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      <title>Reviews: Artery, Indy Week</title>
      
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      <managingEditor>dprickett@indyweek.com (Indy Week Editor)</managingEditor>
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      <pubDate>Thu, 23 May 2013 00:00:01 -0400</pubDate>
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          <title>Reviews: Artery, Indy Week</title>
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          <description>Progressive news, culture and commentary for Raleigh, Cary, Durham and Chapel Hill, North Carolina</description>
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    <title>Star Trek Into Darkness is cute but insubstantial</title>
    <link>http://www.indyweek.com/artery/archives/2013/05/17/star-trek-into-darkness-is-cute-but-insubstantial</link>
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      <dc:creator>Neil Morris</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3640198/0c72/1368833924-hh-05311c.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;STAR TREK INTO DARKNESS&lt;/strong&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Opens Friday (see times below)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The title &lt;em&gt;Star Trek Into Darkness&lt;/em&gt; remains just as nebulous by the time the closing credits roll as it does during a chase prologue along the Class M Planet of Nibiru. Fortunately, director J.J. Abrams inadvertently provides a number of alternate titles along the way.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/05/17/star-trek-into-darkness-is-cute-but-insubstantial&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 17 May 2013 19:38:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>A loopy musical send-up with a heart: this Drowsy Chaperone&#39;s no sleeper</title>
    <link>http://www.indyweek.com/artery/archives/2013/05/10/a-loopy-musical-send-up-with-a-heart-the-drowsy-chaperones-no-sleeper</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3636229/60c7/1368202216-img_012.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;b&gt;&lt;i&gt;THE DROWSY CHAPERONE&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br&gt;&lt;br /&gt;&lt;b&gt;&lt;a href=&quot;http://www.nctheatre.com/&quot;&gt;North Carolina Theatre&lt;/a&gt;&lt;br /&gt;Through May 12&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Musical theater fans can be quite rigid in their tastes, and even more so once they&#x2019;ve reached a certain age. Take this tart little number, whom I encountered the other night in Raleigh Memorial Auditorium.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/05/10/a-loopy-musical-send-up-with-a-heart-the-drowsy-chaperones-no-sleeper&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 10 May 2013 13:58:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Canned ham: More Downey, less Iron Man</title>
    <link>http://www.indyweek.com/artery/archives/2013/05/03/canned-ham-more-downey-less-iron-man</link>
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      <dc:creator>Neil Morris</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3631594/c929/1367586604-5.3_hts0080_v001.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        &lt;p&gt;&lt;br /&gt;&lt;strong&gt;IRON MAN 3&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br&gt;&lt;br /&gt;Opens today&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;In every conceivable way, Tony Stark&#x2019;s foe in &lt;em&gt;Iron Man 3&lt;/em&gt; is himself. It starts with an enemy born of Stark&#x2019;s chronic dickishness, a spurned fan-turned-supervillain not unlike Buddy Pine-cum-Syndrome in &lt;em&gt;The Incredibles&lt;/em&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/05/03/canned-ham-more-downey-less-iron-man&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 03 May 2013 09:15:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>(Far) too much of a good thing: Priscilla, Queen of the Desert at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2013/05/02/far-too-much-of-a-good-thing-priscilla-queen-of-the-desert-at-dpac</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3631179/8af9/1367532850-priscilla.brokenhill.crop.tour0083r.jpg&quot; width=&quot;75&quot; height=&quot;66&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;i&gt;PRISCILLA, QUEEN OF THE DESERT&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br&gt;&lt;br /&gt;&lt;B&gt;Durham Performing Arts Center&lt;br /&gt;Through May 5&lt;/B&gt;&lt;/p&gt;
