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      <title>Carolina Theatre of Durham: Artery, Indy Week</title>
      
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      <pubDate>Tue, 21 May 2013 00:00:01 -0400</pubDate>
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          <title>Carolina Theatre of Durham: Artery, Indy Week</title>
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          <description>Progressive news, culture and commentary for Raleigh, Cary, Durham and Chapel Hill, North Carolina</description>
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    <title>Come back to the 1980s at the Escapism Film Festival, which begins Friday</title>
    <link>http://www.indyweek.com/artery/archives/2011/10/07/come-back-to-the-1980s-at-the-escapism-film-festival-which-begins-friday</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2675510/e4a1/1317998187-6950361_width448-round.jpg&quot; width=&quot;75&quot; height=&quot;85&quot; /&gt;
        &lt;p&gt;In today&#x2019;s world, if you loved something growing up, DVD and YouTube have meant you&#x2019;ve never had to let it go. &lt;/p&gt;
&lt;p&gt;For those born to a post-&lt;em&gt;Star Wars&lt;/em&gt; world, the &lt;a href=&quot;http://festivals.carolinatheatre.org/escapism/&quot;&gt;Escapism Film Festival&lt;/a&gt;&#x2019;s transformation into a revival house for SF/fantasy films has been a stroll down memory lane, with the likes of &lt;em&gt;Flash Gordon&lt;/em&gt;, &lt;em&gt;Enemy Mine&lt;/em&gt; and &lt;em&gt;The Last Unicorn &lt;/em&gt;available on the big screen at past shows.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/10/07/come-back-to-the-1980s-at-the-escapism-film-festival-which-begins-friday&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 07 Oct 2011 10:40:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>TERMINUS impresses most when its rhymes impress us least</title>
    <link>http://www.indyweek.com/artery/archives/2011/02/26/terminus-impresses-most-when-its-rhymes-impress-us-least</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2079197/37dc/1298766780-terminus.beta.jpg&quot; width=&quot;75&quot; height=&quot;100&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;&lt;a href=&quot;http://dukeperformances.duke.edu/series/travelers/abbeytheatre&quot;&gt;TERMINUS&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;3.5 stars&lt;/strong&gt; (out of 5)&lt;br /&gt;&lt;strong&gt;Abbey Theater of Dublin&lt;br /&gt;Duke Performances&lt;br /&gt;Carolina Theatre&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;If you want to explore some of the outer limits of theatrical discourse this evening, you now have two choices, not one. &lt;/p&gt;
&lt;p&gt;For as chance&#x2014;and producers&#x2019; schedules&#x2014;would have it, less than half a mile away from &lt;em&gt;&lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/02/24/q-wheres-the-future-of-the-american-musical-a-in-the-heights&quot;&gt;IN THE HEIGHTS&lt;/a&gt;&lt;/em&gt;&#x2019; amazing musical fusion of slam poetry, rap and meringue-edged songs at DPAC (which earned our latest 5-star review earlier this week), Dublin&#39;s Abbey Theatre pursues a different form of verbal gymnastics in a production of Irish dramatist Mark O&#x2019;Rowe&#x2019;s latest work, &lt;strong&gt;&lt;i&gt;&lt;a href=&quot;http://dukeperformances.duke.edu/series/travelers/abbeytheatre&quot;&gt;TERMINUS&lt;/a&gt;&lt;/i&gt;&lt;/strong&gt;, at the Carolina Theatre.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/02/26/terminus-impresses-most-when-its-rhymes-impress-us-least&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Duke Performances</category>
        
          <category>Carolina Theatre of Durham</category>
        
          <category>Theater</category>
        
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    <pubDate>Sat, 26 Feb 2011 19:03:34 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Nevermore Film Festival celebrates 12th year with Hannibal Lecter and killer tires</title>
    <link>http://www.indyweek.com/artery/archives/2011/02/18/nevermore-film-festival-celebrates-12th-year-with-hannibal-lecter-and-killer-tires</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2039988/6fac/1298063856-2.18_dark_souls_24a.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;In its 12th year, the Nevermore Film Festival&#x2014;which starts today and runs through Sunday&#x2014;shows that the line between low-budget horror and &#x201C;mainstream&#x201D; cinema has all but vanished. There&#x2019;s a number of recognizable actors in the lead of the newer films, and many of the international efforts included have already earned considerable cult buzz.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/02/18/nevermore-film-festival-celebrates-12th-year-with-hannibal-lecter-and-killer-tires&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Carolina Theatre of Durham</category>
        
