Pin It
As far as non-Pixar Disney Animation movies go, Bolt is a cut above the norm.

Bolt opens Friday throughout the Triangle

As far as non-Pixar Disney Animation movies go, Bolt is a cut above the norm. The star of this 3D spectacle is Bolt, a small white shepherd that has lived his whole life as the star of his own action TV show, in which he possesses superpowers and does battle alongside his owner, a young girl named Penny (Miley Cyrus). After Bolt (John Travolta) gets accidentally air-mailed off the studio lot, he embarks on a cross-country journey back to Hollywood, aided by a loner feline (Susie Essman) and an over-caffeinated, TV-addicted hamster (Mark Walton).

Along the way, Bolt discovers his own frailties and the value of friendship. The audience discovers an entertaining hodgepodge of wry gags buttressing a pedestrian plot drawn from a variety of influences. Obvious echoes of The Truman Show reverberate, and there is an anti-Incredibles vibe to the notion that Bolt achieves happiness only after he sheds the illusion of being exceptional and accepts the joys of normalcy—frolicking in yard sprinklers, burying bones and the like. The lightening bolt birthmark emblazoned across Bolt's midsection proves as phony as his superpowers (a not-so thinly-veiled slap at Harry Potter, perhaps?).

A cleverer plot would delve more into a variation of the query posed in Truman: Is it better to live an extraordinary fantasy or a mundane reality? Alas, there are more pressing concerns to address, like a tidy ending and cross-promotional marketing opportunities. Bolt bears the earmarks of good breeding, but it ends up a mutt that won't be vying for best in show.

  • As far as non-Pixar Disney Animation movies go, Bolt is a cut above the norm.

Comments (0)

Subscribe to this thread:

Add a comment

INDY Week publishes all kinds of comments, but we don't publish everything.

  • Comments that are not contributing to the conversation will be removed.
  • Comments that include ad hominem attacks will also be removed.
  • Please do not copy and paste the full text of a press release.

Permitted HTML:
  • To create paragraphs in your comment, type <p> at the start of a paragraph and </p> at the end of each paragraph.
  • To create bold text, type <b>bolded text</b> (please note the closing tag, </b>).
  • To create italicized text, type <i>italicized text</i> (please note the closing tag, </i>).
  • Proper web addresses will automatically become links.

Latest in Film Review

More by Neil Morris

Facebook Activity

Twitter Activity

Read indyweek's Tweets

Comments

Jean-Luc Godard’s “Contempt/Le mepris” (1963) is the first part of his religious trilogy, followed by “Hail, Mary” (1985) and “Woe …

by actingoutpolitics on Contempt, a Jean-Luc Godard masterpiece (Film Review)

It’s important to understand that hypnosis is NOT a tool for retrieving lost memories – period. “Memories” that surface during …

by ronaldgbegley on Danny Boyle's heist film Trance is slick (Film Review)

Most Read

© 2013 Indy Week • 302 E. Pettigrew St., Suite 300, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation