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      <title>Durham Performing Arts Center (DPAC): Artery, Indy Week</title>
      
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      <pubDate>Mon, 20 May 2013 00:00:01 -0400</pubDate>
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          <title>Durham Performing Arts Center (DPAC): Artery, Indy Week</title>
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          <description>Progressive news, culture and commentary for Raleigh, Cary, Durham and Chapel Hill, North Carolina</description>
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    <title>(Far) too much of a good thing: Priscilla, Queen of the Desert at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2013/05/02/far-too-much-of-a-good-thing-priscilla-queen-of-the-desert-at-dpac</link>
    <guid isPermaLink="true">http://www.indyweek.com/artery/archives/2013/05/02/far-too-much-of-a-good-thing-priscilla-queen-of-the-desert-at-dpac</guid>

    
    
      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3631179/8af9/1367532850-priscilla.brokenhill.crop.tour0083r.jpg&quot; width=&quot;75&quot; height=&quot;66&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;i&gt;PRISCILLA, QUEEN OF THE DESERT&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;img src=&quot;http://www.indyweek.com/images/star.png&quot; align=&quot;left&quot; /&gt;&lt;br&gt;&lt;br /&gt;&lt;B&gt;Durham Performing Arts Center&lt;br /&gt;Through May 5&lt;/B&gt;&lt;/p&gt;
&lt;p&gt;Its characters may or may not be the kind of folks they used to warn some of us about back on the farm. &lt;/p&gt;
&lt;p&gt;But &lt;B&gt;&lt;I&gt;PRISCILLA, QUEEN OF THE DESERT&lt;/i&gt;&lt;/b&gt; is most definitely the kind of show they warned me about in grad school.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/05/02/far-too-much-of-a-good-thing-priscilla-queen-of-the-desert-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 02 May 2013 18:43:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Lush life: Anything Goes is a dazzling, old-fashioned romp</title>
    <link>http://www.indyweek.com/artery/archives/2013/03/22/lush-life-anything-goes-is-a-dazzling-old-fashioned-romp</link>
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      <dc:creator>Emma D. Miller</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3441896/49d5/3.22_AGOesTour062r.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.anythinggoesontour.com/&quot;&gt;&lt;strong&gt;ANYTHING GOES&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;* * * * 1/2 stars&lt;/strong&gt;&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/events/detail/anything-goes&quot;&gt;@ DPAC&lt;/a&gt;&lt;br /&gt;Through March 24&lt;/p&gt;
&lt;p&gt;&#x201C;Times have changed,&#x201D; croons dazzling nightclub star Reno Sweeney in the title song of &lt;em&gt;Anything Goes&lt;/em&gt;. &#x201C;The world has gone mad today and good&#x2019;s bad today.&#x201D;&lt;/p&gt;
&lt;p&gt;Maybe so, but the touring production of this Broadway revival shows that some good things have staying power.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/03/22/lush-life-anything-goes-is-a-dazzling-old-fashioned-romp&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Durham Performing Arts Center (DPAC)</category>
        
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    <pubDate>Fri, 22 Mar 2013 09:10:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>The most amazing season, eh? A closer look at DPAC&#39;s new Broadway line-up</title>
    <link>http://www.indyweek.com/artery/archives/2013/03/04/the-most-amazing-season-eh-a-closer-look-at-dpacs-new-broadway-season</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3364235/23ba/1362421379-book-of-mormon-musical.jpg&quot; width=&quot;75&quot; height=&quot;59&quot; /&gt;
        &lt;p&gt;&lt;br /&gt;To summarize the lineup of touring Broadway shows coming through the &lt;a href=&quot;http://www.dpacnc.com/suntrust-broadway-series/suntrust-broadway-season-schedule-2013-14&quot; target=&quot;_blank&quot;&gt;Durham Performing Arts Center&#x2019;s new season&lt;/a&gt; as succinctly as possible: Hope you like Andrew Lloyd Webber. &lt;/p&gt;
&lt;p&gt;Sir Andrew&#x2019;s work may be found in three of the seven new shows announced at DPAC&#x2019;s SunTrust Broadway Preview Event on Friday, specifically the touring version of the recently-closed revival of &lt;em&gt;Evita&lt;/em&gt;, the 2011 West End musical version of &lt;em&gt;The Wizard of Oz&lt;/em&gt; film with new songs by Lloyd Webber and Tim Rice, and a whole concert featuring songs from Lloyd Webber&#x2019;s extensive oeuvre, including &lt;em&gt;The Phantom of the Opera&lt;/em&gt; and &lt;em&gt;Cats&lt;/em&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/03/04/the-most-amazing-season-eh-a-closer-look-at-dpacs-new-broadway-season&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Spectacle</category>
        
