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      <title>Visual Art and Artists: Artery, Indy Week</title>
      
        <link>http://www.indyweek.com/blogs/artery/</link>
      
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      <managingEditor>dprickett@indyweek.com (Indy Week Editor)</managingEditor>
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      <pubDate>Sun, 26 May 2013 00:00:01 -0400</pubDate>
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          <title>Visual Art and Artists: Artery, Indy Week</title>
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          <description>Progressive news, culture and commentary for Raleigh, Cary, Durham and Chapel Hill, North Carolina</description>
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    <title>&quot;The world&#39;s best artist&quot; Mitch O&#39;Connell brings modern kitsch to Raleigh</title>
    <link>http://www.indyweek.com/artery/archives/2013/04/26/the-worlds-best-artist-mitch-oconnell-brings-modern-kitsch-to-raleigh</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
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        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;Mitch O&#39;Connell&#39;s colorful, crazed pop-art illustrations have appeared everywhere from the cover of &lt;em&gt;Newsweek&lt;/em&gt; (four times) to a recent full-page story in &lt;em&gt;The Wall Street Journal&lt;/em&gt;, but you&#39;ll have to forgive him for hoping for a good-sized turnout at his appearance at Nice Price Books in Raleigh on April 27. &lt;/p&gt;
&lt;p&gt;&quot;I&#x2019;ll be in North Carolina meeting my fianc&#xE9;&#x2019;s father,&quot; says O&#39;Connell, on the phone from his home in Chicago.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/04/26/the-worlds-best-artist-mitch-oconnell-brings-modern-kitsch-to-raleigh&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 26 Apr 2013 13:47:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>CAM Raleigh changes leadership on eve of second anniversary</title>
    <link>http://www.indyweek.com/artery/archives/2013/03/08/cam-raleigh-changes-leadership-on-eve-of-second-anniversary</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;p&gt;RALEIGH&#x2014;As CAM Raleigh approaches the two-year mark, the museum is making changes. It&#x2019;s also taking the opportunity, in advance of the noise of birthday celebrations next month, to revisit its aspirations.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/03/08/cam-raleigh-changes-leadership-on-eve-of-second-anniversary&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Raleigh</category>
        
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    <pubDate>Fri, 08 Mar 2013 11:28:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Stu Martell&#39;s reluctant retrospective, Saturday only at Outsiders Art</title>
    <link>http://www.indyweek.com/artery/archives/2013/03/01/stu-martells-reluctant-retrospective-saturday-only-at-outsiders</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;p&gt;DURHAM&#x2014;Out of appreciation for the public discomfort of a unique maker of many various things and deft handler of many different materials&#x2014;the word &#x201C;artist&#x201D; embarrasses him&#x2014;I&#x2019;m only going to use &lt;a href=&quot;http://www.stumartell.com/&quot;&gt;his name&lt;/a&gt; in the headline. He didn&#x2019;t ask to be the center of attention, but he&#x2019;s summoning the tolerance.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/03/01/stu-martells-reluctant-retrospective-saturday-only-at-outsiders&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 01 Mar 2013 10:47:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Eleven paintings and a giant vagina: Robin Walker at the Carrack</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/18/eleven-paintings-and-a-giant-vagina-robin-walker-at-the-carrack</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;p&gt;&#x201C;Decorative&#x201D; is a bit of a dirty word in the art world. It&#x2019;s why we say &#x201C;interior decorators&#x201D; instead of something like &#x201C;d&#xE9;cor artists.&#x201D; In galleries and museums, the word &#x201C;ornamental&#x201D; is preferred, describing artwork that incorporates motifs from traditional crafts, fashion or architecture into a larger statement or meaning.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/18/eleven-paintings-and-a-giant-vagina-robin-walker-at-the-carrack&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Installation art</category>
        
