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      <title>Film, Indy Week</title>
      
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      <pubDate>Wed, 19 Jun 2013 00:00:01 -0400</pubDate>
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          <title>Film, Indy Week</title>
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          <description>Progressive news, culture and commentary for Raleigh, Cary, Durham and Chapel Hill, North Carolina</description>
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        <item>
    <title>Anarchic spirit in gonzo-comedy throwback This Is the End</title>
    <link>http://www.indyweek.com/indyweek/anarchic-spirit-in-gonzo-comedy-throwback-this-is-the-end/Content?oid=3653736</link>
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      <dc:creator>Glenn McDonald</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3653738/0f44/DF-15756.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        As the Apocalypse descends upon Los Angeles, Seth Rogen and his famous friends (including Jonah Hill, Michael Cera and Emma Watson) smoke up and party down at James Franco&#39;s house.
            by Glenn McDonald
            Co-written and co-directed by Seth Rogen, This Is the End is something of a throwback to that style of movie they used to call the gonzo comedy. Like The Blues Brothers or Caddyshack, it takes a simple comedic premise, brings aboard a busload of funny people and then lets them cut loose with cameras rolling.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/anarchic-spirit-in-gonzo-comedy-throwback-this-is-the-end/Content?oid=3653736&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 12 Jun 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Jesse and Celine return in Before Midnight, getting old in Greece</title>
    <link>http://www.indyweek.com/indyweek/jesse-and-celine-return-in-before-midnight-getting-old-in-greece/Content?oid=3653755</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3653757/572e/6.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        When do we ever see this movie, this film that tells the truth about the not-so-happily-ever-after?
            by David Fellerath
            I approached Richard Linklater&#39;s Before Midnight with the kind of trepidation with which you might approach a Belle and Sebastian record you haven&#39;t listened to in a couple of decades. I was 25 when I met Jesse (Ethan Hawke) and Celine (Julie Delpy) in Before Sunrise.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/jesse-and-celine-return-in-before-midnight-getting-old-in-greece/Content?oid=3653755&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 12 Jun 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Greta Gerwig on the end of youth and Frances Ha</title>
    <link>http://www.indyweek.com/indyweek/greta-gerwig-on-the-end-of-youth-and-frances-ha/Content?oid=3649205</link>
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      <dc:creator>Emma D. Miller</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3649207/7983/damsels.17.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        Apologies to all those millennials who buy into the idea that 30 is the new 20: Writer and actress Greta Gerwig thinks you need to grow up already.
            by Emma D. Miller
            Apologies to all those millennials who buy into the idea that 30 is the new 20: Writer and actress Greta Gerwig thinks you need to grow up already. &quot;At 27, your youth is over,&quot; she says.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/greta-gerwig-on-the-end-of-youth-and-frances-ha/Content?oid=3649205&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Beat</category>
    
    

    
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    <pubDate>Wed, 05 Jun 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>With Frances Ha, Noah Baumbach makes a bid to be the next Woody Allen</title>
    <link>http://www.indyweek.com/indyweek/with-frances-ha-noah-baumbach-makes-a-bid-to-be-the-next-woody-allen/Content?oid=3649251</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3649253/f0d5/still3.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        Your tolerance for &lt;i&gt;Frances Ha&lt;/i&gt; may depend on whether you enjoy peering through a window at a better, wittier place where you can always find a friend with a &quot;little pied-&#xE1;-terre&quot; in Paris you can borrow.
            by David Fellerath
            Woody Allen may be a national treasure, and his movies come and go every summer as regularly as the Perseid meteor shower. But the Woodman&#39;s not going to be around forever.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/with-frances-ha-noah-baumbach-makes-a-bid-to-be-the-next-woody-allen/Content?oid=3649251&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 05 Jun 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Sarah Polley digs up family secrets in Stories We Tell</title>
    <link>http://www.indyweek.com/indyweek/sarah-polley-digs-up-family-secrets-in-stories-we-tell/Content?oid=3649256</link>
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      <dc:creator>Craig D. Lindsey</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3649258/6fbc/STORIES-WE-TELL---Bridge-shot.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        In this functional tale of dysfunctional-family drama, Canadian actress-turned-director Polley points her camera at the people in her life to get the skinny on her late mother, Diane.
            by Craig D. Lindsey
            In the documentary Stories We Tell, Canadian actress-turned-director Sarah Polley points her camera at the people in her life to get the skinny on her late mother, Diane. Deemed the life of the party by family and friends, Diane died from cancer when Polley was little.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/sarah-polley-digs-up-family-secrets-in-stories-we-tell/Content?oid=3649256&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 05 Jun 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Them Iowa boys mean business in At Any Price</title>
    <link>http://www.indyweek.com/indyweek/them-iowa-boys-mean-business-in-at-any-price/Content?oid=3641605</link>
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      <dc:creator>Glenn McDonald</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3641607/fd2d/10.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        Director Ramin Bahrani&#39;s stark farmland drama chronicles one family&#39;s moral decay among the amber waves of grain.
            by Glenn McDonald
            Set deep in the American heartland of Iowa corn country, director Ramin Bahrani&#39;s stark farmland drama At Any Price chronicles one family&#39;s moral decay among the amber waves of grain. The film also has a few things to say about America herself and, as the title suggests, the cultural premium we place on winning.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/them-iowa-boys-mean-business-in-at-any-price/Content?oid=3641605&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 22 May 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>N.C. native Ramin Bahrani on At Any Price, the state of movies, and Roger Ebert&#39;s death</title>
    <link>http://www.indyweek.com/indyweek/nc-native-ramin-bahrani-on-at-any-price-the-state-of-movies-and-roger-eberts-death/Content?oid=3641608</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3641610/5063/14.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        Ramin Bahrani, a Winston-Salem native, has charted an unlikely path to making a film with Zac Efron in the cornfields of Iowa.
            by David Fellerath
            Ramin Bahrani, a Winston-Salem native, has charted an unlikely path to making a film with Zac Efron in the cornfields of Iowa. His three previous, widely praised features were marked by their devotion to a realist aesthetic most closely associated with foreign filmmakers.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/nc-native-ramin-bahrani-on-at-any-price-the-state-of-movies-and-roger-eberts-death/Content?oid=3641608&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Beat</category>
    