&lt;p&gt;Its characters may or may not be the kind of folks they used to warn some of us about back on the farm. &lt;/p&gt;
&lt;p&gt;But &lt;B&gt;&lt;I&gt;PRISCILLA, QUEEN OF THE DESERT&lt;/i&gt;&lt;/b&gt; is most definitely the kind of show they warned me about in grad school.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/05/02/far-too-much-of-a-good-thing-priscilla-queen-of-the-desert-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 02 May 2013 18:43:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Making Stravinsky human through spoken word and song</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/27/making-stravinsky-human-through-spoken-word-and-song</link>
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      <dc:creator>Emma D. Miller</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3627072/a63b/1367030395-universes.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;Spring Training&lt;/i&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/halfstar.png&quot; align=&quot;left&quot; /&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;/strong&gt;&lt;b&gt;PRC&lt;small&gt;2&lt;/small&gt;&lt;br /&gt;&lt;a href=&quot;http://www.playmakersrep.org/springtraining&quot; target=&quot;_blank&quot;&gt;Kenan Theatre&lt;/a&gt;&lt;br /&gt;Closes April 28&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.universesonstage.com/&quot; target=&quot;_blank&quot;&gt;Universes&lt;/a&gt;, the Bronx-based performance troupe that fuses spoken word, song, rhythm and theater, epitomizes the concept of arts-as-multidisciplinary. The performers who comprise Universes&#x2014;all of whom are persons of color&#x2014;serve as storytellers and poets and music-makers.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/27/making-stravinsky-human-through-spoken-word-and-song&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sat, 27 Apr 2013 09:56:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Contrived horrors after fathers never come back home: Young Jean Lee&#39;s LEAR at Duke Theater Studies</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/18/contrived-horrors-after-dad-never-comes-back-home-young-jean-lees-lear</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3621542/c30f/1366326688-lear.cordelia.2013.dts.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;LEAR&lt;/i&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;/strong&gt;&lt;b&gt;Duke Theater Studies&lt;br /&gt;Sheafer Lab Theater&lt;br /&gt;closed April 14&lt;/b&gt;&lt;br /&gt;In the current PlayMakers Rep production of &lt;a href=&quot;http://bit.ly/CABprc&quot; target=&quot;_blank&quot;&gt;&lt;I&gt;Cabaret&lt;/i&gt;&lt;/a&gt;, would-be American novelist Clifford Bradshaw says that 1932 Berlin is &#x201C;like a bunch of kids playing in their room&#x2014;getting wilder and wilder&#x2014;and knowing any minute their parents are going to come home.&#x201D; &lt;/p&gt;
&lt;p&gt;Young Jean Lee&#x2019;s &lt;I&gt;&lt;B&gt;LEAR&lt;/b&gt;&lt;/i&gt; has a similar feel to it, with one marked exception: In this case, the parents are &lt;I&gt;never&lt;/i&gt; coming home&#x2014;not after King Lear and Gloucester, the fathers of the quintet we ultimately see on stage, have both been stripped of all power and banished to the storm, presumably to their deaths in this interpretation. &lt;/p&gt;
&lt;p&gt;In the absence of such gods, the children in this bizarre redraft have already turned quite feral.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/18/contrived-horrors-after-dad-never-comes-back-home-young-jean-lees-lear&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 18 Apr 2013 19:32:36 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>A problematic Elektra, on the trail of a generational dilemma</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/13/a-problematic-elektra-on-the-trail-of-a-generations-dilemma</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;p&gt;&lt;B&gt;&lt;i&gt;ELEKTRA&lt;/i&gt;&lt;br /&gt;2 stars&lt;/b&gt; (out of 5) &lt;br /&gt;&lt;B&gt;Chip Rodgers&lt;br /&gt;Meredith Studio Theater&lt;br /&gt;Through Apr. 14&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;I love it when a theater review heralds the arrival of a new artist or a new work of art. &lt;/p&gt;
&lt;p&gt;Sorry, but this isn&#x2019;t one of those.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/13/a-problematic-elektra-on-the-trail-of-a-generations-dilemma&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sat, 13 Apr 2013 10:17:00 -0400</pubDate>