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    <pubDate>Mon, 18 Feb 2013 14:24:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>What the ocean saw: David Gatten&#39;s films at NCSU</title>
    <link>http://www.indyweek.com/artery/archives/2013/02/14/what-the-ocean-saw-david-gattens-films-at-ncsu</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;p&gt;&lt;strong&gt;DAVID GATTEN FILM SCREENING AND DISCUSSION&lt;/strong&gt;&lt;br /&gt;N.C. State University&lt;br /&gt;Caldwell Hall G107, 2221 Hillsborough St.&lt;br /&gt;Fri., Feb. 15, 5-7:30 p.m. &lt;/p&gt;
&lt;p&gt;This is the true story of how the ocean made a movie. &lt;/p&gt;
&lt;p&gt;To be more precise, filmmaker David Gatten collaborated on a movie with the Atlantic Ocean, where the Edisto River empties its freshwater into the ocean&#x2019;s salt along the South Carolina coast.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/02/14/what-the-ocean-saw-david-gattens-films-at-ncsu&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 14 Feb 2013 12:31:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Disarming delight: Iris Gottlieb&#39;s Inventories and Observations</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/31/disarming-delight-iris-gottliebs-inventories-and-observations</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;p&gt;Self-consciousness is exhausting. It&#x2019;s such a drain to have to maintain one&#x2019;s personality or to display a situationally appropriate persona as one moves from place to place over the course of a day.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/31/disarming-delight-iris-gottliebs-inventories-and-observations&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 31 Jan 2013 17:09:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Closing Sunday at NC Museum of Art: Project 35: Volume II</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/10/closing-sunday-at-nc-museum-of-art-project-35-volume-ii</link>
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      <dc:creator>Amy White</dc:creator>
    

    
      <description>
        
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        &lt;p&gt;&lt;a href=&quot;http://ncartmuseum.org/exhibitions/project_35/&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;&lt;i&gt;PROJECT 35 &#x2014; Volume II&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;North Carolina Museum of Art&lt;br /&gt;Part II closes Jan. 13&lt;br /&gt;Part III Jan. 20-March 24&lt;br /&gt;Part IV April 2&#x2014;June 2&lt;/b&gt;&lt;/p&gt;
&lt;!--
&lt;p&gt;Heading: Return to the Small Dark Room&lt;br /&gt;Sub-heading: In which our itinerant arts writer catches the second installment of NCMA&#x2019;s global video festival at the last possible moment&lt;/p&gt;
--&gt; &lt;p&gt;When it comes to good art, sometimes late is better than never.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/10/closing-sunday-at-nc-museum-of-art-project-35-volume-ii&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 10 Jan 2013 17:48:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>UNC School of the Arts graduate Craig Zobel gets under your skin with Compliance, now out on DVD</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/09/unc-school-of-the-arts-graduate-craig-zobel-gets-under-your-skin-with-compliance-now-out-on-dvd</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
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        &lt;p&gt;It&#x2019;s not every Hollywood r&#xE9;sum&#xE9; that includes multiple Southern art films, a flash animation about a tiny Luchador and an award-winning feature about an interrogation in the back room of a fast-food restaurant, but UNC School of the Arts graduate Craig Zobel is not your typical filmmaker&#x2014;and his latest film &lt;em&gt;Compliance&lt;/em&gt;, which hit DVD this week, is anything but your typical film. &lt;/p&gt;
&lt;p&gt;In its premiere at last year&#x2019;s Sundance Film Festival, &lt;em&gt;Compliance&lt;/em&gt; proved one of the most controversial films there, prompting multiple walkouts in its initial screening.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/09/unc-school-of-the-arts-graduate-craig-zobel-gets-under-your-skin-with-compliance-now-out-on-dvd&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 09 Jan 2013 11:42:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Last chance to see &quot;Season of Japan&quot; at the Ackland</title>
    <link>http://www.indyweek.com/artery/archives/2013/01/01/last-chance-for-season-of-japan-at-the-ackland</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;p&gt;CHAPEL HILL&#x2014;The word &#x201C;ambivalence&#x201D; is usually used to express an emotionless, uncaring state or a kind of personal isolationism. But the term really describes the conflicted state of holding two contrary points of view.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2013/01/01/last-chance-for-season-of-japan-at-the-ackland&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 01 Jan 2013 12:35:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Boneshaker author Cherie Priest talks steampunk at ConTemporal in Chapel Hill</title>
    <link>http://www.indyweek.com/artery/archives/2012/06/22/boneshaker-author-cherie-priest-talks-steampunk-at-contemporal-in-chapel-hill</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3090878/6a59/1340348442-cherie_priest_photo_by_caitlin_kittredge_2010.png&quot; width=&quot;75&quot; height=&quot;55&quot; /&gt;
        &lt;p&gt;Why should you head to&lt;a href=&quot;http://contemporal.org&quot; target=&quot;_blank&quot;&gt; ConTemporal,&lt;/a&gt; the Chapel Hill-based science fiction convention that focuses heavily on the retro-futuristic concept of steampunk? We&#x2019;ll let the con&#x2019;s literary guest of honor &lt;a href=&quot;http://www.cheriepriest.com&quot; target=&quot;_blank&quot;&gt;Cherie Priest&lt;/a&gt; tell you why.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/06/22/boneshaker-author-cherie-priest-talks-steampunk-at-contemporal-in-chapel-hill&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Reading</category>
        