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          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Mon, 04 Mar 2013 13:23:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Leave &#39;em wanting more: Deborah Cox sparkles, briefly, in Jekyll and Hyde at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/09/leave-em-wanting-more-deborah-cox-sparkles-briefly-in-jekyll-and-hyde-at-dpac</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3239255/453e/1357767506-cropped2.jekyll___hyde__185r.jpg&quot; width=&quot;75&quot; height=&quot;54&quot; /&gt;
        &lt;p&gt;&lt;a href=&quot;http://www.jekyllandhydemusical.com/&quot;&gt;&lt;strong&gt;Jekyll and Hyde: The Musical&lt;/strong&gt;&lt;/a&gt;&lt;br /&gt;&lt;strong&gt;* *&lt;/strong&gt; 1/2 stars&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/events/detail/jekyll-hyde&quot;&gt;Durham Performing Arts Center&lt;/a&gt;&lt;br /&gt;Through Jan. 13&lt;br /&gt;Tickets $35-$95&lt;/p&gt;
&lt;p&gt;If you&#x2019;re not a Deborah Cox fan, you&#x2019;ll probably become one if you see &lt;em&gt;Jekyll and Hyde: The Musical &lt;/em&gt;at the Durham Performing Arts Center this week. The Grammy-nominated R&amp;B star pushes the rest of the cast out of the way with her round, rich voice and nuanced singing.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/09/leave-em-wanting-more-deborah-cox-sparkles-briefly-in-jekyll-and-hyde-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 09 Jan 2013 16:40:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>The animals have the advantage in War Horse</title>
    <link>http://www.indyweek.com/artery/archives/2012/10/04/the-animals-have-the-advantage-in-war-horse</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3164016/61d4/1349392094-war_horse.1.852-260.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;i&gt;WAR HORSE&lt;/i&gt;&lt;br /&gt;3.5 stars&lt;/b&gt; (out of 5)&lt;br /&gt;&lt;B&gt;Durham Performing Arts Center&lt;br /&gt;Through Oct. 7&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;The image has come to symbolize the chaos and carnage of war: A panic-stricken horse, impaled by a spear, whose death-dance dominates the center of Pablo Picasso&#x2019;s &lt;I&gt;Guernica&lt;/i&gt;. Man&#x2019;s inhumanity to man is a fundamental trope in the discourse of war&#x2014;and one we can grow all too quickly numb to.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/10/04/the-animals-have-the-advantage-in-war-horse&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 04 Oct 2012 18:18:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>ADF 2012: Paul Taylor&#39;s flawed program</title>
    <link>http://www.indyweek.com/artery/archives/2012/07/21/2012-adf-paul-taylors-flawed-program</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3108230/193d/1342892298-7.21_bigbertha1.paulbgoode.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;b&gt;&lt;a href=&quot;http://www.ptdc.org/&quot;&gt;PAUL TAYLOR DANCE COMPANY&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;http://www.americandancefestival.org/&quot;&gt;American Dance Festival&lt;/a&gt;&lt;br /&gt;@ DPAC&lt;br /&gt;Through July 21&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;The Paul Taylor Dance Company took the stage at the Durham Performing Arts Center last night for their annual visit to the American Dance Festival, which concludes this evening. The mainstay company brought out a crowd expecting to see virtuosic performances from the principal dancers, and Michael Trusnovec, Amy Young and Michelle Fleet didn&#x2019;t disappoint them.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/07/21/2012-adf-paul-taylors-flawed-program&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sat, 21 Jul 2012 13:49:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>This American iPad: A Q&amp;A with Ira Glass</title>
    <link>http://www.indyweek.com/artery/archives/2012/03/23/this-american-ipad-a-qanda-with-ira-glass</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2930944/3e8f/IraGlass_mixing_hi_res__credit_George_Barcos_.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;Those familiar with Ira Glass&#39; wry, quizzical voice as the host of public radio&#39;s &lt;em&gt;&lt;a href=&quot;http://www.thisamericanlife.org/&quot;&gt;This American Life&lt;/a&gt;&lt;/em&gt; will get to experience his unique brand of storytelling in person when he appears at the &lt;a href=&quot;http://www.dpacnc.com/&quot;&gt;Durham Performing Arts Center&lt;/a&gt; on Saturday, March 23. The appearance comes after a week in which &lt;em&gt;This American Life&lt;/em&gt; made headlines when a piece involving monologist Mike Daisey&#39;s trip to a factory creating Apple computer products was revealed to be mostly fabricated.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/03/23/this-american-ipad-a-qanda-with-ira-glass&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 23 Mar 2012 13:39:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Joey the war horse comes to Durham, and what the new DPAC season says about Broadway</title>
    <link>http://www.indyweek.com/artery/archives/2012/03/14/joey-the-war-horse-comes-to-durham-and-what-the-new-dpac-season-says-about-broadway</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2904356/ec6e/1331745771-20120308_040_dpac_war_horse_indy__web_dla.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;Last week, the slogan &quot;New York Has Never Been So Close!&#x201D; was proclaimed at least four times in the presentation for the 2012-2013 SunTrust Broadway series at the Durham Performing Arts Center. &lt;/p&gt;
&lt;p&gt;But while I&#x2019;m certainly looking forward to several of the touring productions, including the season opener, &lt;em&gt;War Horse&lt;/em&gt;, I was left wondering, What does this lineup say about the current state of Broadway?&lt;/p&gt;
&lt;p&gt;Eight plays will come through DPAC starting in October: &lt;em&gt;War Horse&lt;/em&gt;, &lt;em&gt;Jersey Boys&lt;/em&gt;, &lt;em&gt;Million Dollar Quartet&lt;/em&gt;, &lt;em&gt;Jekyll &amp; Hyde&lt;/em&gt;, &lt;em&gt;Mary Poppins&lt;/em&gt;, &lt;em&gt;Anything Goes&lt;/em&gt;, &lt;em&gt;Priscilla, Queen of the Desert&lt;/em&gt; and &lt;em&gt;Sister Act&lt;/em&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/03/14/joey-the-war-horse-comes-to-durham-and-what-the-new-dpac-season-says-about-broadway&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 14 Mar 2012 13:33:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Rock Of Ages is rote and uninspired</title>
    <link>http://www.indyweek.com/artery/archives/2011/10/27/rock-of-ages-is-rote-and-uninspired</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2691767/24a8/1319716764-10.26_roa_20.600.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;ROCK OF AGES&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;* * &lt;/strong&gt;1/2 stars&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/events/detail/rock_of_ages&quot;&gt;Durham Performing Arts Center&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;A visit to the Durham Performing Arts Center for the touring production of &lt;em&gt;Rock of Ages &lt;/em&gt;yields a number of odd sights. Audience members, mostly people in their 40s and 50s, are wearing suits and evening wear to a play that&#x2019;s based, in part, on the fashion excesses of 1980s youth culture.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/10/27/rock-of-ages-is-rote-and-uninspired&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Theater</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
          <category>Reviews</category>
        