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    <title>It&#39;s a sweaty, chaotic ride to The Place Beyond the Pines</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/11/its-a-sweaty-chaotic-ride-to-the-place-beyond-the-pines</link>
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      <dc:creator>Nathan Gelgud</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3553133/e772/1365711937-4.11_place_beyond_pines.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;The Place Beyond the Pines&lt;/i&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br clear=&quot;all&quot; /&gt;Now playing&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Derek Cianfrance&#x2019;s &lt;em&gt;The Place Beyond the Pines&lt;/em&gt; is a tattered melodrama that reaches fevered pitches out of nowhere and ambles with confidence through its baggy plot. It&#x2019;s a sweaty ride, shifting in and out of rapid speeds that come in spurts, a lot like Ryan Gosling on his getaway motorbike, zipping through Schenectady, N.Y., against oncoming traffic to suddenly curve off onto a damp side street.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/11/its-a-sweaty-chaotic-ride-to-the-place-beyond-the-pines&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Thu, 11 Apr 2013 16:27:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Here&#39;s to you, Jackie Robinson: A flawed take on a baseball great in 42</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/10/heres-to-you-jackie-robinson-a-flawed-take-on-a-baseball-great-in-42</link>
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      <dc:creator>Nathan Gelgud</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3544583/21b9/1365628647-42-1.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;42&lt;/i&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br clear=&quot;all&quot; /&gt;&lt;/strong&gt;&lt;strong&gt;Opens Friday (see times below)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&#x201C;You&#x2019;re medicine, Jack!&#x201D; growls Harrison Ford as Branch Rickey, owner of the Brooklyn Dodgers, in writer-director Brian Helgeland&#x2019;s &lt;em&gt;42&lt;/em&gt;. He&#x2019;s talking, of course, to Jackie Robinson (Chadwick Boseman), the Negro League player whom he&#x2019;s hired to play in the big leagues, breaking baseball&#x2019;s color barrier.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/10/heres-to-you-jackie-robinson-a-flawed-take-on-a-baseball-great-in-42&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 10 Apr 2013 17:47:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>6 Souls is beyond salvation</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/08/6-souls-is-beyond-salvation</link>
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      <dc:creator>Craig D. Lindsey</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3523605/daba/1365431692-4.8_6_souls.05rdp_6souls_span-articlelarge.jpg&quot; width=&quot;75&quot; height=&quot;48&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;i&gt;6 SOULS&lt;/i&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br clear=&quot;all&quot; /&gt;Now playing (see times below)&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Movies like &lt;em&gt;6 Souls&lt;/em&gt;, which creeps into theaters and VOD sites, remind me how psychological thrillers or supernatural thrillers or thrillers period are always tricky to pull off. These flicks always must walk a tightrope of staying intensely, viscerally plausible without falling off and descending into complete ridiculousness.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/08/6-souls-is-beyond-salvation&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 08 Apr 2013 11:01:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Lush life: Anything Goes is a dazzling, old-fashioned romp</title>
    <link>http://www.indyweek.com/artery/archives/2013/03/22/lush-life-anything-goes-is-a-dazzling-old-fashioned-romp</link>
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      <dc:creator>Emma D. Miller</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3441896/49d5/3.22_AGOesTour062r.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.anythinggoesontour.com/&quot;&gt;&lt;strong&gt;ANYTHING GOES&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;* * * * 1/2 stars&lt;/strong&gt;&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/events/detail/anything-goes&quot;&gt;@ DPAC&lt;/a&gt;&lt;br /&gt;Through March 24&lt;/p&gt;
&lt;p&gt;&#x201C;Times have changed,&#x201D; croons dazzling nightclub star Reno Sweeney in the title song of &lt;em&gt;Anything Goes&lt;/em&gt;. &#x201C;The world has gone mad today and good&#x2019;s bad today.&#x201D;&lt;/p&gt;