          <category>Interviews</category>
        
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    <pubDate>Fri, 22 Jun 2012 09:47:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Interaction without ego: sarah goetz&#39;s Just Between Us opens at Durham&#39;s Carrack Gallery</title>
    <link>http://www.indyweek.com/artery/archives/2012/06/01/interaction-without-ego-sarah-goetzs-multimedia-show-just-between-us-opens-at-durhams-carrack-gallery</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3078466/d921/1338562681-goetz1.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;The circle and the square. This phrase recalls Leonardo da Vinci&#x2019;s &lt;em&gt;Vitruvian Man&lt;/em&gt; notebook drawing, in which he exemplifies the proportional relationship that the Roman architect Vitruvius asserted as optimally connecting man to the structures around him.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/06/01/interaction-without-ego-sarah-goetzs-multimedia-show-just-between-us-opens-at-durhams-carrack-gallery&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
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    <pubDate>Fri, 01 Jun 2012 10:48:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>El Anatsui&#39;s optimistic objects</title>
    <link>http://www.indyweek.com/artery/archives/2012/03/19/el-anatsuis-optimistic-objects</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2916812/ff24/1332189313-oasis_elanatsui.jpg&quot; width=&quot;75&quot; height=&quot;82&quot; style=&quot;display:block; float:right;&quot; /&gt;
        &lt;p&gt;Artists are a resourceful lot. In their hands, common materials become artifacts charged with new significance.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/03/19/el-anatsuis-optimistic-objects&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Raleigh</category>
        
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    <pubDate>Mon, 19 Mar 2012 16:27:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>What the negative saw: M.J. Sharp&#39;s long-exposure photographs at Durham&#39;s Craven Allen Gallery</title>
    <link>http://www.indyweek.com/artery/archives/2012/02/06/what-the-negative-saw-mj-sharps-long-exposure-photographs-at-durhams-craven-allen-gallery</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2783264/35af/1328524944-mj_sharp-soakingbeans50pct.jpg&quot; width=&quot;75&quot; height=&quot;59&quot; /&gt;
        &lt;p&gt;Say the word &#x201C;click&#x201D; out loud. It&#x2019;s only one syllable, but its sound has a beginning, middle and end.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2012/02/06/what-the-negative-saw-mj-sharps-long-exposure-photographs-at-durhams-craven-allen-gallery&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 06 Feb 2012 05:29:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>[Updated] Durham City Council greenlights public art program</title>
    <link>http://www.indyweek.com/artery/archives/2011/11/21/public-art-policy-before-durham-city-council-tonight</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2709719/1a7b/1321907797-11.23_dpac_open_house_01_dla.jpg&quot; width=&quot;75&quot; height=&quot;113&quot; /&gt;
        &lt;p&gt;&lt;em&gt;UPDATED: 10:48pm Monday, Nov. 21.&lt;/em&gt;&lt;br /&gt;DURHAM&#x2014;The Bull City is finally taking the public art plunge. &lt;/p&gt;
&lt;p&gt;The Durham City Council passed a resolution Monday night to devote up to one percent of the proposed General Capital Improvement Project (CIP) annual budget to the installation of public art at CIP sites and other locations around the city, including a priority area downtown and along &quot;gateways&quot; to the city.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/11/21/public-art-policy-before-durham-city-council-tonight&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 21 Nov 2011 13:36:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Drive to Raleigh to see one photograph? Do it.</title>
    <link>http://www.indyweek.com/artery/archives/2011/11/09/drive-to-raleigh-to-see-one-photograph-do-it</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2700020/4846/1320855752-uzzle.jpg&quot; width=&quot;75&quot; height=&quot;60&quot; /&gt;
        &lt;p&gt;&#x201C;It is not (it seems to me) by painting that photography touches art, but by theater,&#x201D; Roland Barthes wrote in &lt;em&gt;Camera Lucida: Reflections on Photography&lt;/em&gt;. The French theorist&#x2019;s book investigates the relatively young medium through the question of why certain individual images fascinate him.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/11/09/drive-to-raleigh-to-see-one-photograph-do-it&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Raleigh</category>
        