      
    
    

    
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    <pubDate>Thu, 27 Oct 2011 08:02:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>People-watching at the club, with Twyla and Frank: Come Fly Away at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2011/10/01/people-watching-at-a-bar-with-twyla-and-frankcome-fly-away-at-dpac</link>
    <guid isPermaLink="true">http://www.indyweek.com/artery/archives/2011/10/01/people-watching-at-a-bar-with-twyla-and-frankcome-fly-away-at-dpac</guid>

    
    
      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2669850/2ccb/10.2_cody_green.come_fly_away.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;B&gt;&lt;I&gt;COME FLY AWAY&lt;/i&gt;&lt;br /&gt;4 stars&lt;/b&gt; out of 5&lt;br /&gt;&lt;b&gt;Durham Performing Arts Center&lt;br /&gt;Through Oct. 2&lt;br /&gt;dpacnc.org&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;It&#x2019;s understandable that modern dance aficionados might have paused when considering the touring version of &lt;B&gt;&lt;I&gt;COME FLY AWAY&lt;/i&gt;&lt;/b&gt;, choreographer Twyla Tharp&#x2019;s evening-length tribute to musical legend Frank Sinatra which closes a stand at Durham Performing Arts Center on Sunday. &lt;/p&gt;
&lt;p&gt;As mentioned in our preview, Tharp had already gone to the well three times with Ol&#x2019; Blue Eyes between 1976 and 1983, reconfiguring various groupings of his hits that she&#x2019;d choreographed into what ultimately became one of her most widely interpreted&#x2014;and controversial&#x2014;works, &lt;I&gt;Nine Sinatra Songs&lt;/i&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/10/01/people-watching-at-a-bar-with-twyla-and-frankcome-fly-away-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Dance</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
          <category>Reviews</category>
        