&lt;p&gt;Maybe so, but the touring production of this Broadway revival shows that some good things have staying power.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/03/22/lush-life-anything-goes-is-a-dazzling-old-fashioned-romp&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 22 Mar 2013 09:10:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Eleven paintings and a giant vagina: Robin Walker at the Carrack</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/18/eleven-paintings-and-a-giant-vagina-robin-walker-at-the-carrack</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3307518/8b31/1361216894-juliettethebaptist.jpg&quot; width=&quot;75&quot; height=&quot;116&quot; /&gt;
        &lt;p&gt;&#x201C;Decorative&#x201D; is a bit of a dirty word in the art world. It&#x2019;s why we say &#x201C;interior decorators&#x201D; instead of something like &#x201C;d&#xE9;cor artists.&#x201D; In galleries and museums, the word &#x201C;ornamental&#x201D; is preferred, describing artwork that incorporates motifs from traditional crafts, fashion or architecture into a larger statement or meaning.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/18/eleven-paintings-and-a-giant-vagina-robin-walker-at-the-carrack&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Mon, 18 Feb 2013 14:24:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Take it from us: Monty Python&#39;s Spamalot is for fans and non-fans alike</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/14/take-it-from-us-monty-pythons-spamalot-is-for-fans-and-non-fans-alike</link>
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      <dc:creator>Emma D. Miller</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3295891/0513/1360876005-large.glenn_giron_and_ensemble__photo_by_scott_suchman_2010___2_.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;SPAMALOT&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;* * * * stars&lt;/strong&gt;&lt;br /&gt;&lt;a href=&quot;http://www.nctheatre.com/shows/monty-pythons-spamalot&quot; target=&quot;_blank&quot;&gt;NC Theatre&lt;/a&gt;&lt;br /&gt;@ Raleigh Memorial Auditorium&lt;/p&gt;
&lt;p&gt;A confession: I never totally understood the &quot;classic&quot; status of &lt;em&gt;Monty Python and the Holy Grail&lt;/em&gt;. I remember watching it for the first time in seventh grade at my friend&#x2019;s house, and I remember how bewildered I was as she howled and quoted every line.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/14/take-it-from-us-monty-pythons-spamalot-is-for-fans-and-non-fans-alike&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 14 Feb 2013 16:08:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Some assembly required? Meow Meow in Beyond Glamour at PSI Theatre</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/14/significant-disassembly-required-meow-meow-in-beyond-glamour-at-psi-theater</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3295738/735b/1360872733-meow-meow1-credit-karl-giant-lst075625.jpg&quot; width=&quot;75&quot; height=&quot;75&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;I&gt;BEYOND GLAMOUR&lt;/i&gt;&lt;br /&gt;Meow Meow&lt;br /&gt;3.5 stars&lt;/b&gt; (out of 5)&lt;br /&gt;&lt;B&gt;PSI Theatre, Durham Arts Council&lt;br /&gt;Through Feb. 14&lt;/B&gt;&lt;/p&gt;
&lt;p&gt;It doesn&#x2019;t always look that way, I know. But critics usually don&#x2019;t go to a show for the purpose of basking in their own smugness and perceived superiority over the material, the genre, the company or the audience.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/14/significant-disassembly-required-meow-meow-in-beyond-glamour-at-psi-theater&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Thu, 14 Feb 2013 14:54:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Endless vacation: Good Day to Die Hard knows why you bought your ticket</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/14/endless-vacation-good-day-to-die-hard-knows-why-you-bought-your-ticket</link>
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      <dc:creator>Nathan Gelgud</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3295552/c2e6/1360865175-gooddaytodiehard.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;A GOOD DAY TO DIE &lt;strong&gt;HARD&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;* * * &lt;/strong&gt;stars&lt;/strong&gt;&lt;br /&gt;Opens today (see times below)&lt;/p&gt;
&lt;p&gt;Supercop John McClane wants everybody to know he&#x2019;s on vacation. So when he gets hit by a car or shot at by a helicopter or finds himself running from the fire of 10 machine guns, he screams at his attackers &#x201C;I&#x2019;m on vacation!&#x201D; &lt;/p&gt;
