• Issue Archive for
  • Nov 9-16, 2011
  • Vol. 28, No. 45

Elections

Food

Arts

Music

  • Naked Gods' <i>No Jams</i>
  • Naked Gods' No Jams

    Boone quintet Naked Gods pair weirdo roots rock, not far removed from Wilco's Yankee Hotel Foxtrot, with ambitious guitar architecture that points to Built to Spill and Dinosaur Jr.
  • The P-90's <i>Limited Supply EP</i>
  • The P-90's Limited Supply EP

    It's all pitched at a certain intensity, but there are hints of even greater eclecticism and enough promise to tickle anticipation.
  • For Black Skies, Southern metal is a network, not a style
  • For Black Skies, Southern metal is a network, not a style

    In the pivotal final third of "The Sleeping Prophet," the last song on their new self-released album, a new, rather warm sound slides through the fuzz. It is a flute, brought to you by one of the heaviest bands ever to emerge from the Triangle.

Film

  • Edgy films beckon at Cucalorus in Wilmington
  • Edgy films beckon at Cucalorus in Wilmington

    Asked to pick out a few highlights from Cucalorus 2011, festival director Dan Brawley begins with the Norwood Cheek retrospective, chains through a list of some 142 screenings and events featuring 83 film artists, and closes with hosannas for the special lineup of Blue Velvet events.

News

  • Report details plight of North Carolina's tobacco workers
  • Report details plight of North Carolina's tobacco workers

    "We've seen some pretty bad conditions, but this was the first time that we were able to really take an in-depth, personal look and hear from the workers in a very detailed way about a lot of the abuses." — FLOC representative Briana Connors

Columns

  • Bialy high

    When the house gets the baked, yeasty scent of Kossar's in the morning, it feels like I've gotten damn close.
  • The Republican war on reality
  • The Republican war on reality

    When George Will, about as wonky and self-serious a commentator as the right has, reveals such contempt for "data," it's a clear sign that hostility to reality is now a central fact of the modern right.

Diversions


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