      
    
    

    
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      http://www.indyweek.com/artery/archives/2011/10/01/people-watching-at-a-bar-with-twyla-and-frankcome-fly-away-at-dpac?show=comments#readerComments
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    <pubDate>Sat, 01 Oct 2011 20:02:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Exclusive ADF video preview: PAUL TAYLOR&#39;s THE UNCOMMITTED</title>
    <link>http://www.indyweek.com/artery/archives/2011/07/21/adf-video-preview-paul-taylors-the-uncommitted</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2617486/8da2/1311282492-paultaylorbites.crop.1.jpg&quot; width=&quot;75&quot; height=&quot;57&quot; /&gt;
        &lt;p&gt;&lt;iframe width=&quot;600&quot; height=&quot;495&quot; src=&quot;http://www.youtube.com/embed/0VeoN4SfujY&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;Exclusive video footage from the world premiere of &lt;B&gt;&lt;I&gt;THE UNCOMMITTED&lt;/I&gt;&lt;/B&gt; by &lt;B&gt;PAUL TAYLOR DANCE COMPANY&lt;/B&gt; at the 2011 American Dance Festival. Taylor has dedicated the work to departing ADF president Charles Reinhart.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/07/21/adf-video-preview-paul-taylors-the-uncommitted&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>ADF</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Thu, 21 Jul 2011 17:08:35 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Exclusive video preview: SHEN WEI&#39;s LIMITED STATES world premiere at ADF (NSFW)</title>
    <link>http://www.indyweek.com/artery/archives/2011/07/15/exclusive-video-preview-shen-weis-limited-states-world-premiere-at-adf</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2613062/357e/1310766615-shen_wei_freeze_2.crop.jpg&quot; width=&quot;75&quot; height=&quot;77&quot; /&gt;
        &lt;p&gt;&lt;div style=&quot;text-align:center;&quot;&gt;&lt;B&gt;Please note that this video clip contains nudity and should be considered not safe for work. Viewer discretion is advised.&lt;/b&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;&lt;iframe width=&quot;600&quot; height=&quot;495&quot; src=&quot;http://www.youtube.com/embed/C_mKEhng5z4&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;Exclusive video footage from the world premiere of &lt;strong&gt;&lt;i&gt;LIMITED STATES&lt;/i&gt;&lt;/strong&gt; by &lt;b&gt;SHEN WEI DANCE ARTS&lt;/b&gt; at the 2011 American Dance Festival.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/07/15/exclusive-video-preview-shen-weis-limited-states-world-premiere-at-adf&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>ADF</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Fri, 15 Jul 2011 17:28:36 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>First facts: Shen Wei&#39;s upcoming world premiere, LIMITED STATES, at ADF</title>
    <link>http://www.indyweek.com/artery/archives/2011/07/08/first-facts-shen-weis-world-premiere-limited-states-at-adf</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2607022/c526/1310131017-shen_wei.moma.1.crop.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        &lt;p&gt;Thursday afternoon, the American Dance Festival released the tantalizing first details of choreographer &lt;B&gt;SHEN WEI&lt;/b&gt;&#39;s new work, whose world premiere next Thursday is easily anticipated as one of the high points of ADF&#x2019;s 2011 season. &lt;/p&gt;
&lt;p&gt;Its name is &lt;B&gt;&lt;I&gt;LIMITED STATES&lt;/i&gt;&lt;/b&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/07/08/first-facts-shen-weis-world-premiere-limited-states-at-adf&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>ADF</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Fri, 08 Jul 2011 09:13:37 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Please&#x2014;no photos:  Emanuel Gat Dance at ADF</title>
    <link>http://www.indyweek.com/artery/archives/2011/07/06/no-photos-please-emanuel-gat-dance-at-adf</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2604299/aec9/1309988001-gat.brilliant_corners.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;When a film studio foregoes all previews of an upcoming release, that usually conveys a certain lack of faith in the finished product. This week, we&#39;ll find out what a similar circumstance means in choreographer &lt;strong&gt;EMANUEL GAT&lt;/strong&gt;&#39;s case when his company performs during the&lt;strong&gt; American Dance Festival&lt;/strong&gt; at the Durham Performing Arts Center.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/07/06/no-photos-please-emanuel-gat-dance-at-adf&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>ADF</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Wed, 06 Jul 2011 15:45:17 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Exclusive video preview: SERAPH, Pilobolus world premiere</title>
    <link>http://www.indyweek.com/artery/archives/2011/06/30/exclusive-video-preview-seraph-pilobolus-world-premiere</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2587637/7f26/1309470005-grabby_pils_1.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        &lt;p&gt;&lt;iframe width=&quot;600&quot; height=&quot;495&quot; src=&quot;http://www.youtube.com/embed/Xk82Y5vVbmc&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;Exclusive video footage from the world premiere of &lt;strong&gt;&lt;I&gt;SERAPH&lt;/I&gt;&lt;/strong&gt;, a collaboration between the dance company &lt;B&gt;PILOBOLUS&lt;/B&gt; and the &lt;strong&gt;MIT Computer Science &amp; Artificial Intelligence Lab&lt;/strong&gt;, at the 2011 American Dance Festival. Pilobolus performs at the Durham Performing Arts Center through July 2.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/06/30/exclusive-video-preview-seraph-pilobolus-world-premiere&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>ADF</category>
        