&lt;p&gt;There&#x2019;s a lot of gunfire and crashing cars in &lt;em&gt;A Good Day to Die Hard&lt;/em&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/14/endless-vacation-good-day-to-die-hard-knows-why-you-bought-your-ticket&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 14 Feb 2013 13:37:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>What the ocean saw: David Gatten&#39;s films at NCSU</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/14/what-the-ocean-saw-david-gattens-films-at-ncsu</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3295507/c2f6/1360863769-once_6.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;DAVID GATTEN FILM SCREENING AND DISCUSSION&lt;/strong&gt;&lt;br /&gt;N.C. State University&lt;br /&gt;Caldwell Hall G107, 2221 Hillsborough St.&lt;br /&gt;Fri., Feb. 15, 5-7:30 p.m. &lt;/p&gt;
&lt;p&gt;This is the true story of how the ocean made a movie. &lt;/p&gt;
&lt;p&gt;To be more precise, filmmaker David Gatten collaborated on a movie with the Atlantic Ocean, where the Edisto River empties its freshwater into the ocean&#x2019;s salt along the South Carolina coast.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/14/what-the-ocean-saw-david-gattens-films-at-ncsu&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 14 Feb 2013 12:31:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Mary Poppins is witty and colorful, if not supercalifragilisticexpialidocious</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/13/dpacs-mary-poppins-witty-and-colorful-if-not-supercalifragilisticexpialidocious</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3289415/8f16/1360733473-madeline_trumble_as_mary_and_con_oshea_creal_as_bert._photo_by_kyle_froman.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;MARY POPPINS&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;* * * 1/2 stars&lt;/strong&gt;&lt;br /&gt;Through Feb. 17&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/events/detail/mary-poppins&quot; target=&quot;_blank&quot;&gt;Durham Performing Arts Center&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The touring production of the stage musical version of Disney&#39;s &lt;em&gt;Mary Poppins&lt;/em&gt;, co-created by &lt;em&gt;Les Miserables&lt;/em&gt; and &lt;em&gt;Phantom of the Opera&lt;/em&gt; hitmaker Cameron Mackintosh and appearing at the Durham Performing Arts Center through Feb. 17, is an odd experience, depending on which version of Mary Poppins you know. If you&#39;re mostly familiar with the 1964 film with Julie Andrews, this version jettisons many of the songs, scenes and plot points, creates a completely different conflict for the second act and adds a handful of new characters, including a nemesis for the titular magic nanny.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/13/dpacs-mary-poppins-witty-and-colorful-if-not-supercalifragilisticexpialidocious&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Spectacle</category>
        
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    <pubDate>Wed, 13 Feb 2013 14:37:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Identity Thief steals nothing but time and joy</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/08/identity-thief-steals-nothing-but-time-and-joy</link>
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      <dc:creator>Craig D. Lindsey</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3275524/d879/1360347556-2.13_identitytheftmccarthy.jpeg&quot; width=&quot;75&quot; height=&quot;43&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;IDENTITY THIEF&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;1 star&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Opens Friday in theaters everywhere&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;For a movie that&#x2019;s billed as a comedy, &lt;em&gt;Identity Thief&lt;/em&gt; certainly leaves you with an empty feeling. Then again, the movie is about a con artist who steals from a dude who doesn&#x2019;t even know he&#x2019;s being jacked.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/08/identity-thief-steals-nothing-but-time-and-joy&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 08 Feb 2013 13:21:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Rites without seasons: Bill T. Jones and Anne Bogart&#39;s A Rite at Memorial Hall</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/30/a-rite-without-seasons-bill-t-jones-and-anne-bogarts-a-rite-at-memorial-hall</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3258825/1172/1359742776-a_rite.the_next_sound_you_hear.soldier.3.jpg&quot; width=&quot;75&quot; height=&quot;94&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;I&gt;A RITE&lt;/I&gt;&lt;br /&gt;Bill T. Jones/Arnie Zane Dance Company&lt;br /&gt;SITI Company&lt;br /&gt;Memorial Hall, UNC&lt;br /&gt;Closed January 26&lt;/B&gt;&lt;/p&gt;