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    <pubDate>Wed, 09 Nov 2011 11:07:00 -0500</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>On absence and presence: Catherine Howard&#39;s Veil Tease</title>
    <link>http://www.indyweek.com/artery/archives/2011/10/04/on-absence-and-presence-catherine-howards-veil-tease</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2672321/91b5/1317740492-dscf4376.jpg&quot; width=&quot;75&quot; height=&quot;100&quot; /&gt;
        &lt;p&gt;Diaphaneity. When was the last time you encountered that word?&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/10/04/on-absence-and-presence-catherine-howards-veil-tease&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 04 Oct 2011 07:25:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Ultraportraiture: Morag Charlton&#x2019;s new paintings of Facebook profile pictures</title>
    <link>http://www.indyweek.com/artery/archives/2011/09/02/ultraportraiture-morag-charltons-new-paintings-of-facebook-profile-pictures</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2648370/91d4/1314960582-iabsolutelylovemyself.jpg&quot; width=&quot;75&quot; height=&quot;77&quot; /&gt;
        &lt;p&gt;Although it&#x2019;s not always activated in painting, scale is one of the most interesting aspects of an artifact. Monumental garden sculptures by Henry Moore turn you into a child wandering through the looking glass, while gazing up at Louise Bourgeois&#x2019; gigantic maternal spiders can leave you feeling meek or apologetic for the rest of the day.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/09/02/ultraportraiture-morag-charltons-new-paintings-of-facebook-profile-pictures&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      
        
          <category>Hillsborough</category>
        
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    <pubDate>Fri, 02 Sep 2011 06:43:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>From Sushi Boy Thunder to Ninja Hamster Rescue: Game On Raleigh happens tonight</title>
    <link>http://www.indyweek.com/artery/archives/2011/08/29/game-on</link>
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      <dc:creator>Zack Smith</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2643872/ab23/1314646115-8.29_raleighgameon.png&quot; width=&quot;75&quot; height=&quot;75&quot; /&gt;
        &lt;p&gt;The Triangle has proven a home for such large video game companies as Epic Games, but now a new generation of Triangle residents are creating their own games&#x2014;and are ready to pit them against one another. &lt;/p&gt;
&lt;p&gt;The first &lt;a href=&quot;http://www.mightyrabbitstudios.com/news/raleigh-game-on-first-event/&quot;&gt;Game On Raleigh &lt;/a&gt;will be held tonight at the &lt;a href=&quot;http://busybeeraleigh.com/&quot;&gt;Busy Bee Caf&#xE9;&lt;/a&gt;&#x2019;s Hive in downtown Raleigh from 7:00 p.m. to 10:00 p.m., a self-described &#x201C;Battle of the Bands&#x201D; for video games that offers Triangle gamers samples of what local developers have to offer.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/08/29/game-on&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 29 Aug 2011 15:34:56 -0400</pubDate>
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    <title>Notes on Durham Third Friday, Part 2: Image and idiosyncrasy</title>
    <link>http://www.indyweek.com/artery/archives/2011/08/24/notes-on-durham-third-friday-part-2-image-and-idiosyncracy</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2640561/1bae/1314194149-delegard.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;Although summer doesn&#x2019;t end until the fall equinox in late September, &lt;a href=&quot;http://dcvb-nc.com/vic/emails/museums.pdf&quot;&gt;August&#x2019;s Third Friday in Durham &lt;/a&gt;uses the public impatience with the season as a springboard into fall. Tom Elrod already described some of the bounty of visual arts in an &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/08/22/notes-on-durham-third-friday-part-1-the-paranormal-and-the-apocalyptic&quot;&gt;earlier post&lt;/a&gt;, but that was only the half of it.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/08/24/notes-on-durham-third-friday-part-2-image-and-idiosyncracy&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 24 Aug 2011 09:46:14 -0400</pubDate>
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    <title>Notes on Durham Third Friday, Part 1: The paranormal and the apocalyptic</title>
    <link>http://www.indyweek.com/artery/archives/2011/08/22/notes-on-durham-third-friday-part-1-the-paranormal-and-the-apocalyptic</link>
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      <dc:creator>Tom Elrod</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2637963/b52f/1313875045-susanmacwilliam.gif&quot; width=&quot;75&quot; height=&quot;65&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;In Durham Friday night at the Stedman Center, Irish artist Susan MacWilliam presented some of her latest work in a lecture entitled &#x201C;My Adventures in the Supernormal.&#x201D; She developed her most recent work while in residency the Rhine Research Center in Durham this summer. MacWilliam has been working for more than 10 years on subjects surrounding the &#x201C;paranormal&#x201D; and &#x201C;parapsychology.&#x201D; Her interest, she says, is not so much the paranormal per se but the people who study it and the many types of apparatus they&#39;ve created in order to run tests or communicate with the dead.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/08/22/notes-on-durham-third-friday-part-1-the-paranormal-and-the-apocalyptic&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Visual Art and Artists</category>
        