    

    
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    <pubDate>Wed, 22 May 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>A teenage girl grows up on a journey across Germany after the war in Lore</title>
    <link>http://www.indyweek.com/indyweek/a-teenage-girl-grows-up-on-a-journey-across-germany-after-the-war-in-lore/Content?oid=3637617</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3637619/2e4c/Lore_1.jpg&quot; width=&quot;75&quot; height=&quot;54&quot; /&gt;
        Lore and her siblings find themselves alone in the world, with only a few valuables to barter on their way to their grandmother&#39;s house hundreds of miles north.
            by David Fellerath
            The new German-language drama Lore, which is set at the end of the Second World War, is Hunger Games meets Downfall meets The Road. That&#39;s a simplistic formulation, but if you think such a combination sounds good, then this film is for you.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/a-teenage-girl-grows-up-on-a-journey-across-germany-after-the-war-in-lore/Content?oid=3637617&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 15 May 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Renoir the painter and Renoir the filmmaker</title>
    <link>http://www.indyweek.com/indyweek/renoir-the-painter-and-renoir-the-filmmaker/Content?oid=3633861</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3633863/e49c/RENOIR5.jpg&quot; width=&quot;75&quot; height=&quot;45&quot; /&gt;
        &lt;i&gt;Renoir&lt;/i&gt;, a ravishing and sensuous imagining of one summer late in the life of Pierre-Auguste Renoir, makes the great painter&#39;s work matter again by putting an aging man&#39;s passions into an emotional and historical context.
            by David Fellerath
            I&#39;m not much of a Renoir fan. He was my teenage gateway into French painting, an early enthusiasm to be discarded.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/renoir-the-painter-and-renoir-the-filmmaker/Content?oid=3633861&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 08 May 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>A compelling tale of NYC graffiti artists in Gimme the Loot</title>
    <link>http://www.indyweek.com/indyweek/a-compelling-tale-of-nyc-graffiti-artists-in-gimme-the-loot/Content?oid=3623886</link>
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      <dc:creator>Craig D. Lindsey</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3623888/5928/still-7.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        For his very low-budget debut, writer/director Adam Leon makes a spirited teen comedy with predominantly minority characters, which is damn near amazing in itself.
            by Craig D. Lindsey
            Gimme the Loot doesn&#39;t do any wonders for New York City tourism. In fact, it may vindicate people who&#39;ve always assumed the city to be a cesspool of crime (never mind that the stereotype is two decades out of date).&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/a-compelling-tale-of-nyc-graffiti-artists-in-gimme-the-loot/Content?oid=3623886&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 24 Apr 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>You can see great movies at NCMA; why can&#39;t the facilities match the programming?</title>
    <link>http://www.indyweek.com/indyweek/you-can-see-great-movies-at-ncma-why-cant-the-facilities-match-the-programming/Content?oid=3619551</link>
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      <dc:creator>Craig D. Lindsey</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3619553/ab55/130405_ncma_002.jpg&quot; width=&quot;75&quot; height=&quot;94&quot; /&gt;
        &quot;We live for the day that we might have a little larger and more comfortable theater,&quot; says George Holt, the museum&#39;s director of performing arts and film programs.
            by Craig D. Lindsey
            Most Friday nights, die-hard film fans converge on the North Carolina Museum of Art to take in a movie in the East Building&#39;s auditorium. But while they usually enjoy the selection, whether it&#39;s a W.C. Fields comedy (that this reporter introduced) or a Godard head-scratcher, they&#39;re not exactly comfortable.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/you-can-see-great-movies-at-ncma-why-cant-the-facilities-match-the-programming/Content?oid=3619551&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      <category>Film/Film Beat</category>
    
    