          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Thu, 30 Jun 2011 17:29:05 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Video preview: Ronald K. Brown / Evidence at ADF</title>
    <link>http://www.indyweek.com/artery/archives/2011/06/24/video-preview-ronald-k-brown-evidence-at-adf</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        
        &lt;p&gt;&lt;iframe width=&quot;600&quot; height=&quot;495&quot; src=&quot;http://www.youtube.com/embed/Tb5udylKY1c&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;New video preview of the dance company Evidence performing a section of Ronald K. Brown&#39;s new suite to Stevie Wonder, &lt;I&gt;ON EARTH TOGETHER&lt;/i&gt;, at the 2011 American Dance Festival. The company appears with Dayton Contemporary Dance Company through June 25 at Durham Performing Arts Center.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/06/24/video-preview-ronald-k-brown-evidence-at-adf&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Fri, 24 Jun 2011 18:42:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Exclusive video preview: Dayton Contemporary Dance Company at ADF</title>
    <link>http://www.indyweek.com/artery/archives/2011/06/24/exclusive-video-preview-dayton-contemporary-dance-company-at-adf</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2571615/61aa/adf.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;iframe width=&quot;600&quot; height=&quot;493&quot; src=&quot;http://www.youtube.com/embed/GwnWgSRCHbE&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;/iframe&gt;Exclusive video preview of the Dayton Contemporary Dance Company performing a section of Donald McKayle&#39;s RAINBOW &#39;ROUND MY SHOULDER at the 2011 American Dance Festival. The company appears with Evidence through June 25 at Durham Performing Arts Center.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/06/24/exclusive-video-preview-dayton-contemporary-dance-company-at-adf&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Durham Performing Arts Center (DPAC)</category>
        
      
    
    