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    <pubDate>Mon, 22 Aug 2011 11:42:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Pulping Dixie: Poet Kay Byer and the complexity of race in the South</title>
    <link>http://www.indyweek.com/artery/archives/2011/05/27/pulping-dixie-poet-kay-byer-and-the-complexity-of-race-in-the-south</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2486996/aa25/white-cover-detail.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; style=&quot;display:block; float:left;&quot; /&gt;
        &lt;p&gt;Any writing about race relations in the South will have its limitations. One&#x2019;s experiences are never comprehensive.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/05/27/pulping-dixie-poet-kay-byer-and-the-complexity-of-race-in-the-south&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Fri, 27 May 2011 11:34:17 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Jason Whitman&#x2019;s hapless animals at Rebus Works</title>
    <link>http://www.indyweek.com/artery/archives/2011/03/17/jason-whitmans-hapless-animals</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2179665/ea52/1300401260-rebus2.300.dsc00922.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;b&gt;Jason Whitman:&lt;/b&gt;&lt;br /&gt;&lt;em&gt;&lt;b&gt;Drawings&lt;/b&gt;&lt;/em&gt;&lt;br /&gt;&lt;a href=&quot;http://rebusworks.us/&quot; target=&quot;_blank&quot;&gt;Rebus Works&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Through March&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Remember that guy in high school who was always drawing? You always wanted to sit in the row next to him so you could peek over during class to see what he was scrawling there, hiding the paper with an arm so the teacher couldn&#x2019;t see what he was up to.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/03/17/jason-whitmans-hapless-animals&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 17 Mar 2011 18:36:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>First Friday diary</title>
    <link>http://www.indyweek.com/artery/archives/2011/03/17/first-friday-diary</link>
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      <dc:creator>Lauren Shute</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2179476/a595/1300397810-dsc01691.300.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;Although I&#x2019;ve spent three years in Raleigh, I&#x2019;d yet to hit downtown for a First Friday. But this month, it was time.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/03/17/first-friday-diary&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 17 Mar 2011 17:38:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>(More) cute &quot;a-gnome-ymous&quot; art in D-town</title>
    <link>http://www.indyweek.com/artery/archives/2011/03/15/more-cute-a-gnome-ymous-art-in-d-town</link>
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      <dc:creator>Samiha Khanna</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2169176/39dc/1300217945-gnome2.jpg&quot; width=&quot;75&quot; height=&quot;56&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;Spring is in the air. Heaps of little creatures are prepping for debut, from bitty bunnies to budding bulbs and... lucky little cork gnomes, as the &lt;em&gt;Indy&lt;/em&gt; staff has learned.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/03/15/more-cute-a-gnome-ymous-art-in-d-town&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 15 Mar 2011 15:34:05 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Positive images: Documenting chemotherapy with archaic photography techniques</title>
    <link>http://www.indyweek.com/artery/archives/2011/02/05/a-process-of-healing-willie-ostermans-vintage-photographs-of-his-wifes-chemotherapy</link>
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      <dc:creator>Chris Vitiello</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/2005879/2870/1296604369-osterman_2.600.jpg&quot; width=&quot;75&quot; height=&quot;103&quot; /&gt;
        &lt;p&gt;&lt;strong&gt;&lt;i&gt;ChemoToxic&lt;/i&gt;&lt;br /&gt;Ambrotype photographs by Willie Osterman&lt;br /&gt;Durham&lt;br /&gt;&lt;a href=&quot;http://throughthislens.com/&quot; target=&quot;_blank&quot;&gt;Through This Lens Gallery&lt;/a&gt;&lt;br /&gt;Through March 12&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&#x201C;I photograph because I don&#x2019;t understand something, or I&#x2019;m curious about something, or want to learn about something,&#x201D; Willie Osterman says. &lt;/p&gt;
&lt;p&gt;In the case of cancer, one&#x2019;s body is what&#x2019;s not understood, to the specific extent that it becomes an enemy.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/artery/archives/2011/02/05/a-process-of-healing-willie-ostermans-vintage-photographs-of-his-wifes-chemotherapy&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Sat, 05 Feb 2011 10:31:00 -0500</pubDate>
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