    
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    <pubDate>Wed, 17 Apr 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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        <item>
    <title>Detroit firefighter doc BURN uses grassroots distribution methods</title>
    <link>http://www.indyweek.com/indyweek/detroit-firefighter-doc-burn-uses-grassroots-distribution-methods/Content?oid=3534811</link>
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      <dc:creator>Glenn McDonald</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3534813/26b4/BURN_AxeDoor.jpg&quot; width=&quot;75&quot; height=&quot;42&quot; /&gt;
        Across the country, local firefighters are knocking on doors to ask cinema managers and owners to screen this award-winning independent documentary.
            by Glenn McDonald
            It&#39;s not something you necessarily think about when you go to the movies, but getting a film into cinemas for theatrical exhibition is a huge deal. For Hollywood movies, there&#39;s an entire industry dedicated to the process.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/detroit-firefighter-doc-burn-uses-grassroots-distribution-methods/Content?oid=3534811&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      <category>Film/Film Spotlight</category>
    
    

    
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    <pubDate>Wed, 10 Apr 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Danny Boyle&#39;s heist film Trance is slick</title>
    <link>http://www.indyweek.com/indyweek/danny-boyles-heist-film-trance-is-slick/Content?oid=3535243</link>
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      <dc:creator>Neil Morris</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3535245/543d/original.jpg&quot; width=&quot;75&quot; height=&quot;32&quot; /&gt;
        &lt;i&gt;Trance&lt;/i&gt; feels like a film made by someone auditing a community college course in hypnotherapy by day and watching &lt;i&gt;Inception&lt;/i&gt; on repeat every night.
            by Neil Morris
            A friend once said he held a special affinity for Martin Scorsese&#39;s remake of Cape Fear because &quot;it feels like Scorsese just having fun.&quot; The same could be said for Danny Boyle&#39;s Trance, his return of sorts to crime thrillers like his 1994 feature debut, Shallow Grave.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/danny-boyles-heist-film-trance-is-slick/Content?oid=3535243&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      </description>
      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 10 Apr 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Oscar-nominated Chilean film NO returns to Pinochet era</title>
    <link>http://www.indyweek.com/indyweek/oscar-nominated-chilean-film-no-returns-to-pinochet-era/Content?oid=3535255</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3535257/9d14/3.jpg&quot; width=&quot;75&quot; height=&quot;54&quot; /&gt;
        A young ad director is recruited to develop the message of the anti-Pinochet faction. Since advertising is about getting people to say &quot;yes,&quot; how do you sell people on the word &quot;no&quot;?
            by David Fellerath
            In the late 1980s, one of the great Western liberal causes was Chile, and the sclerotic, violent dictatorship of Gen. Augusto Pinochet. Sting sang &quot;They Dance Alone&quot; and U2 recorded &quot;Mothers of the Disappeared,&quot; both songs inspired by the grieving women dancing at Santiago&#39;s Plaza de Mayo.&#x2026;
              &lt;p&gt;[ &lt;a href=&quot;http://www.indyweek.com/indyweek/oscar-nominated-chilean-film-no-returns-to-pinochet-era/Content?oid=3535255&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 10 Apr 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Ginger &amp; Rosa grow up fast in 1960s London</title>
    <link>http://www.indyweek.com/indyweek/ginger-and-rosa-grow-up-fast-in-1960s-london/Content?oid=3494880</link>
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      <dc:creator>Craig D. Lindsey</dc:creator>
    

    
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        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3494882/a3ee/BBCTMF-Still_rgb.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        Writer/director Sally Potter (&lt;i&gt;Orlando&lt;/i&gt;)again documents the usually lonely road a woman takes in finding out who she really is, this time from the perspective of someone who isn&#39;t even a woman yet.
            by Craig D. Lindsey
            What is it about those damn Fanning sisters that makes them such amazing actresses to watch? For a few years there, I would take delight in watching Dakota Fanning, when she was at her tiniest and most precocious, whenever she was in a movie.&#x2026;
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      <category>Film/Film Review</category>
    
    

    
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    <pubDate>Wed, 03 Apr 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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    <title>Thirty years of surveillance in Israeli doc The Gatekeepers</title>
    <link>http://www.indyweek.com/indyweek/thirty-years-of-surveillance-in-israeli-doc-the-gatekeepers/Content?oid=3464540</link>
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      <dc:creator>David Fellerath</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://www.indyweek.com/imager/b/toc/3464544/55fc/1.jpg&quot; width=&quot;75&quot; height=&quot;46&quot; /&gt;
        A culture of drone strikes and Wikileaks videos has acclimated us to the sight of eye-in-the-sky surveillance and the vaporization of a van driving down a city street.
            by David Fellerath
            The Gatekeepers opens in sobering fashion. A few years ago, the adjective might have been &quot;chilling&quot; or &quot;shocking,&quot; but a culture of drone strikes and Wikileaks videos has acclimated us to the sight of eye-in-the-sky surveillance and the vaporization of a van driving down a city street.&#x2026;
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    <pubDate>Wed, 27 Mar 2013 04:00:00 -0400</pubDate>
    <source url="http://www.indyweek.com">Indy Week</source>
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