www.duke.edu/web/film/screensociety/schedule.html
The End of Suburbia: Oil Depletion and the Collapse of The American Dream
: Fri, Mar 23, 8:30 pm: Potluck at 7 pm. Durham Food Co-op, 1101 W. Chapel Hill St, Durham. 490-0929. Free.
: A film about the struggles of Central Americans crossing Mexico on their way to the U.S. Discussion to follow, led by Marisol Jimenez and Tony Macias. Sun, Mar 25, 5 pm: CHICLE, 101 E Weaver St, Ste G-1, Carrboro. Free.