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    <pubDate>Fri, 18 Feb 2011 16:20:46 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>A weekend of escape: Reviewing the Escapism Film Festival</title>
    <link>http://www.indyweek.com/artery/archives/2010/10/01/a-weekend-of-escape-reviewing-the-escapism-film-festival</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        
        &lt;p&gt;&lt;em&gt;&#x201C;We really shook the pillars of Heaven, didn&#x2019;t we?&#x201D;&lt;/em&gt;&lt;br /&gt;&#x2014;Jack Burton (Kurt Russell) in &lt;em&gt;Big Trouble in Little China&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I&#x2019;m sitting next to another journalist in the Carolina Theatre&#x2019;s Cinema One on a Friday night, watching 1987&#x2019;s &lt;em&gt;Robocop&lt;/em&gt; on the big screen. &#x201C;Best line coming up,&#x201D; he whispers to me, moments before Kurtwood Smith&#x2019;s character bursts through the door and deadpans, &#x201C;Bitches leave.&#x201D; &lt;/p&gt;
&lt;p&gt;A little later, I&#x2019;m elbowing him.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/10/01/a-weekend-of-escape-reviewing-the-escapism-film-festival&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Carolina Theatre of Durham</category>
        
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    <pubDate>Fri, 01 Oct 2010 11:37:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Notes from the NCGLFF filmmakers&#39; party</title>
    <link>http://www.indyweek.com/artery/archives/2010/08/25/notes-from-the-ncglff-filmmakers-party</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        
        &lt;p&gt;DURHAM&#x2014;The license plate on the car parked near mine across the street from the Carolina Theatre read, &#x201C;ASK TELL.&#x201D; Though North Carolina was long burdened with the anti-gay views of the late Sen. Jesse Helms, the attitude in downtown Durham was out and proud as the &lt;a href=&quot;http://festivals.carolinatheatre.org/ncglff/&quot;&gt;North Carolina Gay and Lesbian Film Festival&lt;/a&gt; celebrated &lt;a href=&quot;http://www.indyweek.com/indyweek/in-its-15th-year-the-nc-gay-and-lesbian-film-festival-has-mainstream-clout/Content?oid=1594193&quot;&gt;its 15th year&lt;/a&gt;&#x2014;and a new attitude for festivals in the area. &lt;/p&gt;
&lt;p&gt;Approximately 500 filmmakers and festival-goers were present for the event, a simple tent with music, chairs and hors d&#x2019;oeuvres with a bar (and, there was also free ice cream, the truest sign of a good party) in the plaza outside the Carolina Theatre.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/08/25/notes-from-the-ncglff-filmmakers-party&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Wed, 25 Aug 2010 13:35:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Do it Again, Again: The full text of the Indy interview with Geoff Edgers</title>
    <link>http://www.indyweek.com/artery/archives/2010/04/10/do-it-again-again-the-full-text-of-the-indy-interview-with-geoff-edgers</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1365850/ce02/1270920954-do_it_again__2_.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        &lt;p&gt;Friday night at the Full Frame Documentary Film Festival, Robert Patton-Spruill&#39;s &lt;em&gt;Do It Again: One Man&#39;s Quest to Reunite the Kinks &lt;/em&gt;played to a packed Fletcher Hall. Patton-Spruill and his film&#39;s titular character, longtime music reporter Geoff Edgers, took the stage afterward for questions.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/04/10/do-it-again-again-the-full-text-of-the-indy-interview-with-geoff-edgers&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Full Frame</category>
        