&lt;p&gt;Some rites are seasonal. It&#39;s a fact those who&#39;ve spent any part of their lives in close contact with the land know, intimately.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/30/a-rite-without-seasons-bill-t-jones-and-anne-bogarts-a-rite-at-memorial-hall&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Fri, 01 Feb 2013 13:23:27 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Closing Sunday at NC Museum of Art: Project 35: Volume II</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/10/closing-sunday-at-nc-museum-of-art-project-35-volume-ii</link>
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      <dc:creator>Amy White</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3240932/0530/1357858103-sutcliffe__despair_.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;a href=&quot;http://ncartmuseum.org/exhibitions/project_35/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;&lt;i&gt;PROJECT 35 &#x2014; Volume II&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;North Carolina Museum of Art&lt;br /&gt;Part II closes Jan. 13&lt;br /&gt;Part III Jan. 20-March 24&lt;br /&gt;Part IV April 2&#x2014;June 2&lt;/b&gt;&lt;/p&gt;
&lt;!--
&lt;p&gt;Heading: Return to the Small Dark Room&lt;br /&gt;Sub-heading: In which our itinerant arts writer catches the second installment of NCMA&#x2019;s global video festival at the last possible moment&lt;/p&gt;
--&gt; &lt;p&gt;When it comes to good art, sometimes late is better than never.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/10/closing-sunday-at-nc-museum-of-art-project-35-volume-ii&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 10 Jan 2013 17:48:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Leave &#39;em wanting more: Deborah Cox sparkles, briefly, in Jekyll and Hyde at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/09/leave-em-wanting-more-deborah-cox-sparkles-briefly-in-jekyll-and-hyde-at-dpac</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3239255/453e/1357767506-cropped2.jekyll___hyde__185r.jpg&quot; width=&quot;75&quot; height=&quot;54&quot; /&gt;
        &lt;p&gt;&lt;a href=&quot;http://www.jekyllandhydemusical.com/&quot;&gt;&lt;strong&gt;Jekyll and Hyde: The Musical&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;* *&lt;/strong&gt; 1/2 stars&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/events/detail/jekyll-hyde&quot;&gt;Durham Performing Arts Center&lt;/a&gt;&lt;br /&gt;Through Jan. 13&lt;br /&gt;Tickets $35-$95&lt;/p&gt;
&lt;p&gt;If you&#x2019;re not a Deborah Cox fan, you&#x2019;ll probably become one if you see &lt;em&gt;Jekyll and Hyde: The Musical &lt;/em&gt;at the Durham Performing Arts Center this week. The Grammy-nominated R&amp;B star pushes the rest of the cast out of the way with her round, rich voice and nuanced singing.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/09/leave-em-wanting-more-deborah-cox-sparkles-briefly-in-jekyll-and-hyde-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 09 Jan 2013 16:40:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>A bittersweet ballroom: Million Dollar Quartet at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2012/12/07/a-bittersweet-ballroom-million-dollar-quartet-at-dpac</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3211420/6ef8/1354901788-mdq-photo11-codyelvis.resize.jpg&quot; width=&quot;75&quot; height=&quot;73&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;I&gt;MILLION DOLLAR QUARTET&lt;/i&gt;&lt;br /&gt;4 stars&lt;/b&gt; (out of 5)&lt;br /&gt;&lt;b&gt;DPAC&lt;br /&gt;Through Dec. 9&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;The live band is cooking, and dead ringers for the first generation of rockabilly royalty nail rave-ups from &#x201C;Who Do You Love&#x201D; to &#x201C;Great Balls of Fire.&#x201D; But even at its full (and considerable) force, the 2007 jukebox musical &lt;em&gt;Million Dollar Quartet&lt;/em&gt; seems haunted by something surprising, given the supposed durability of the subject matter. It&#x2019;s hard not to conclude that Floyd Mutrux and Colin Escott&#x2019;s book ultimately celebrates&#x2014;and mourns&#x2014;its evanescence.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/12/07/a-bittersweet-ballroom-million-dollar-quartet-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 07 Dec 2012 11:47:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Skyfall, the latest Bond flick, brings pleasures both familiar and fresh</title>