    
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    <pubDate>Fri, 24 Jun 2011 14:01:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Cutting thinning HAIR: A new conspiracy theory about an old rock musical</title>
    <link>http://www.indyweek.com/artery/archives/2011/05/15/cutting-thinning-hair-a-new-conspiracy-theory-clouds-an-old-rock-musical</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2462242/6a0c/1305495549-hair.crop.steel-burkhardt-and-paris-remillard-in-the-hair-national-tour-c-joan-marcus.jpg&quot; width=&quot;75&quot; height=&quot;149&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;HAIR&lt;/i&gt;&lt;br /&gt;2.5 stars&lt;/strong&gt; (out of 5)&lt;br /&gt;&lt;strong&gt;Durham Performing Arts Center&lt;br /&gt;through May 15&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;I believe I&#x2019;ve stumbled upon a late-breaking conspiracy theory&#x2014;so please say you heard it here first:  &lt;/p&gt;
&lt;p&gt;A Vast (or, possibly, Half-Vast) Right Wing Conspiracy is actually funding the revival and tour of that touchstone 60s rock musical, &lt;strong&gt;&lt;i&gt;HAIR&lt;/i&gt;&lt;/strong&gt;. &lt;/p&gt;
&lt;p&gt;Impossible, you say?&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/05/15/cutting-thinning-hair-a-new-conspiracy-theory-clouds-an-old-rock-musical&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Sun, 15 May 2011 13:01:45 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>A bittersweet homecoming for the Merce Cunningham Dance Company</title>
    <link>http://www.indyweek.com/artery/archives/2011/02/05/a-bittersweet-homecoming-for-the-merce-cunningham-dance-company</link>
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      <dc:creator>Marc Maximov</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2005836/7e61/110204_merce_RESTRICTED.121.JPG&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;!&#x2014;&lt;![endif]--&gt;&lt;/object&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;MERCE CUNNINGHAM DANCE COMPANY&lt;/strong&gt;&lt;br /&gt;Presented by &lt;a href=&quot;http://dukeperformances.duke.edu/&quot;&gt;Duke Performances&lt;/a&gt;&lt;br /&gt;@&lt;a href=&quot;http://dpacnc.com/&quot;&gt;Durham Performing Arts Center&lt;/a&gt;&lt;br /&gt;Feb. 4-5&lt;/p&gt;
&lt;p&gt;The Durham Performing Arts Center was energized Friday night with the North Carolina homecoming of the Merce Cunningham Dance Company. Cunningham founded the company in 1953 at Black Mountain College in western North Carolina; he died a year and a half ago, and his will outlined plans for a final two-year tour for his company, which will disband for good in December.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/02/05/a-bittersweet-homecoming-for-the-merce-cunningham-dance-company&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sat, 05 Feb 2011 01:40:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>When is good, good enough? DPAC&#39;s YOUNG FRANKENSTEIN and TIP&#39;s A CHRISTMAS CAROL</title>
    <link>http://www.indyweek.com/artery/archives/2010/12/10/when-is-good-good-enough-dpacs-young-frankenstein-and-tips-a-christmas-carol</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1871690/77ea/1292002966-young_frankenstein.5_on_a_monstas_bed.jpg&quot; width=&quot;75&quot; height=&quot;53&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;&lt;a href=&quot;http://www.dpacnc.com/default.asp?dpac=19&amp;objId=265&quot;&gt;YOUNG FRANKENSTEIN&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;3&#xBD; stars&lt;/strong&gt; out of 5 &lt;br /&gt;&lt;strong&gt;Durham Performing Arts Center&lt;br /&gt;Through Dec. 12&lt;/p&gt;
&lt;p&gt;&lt;i&gt;&lt;a href=&quot;http://www.theatreinthepark.com/a_christmas_carol_special_event.html&quot;&gt;A CHRISTMAS CAROL&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;3 stars&lt;/strong&gt; out of 5&lt;br /&gt;&lt;strong&gt;Theatre in the Park&lt;br /&gt;Through Dec. 15&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;It&#x2019;s a hideous proposition, particularly for a theater critic. Still, I must admit: On some occasions, the biggest question we&#x2019;re asked to answer isn&#x2019;t if a show is &lt;em&gt;good&lt;/em&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/12/10/when-is-good-good-enough-dpacs-young-frankenstein-and-tips-a-christmas-carol&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 10 Dec 2010 08:28:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Dancing toward solidarity: sensational Billy Elliot at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2010/11/04/dancing-toward-solidarity-sensational-billy-elliot-at-dpac</link>
