Gail Goers' photographs of empty music clubs during the day, pre-show, feature at the Horace Williams House gallery in February. Goers finds lyricism in the shadows of familiar venues like Cat's Cradle. Flat black drywall panels and particle board stages show the marks of guitarists' boots and dancers' heels. A brash rose light turns a bathroom into a dream. Absent of people, the images in Before Hours are contemplative rather than haunted.
Opening reception 2-4 p.m.