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    <pubDate>Sat, 10 Apr 2010 12:55:15 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Strong musicianship lifts Savoyards&#39; Mikado</title>
    <link>http://www.indyweek.com/artery/archives/2010/03/24/strong-musicianship-lifts-savoyards-mikado</link>
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      <dc:creator>Byron Woods</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1332136/89a2/unknown.jpg&quot; width=&quot;75&quot; height=&quot;113&quot; /&gt;
        &lt;p&gt;&lt;p&gt;&lt;strong&gt;&lt;em&gt;The Mikado&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;&lt;/em&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;     &lt;strong&gt;3 1/2 stars&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;     &lt;strong&gt;Durham Savoyards &lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;     &lt;strong&gt;Carolina Theatre&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;     (closed March 21)&lt;/p&gt;&lt;/p&gt;
&lt;p&gt;    &lt;/p&gt;
&lt;p&gt;    &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Call the &lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;strong&gt;&lt;a href=&quot;http://www.durhamsavoyards.org/&quot; target=&quot;_blank&quot;&gt;Durham Savoyards&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt; a theatrical anachronism&#x2014;if you dare. For the truth is this: At this writing, over 50 such companies in the United States (and another 100 or so, back in Britain) exist to do one thing only&#x2014;cart the lot of us back to the last two decades of the 1800s, and plant us in the boxes of the Savoy Theater of London, as &lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;strong&gt;&lt;a href=&quot;http://diamond.boisestate.edu/gas/&quot; target=&quot;_blank&quot;&gt;William S. Gilbert&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://diamond.boisestate.edu/gas/&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;strong&gt;&lt;a href=&quot;http://diamond.boisestate.edu/gas/&quot; target=&quot;_blank&quot;&gt;and&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://diamond.boisestate.edu/gas/&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;strong&gt;&lt;a href=&quot;http://diamond.boisestate.edu/gas/&quot; target=&quot;_blank&quot;&gt;Arthur Sullivan&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt; employ classically-trained musicians and singers to &lt;em&gt;ever&lt;/em&gt;-so-gently ridicule the absurdities of Victorian culture.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/03/24/strong-musicianship-lifts-savoyards-mikado&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 24 Mar 2010 23:23:16 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>The Mikado cast prepares for opening night</title>
    <link>http://www.indyweek.com/artery/archives/2010/03/17/the-mikado-cast-prepares-for-opening-night</link>
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      <dc:creator>Sarah Ewald</dc:creator>
    

    
      <description>
        
        
        &lt;p&gt;&lt;p&gt;&lt;/p&gt;
&lt;p&gt;    &lt;/p&gt;
&lt;p&gt;    &lt;/p&gt;&lt;/p&gt;
&lt;p&gt;    &lt;p&gt;CAROLINA THEATRE/ DURHAM&#x2014;Ask any high-school theater geek, and they&#39;ll have heard of Gilbert and Sullivan. Ask me, I was one.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/03/17/the-mikado-cast-prepares-for-opening-night&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 17 Mar 2010 12:25:03 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Jennifer Coolidge: More than just a MILF</title>
    <link>http://www.indyweek.com/artery/archives/2010/01/14/jennifer-coolidge-more-than-just-a-milf</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1332097/ff60/unknown.gif&quot; width=&quot;75&quot; height=&quot;110&quot; /&gt;
        &lt;p&gt;[caption id=&quot;attachment_1674&quot; align=&quot;alignleft&quot; width=&quot;204&quot; caption=&quot;Jennifer Coolidge in Bad Lieutenant: Port of Call&#x2014;New Orleans, which plays its final Triangle engagement Thursday, Jan. 14, at the Carolina Theatre in Durham. (Photo courtesy of First Look Pictures)&quot;]&lt;a rel=&quot;attachment wp-att-1674&quot; href=&quot;http://www.indyweekblogs.com/arts/2010/01/14/jennifer-coolidge-more-than-just-a-milf/coolidge/&quot; target=&quot;_blank&quot;&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;    &lt;/p&gt;
&lt;p&gt;    &lt;p&gt;It took one simple acronym to put Jennifer Coolidge in the public eye: &quot;MILF.&quot;&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2010/01/14/jennifer-coolidge-more-than-just-a-milf&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Comedy</category>
        
          <category>Film</category>
        
          <category>Carolina Theatre of Durham</category>
        
      
    
    

    
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    <pubDate>Thu, 14 Jan 2010 15:42:11 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>&#x201C;Larry the Cable Guy&#x201D; to David Cross: Get &#x2019;er done</title>
    <link>http://www.indyweek.com/artery/archives/2009/10/09/andacirclarry-the-cable-guyandacirc-to-david-cross-get-andacircer-done</link>
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      <dc:creator>Danny Hooley</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/1278252/22c0/unknown.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;    &lt;p&gt;Indy &lt;em&gt;contributor Danny Hooley wrote this &lt;a href=&quot;http://www.indyweek.com/gyrobase/Content?oid=oid%3A403181&quot; target=&quot;_blank&quot;&gt;preview&lt;/a&gt; of David Cross&#39; performance in Durham Wednesday night. He then went to the show and found that the show started before the patrons even entered Fletcher Hall.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2009/10/09/andacirclarry-the-cable-guyandacirc-to-david-cross-get-andacircer-done&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Comedy</category>
        
          <category>Theater</category>
        
          <category>Carolina Theatre of Durham</category>
        
      
    
    

    
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    <pubDate>Fri, 09 Oct 2009 09:00:25 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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