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      <dc:creator>Kate Dobbs Ariail</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1774213/16ba/BillyElliot.leaping.600.jpg&quot; width=&quot;75&quot; height=&quot;51&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;BILLY ELLIOT&lt;/i&gt;&lt;br /&gt;5 stars&lt;br /&gt;&lt;a href=&quot;http://www.dpacnc.com/default.asp?dpac=1&quot;&gt;Durham Performing Arts Center&lt;/a&gt;&lt;br /&gt;Through Nov. 14&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Most of us will never know the kind of community solidarity that features so movingly in &lt;em&gt;Billy Elliot The Musical&lt;/em&gt; because most of us in &quot;right-to-work&quot; North Carolina have little experience with organized labor. But the real-life British coal miners&#x2019; strike of 1984-85 that forms the backdrop of this rousing story heralded a lasting change in the relations between labor, capital and government.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/11/04/dancing-toward-solidarity-sensational-billy-elliot-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 04 Nov 2010 17:32:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Building a musical&#x2014;literally: BILLY ELLIOT at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2010/10/28/building-a-musicalliterallybilly-elliot-at-dpac</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1753768/896f/1288193136-10.27_artery.billy.10.10.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;In its first two years, Durham Performing Arts Center has hosted the professional touring versions of 12 Broadway musicals. But the demands of number 13, &lt;strong&gt;&lt;a href=&quot;http://www.billyelliottour.com/&quot;&gt;&lt;i&gt;BILLY ELLIOT&lt;/i&gt;&lt;/a&gt;&lt;/strong&gt;, which opens this Saturday, Oct. 30, have posed a set of challenges new to the venue.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/10/28/building-a-musicalliterallybilly-elliot-at-dpac&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 28 Oct 2010 08:33:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Preview: Pilobolus and Art Spiegelman&#39;s &quot;Hapless Hooligan in &#39;Still Moving&#39;&quot;</title>
    <link>http://www.indyweek.com/artery/archives/2010/07/01/preview-pilobolus-and-art-spiegelmans-hapless-hooligan-in-still-moving</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        
        &lt;p&gt;The news is already breaking on the new &lt;strong&gt;Pilobolus Dance Theater&lt;/strong&gt; collaboration with cartoonist &lt;strong&gt;Art Spiegelman&lt;/strong&gt;, creator of &lt;em&gt;In the Shadow of No Towers&lt;/em&gt; and the ground-breaking graphic novel, &lt;em&gt;Maus&lt;/em&gt;. &lt;/p&gt;
&lt;p&gt;Laura Collins-Hughes&#39; June 20 article in the &lt;a href=&quot;http://www.boston.com/ae/theater_arts/articles/2010/06/20/pilobolus_draws_on_new_medium/&quot;&gt;Boston Globe&lt;/a&gt; first tantalized us with descriptions of the working process and still images from the work.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/07/01/preview-pilobolus-and-art-spiegelmans-hapless-hooligan-in-still-moving&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 01 Jul 2010 14:39:40 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>RUBBERBANDance Group&#39;s Victor Quijada at ADF: The Independent Interview</title>
    <link>http://www.indyweek.com/artery/archives/2010/06/24/rubberbandance-groups-victor-quijada-at-adf-the-independent-interview</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1497900/e65c/1277399796-rubberbandance.crop.portrait.jpg&quot; width=&quot;75&quot; height=&quot;85&quot; /&gt;
        &lt;p&gt;&lt;em&gt;RUBBERBANDance Group choreographer Victor Quijada has truly walked between the worlds. &lt;br /&gt;After growing up in the hip-hop culture on the streets of Los Angeles (which gave him the nickname Rubberband in description&#x2014;and honor&#x2014;of his moves) and transformative teenage years at the L.A. County High School for the Arts, Quijada danced with Twyla Tharp and Eliot Feld in New York.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/06/24/rubberbandance-groups-victor-quijada-at-adf-the-independent-interview&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 24 Jun 2010 12:04:17 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>A Wickedly entertaining modern-day political allegory: Wicked at DPAC</title>
    <link>http://www.indyweek.com/artery/archives/2010/04/25/an-entertainingand-wickedmodern-day-political-allegory</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1391494/9d91/1272219002-wicked.donamendolia.256.jpg&quot; width=&quot;75&quot; height=&quot;75&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;Wicked &lt;br /&gt;4.5 stars&lt;br /&gt;DPAC&lt;/strong&gt;&lt;br /&gt;Through May 16&lt;/p&gt;
&lt;p&gt;By now, they&#x2019;re the kind of marketing metaphors we&#x2019;ve all probably become numb to: &lt;/p&gt;
&lt;p&gt;Arnold Schwarzenegger &lt;em&gt;&lt;strong&gt;is&lt;/strong&gt;&lt;/em&gt; the Terminator. &lt;br /&gt;Christian Bale &lt;em&gt;&lt;strong&gt;is&lt;/strong&gt;&lt;/em&gt; Batman.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/04/25/an-entertainingand-wickedmodern-day-political-allegory&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sun, 25 Apr 2010 14:25:15 -0400</pubDate>
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