    <link>http://www.indyweek.com/artery/archives/2012/11/09/no-license-for-old-men-skyfall-the-latest-bond-flick-brings-pleasures-both-familiar-and-fresh</link>
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      <dc:creator>Neil Morris</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3188229/129c/1352473985-11.9_skyfall-james-bond.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;SKYFALL&lt;br /&gt;*** stars&lt;br /&gt;Opens today&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;During the latter half of &lt;em&gt;Skyfall&lt;/em&gt;, Judi Dench&#x2019;s M, testifying before a bureaucratic inquest, declares that today&#x2019;s true threats to safety and security are &#x201C;individuals, not nations.&#x201D; &lt;/p&gt;
&lt;p&gt;Punctuated by a passage from Tennyson&#x2019;s &#x201C;Ulysses,&#x201D; the expertly edited scene plays like a commentary on our post-Bin Laden world. However, the megalomaniac or terrorist-led organization was always the central villain throughout Ian Fleming&#x2019;s James Bond books and the now-50 years of films they spawned, unlike most of Fleming&#x2019;s Cold War spy novel counterparts.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/11/09/no-license-for-old-men-skyfall-the-latest-bond-flick-brings-pleasures-both-familiar-and-fresh&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 09 Nov 2012 10:13:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Catch Me If You Can soars on live jumping jive&#x2014;before a bumpy landing...</title>
    <link>http://www.indyweek.com/artery/archives/2012/11/09/catch-me-if-you-can-soars-on-live-jumping-jivebefore-a-bumpy-landing</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3188215/3081/1352471578-catch_me_if_you_can.anthony.jetwings.2.179370.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;i&gt;CATCH ME IF YOU CAN &lt;/i&gt;&lt;br /&gt;3.5 stars&lt;/b&gt; (out of 5)&lt;br /&gt;&lt;B&gt;&lt;a href=&quot;http://www.progressenergycenter.com/event/catchmeifyoucan-2639&quot;&gt;Broadway Series South/NC Theatre&lt;/a&gt;&lt;br /&gt;Through Nov. 11&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Frank Abagnale&#x2019;s life story, vividly related in the jazzy Broadway musical &lt;I&gt;&lt;B&gt;&lt;a href=&quot;http://www.catchmeontour.com&quot;&gt;Catch Me If You Can&lt;/a&gt;&lt;/i&gt;&lt;/b&gt;, beggars belief. A prodigy as an adolescent (albeit at check kiting and gaming various mechanisms in the American financial system), before age 18 he&#x2019;d rung up well over $1 million dollars in multiple bank frauds.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/11/09/catch-me-if-you-can-soars-on-live-jumping-jivebefore-a-bumpy-landing&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 09 Nov 2012 09:08:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>The minimalist, highly personal multimedia pioneer Meredith Monk at Duke; final performance tonight</title>
    <link>http://www.indyweek.com/artery/archives/2012/11/03/the-minimalist-highly-personal-multimedia-pioneer-meredith-monk-at-duke-final-performance-tonight</link>
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      <dc:creator>Kate Dobbs Ariail</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3185006/ee73/1351962902-11.3_meredith-monk-2.jpeg&quot; width=&quot;75&quot; height=&quot;94&quot; /&gt;
        &lt;p&gt;&lt;a href=&quot;http://www.meredithmonk.org/&quot;&gt;&lt;strong&gt;MEREDITH MONK&lt;/strong&gt;&lt;/a&gt;	&lt;br /&gt;Nov. 2-3&lt;br /&gt;&lt;a href=&quot;http://dukeperformances.duke.edu/artists-genre/theater-dance/meredithmonk&quot;&gt;Duke Performances, Reynolds Industries Theater&lt;/a&gt;&lt;br /&gt;	&lt;br /&gt;Multimedia mama Meredith Monk has been at Duke on a residency for two weeks, and last night presented a show in Reynolds Theater that brought her past into the present. The show repeats tonight&#x2014;who knows when you might have another opportunity to see and hear the woman so important to the beginnings of a strain of art that we take for granted today.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/11/03/the-minimalist-highly-personal-multimedia-pioneer-meredith-monk-at-duke-final-performance-tonight&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sat, 03 Nov 2012 13:15:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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