Indy Week Image Archives
The Farber Foundry reckons with apartheid through the lens of Greek tragedy
Dorothy Ann Gould as Klytemnestra in "MoLoRa"Image credit: Photo courtesy of Duke Performances
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- Story: The Farber Foundry reckons with apartheid through the lens of Greek tragedy (March 17, 2010)
Uploaded: Mar 17, 2010
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Image Archives: Duke Performances
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- The JACK Quartet diverts crises of attention, with the lights off
- Like a light bulb: The JACK Quartet
- Photo courtesy of Duke Performances
- Nov 28, 2012
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- Ambrose Akinmusire and the slow crawl toward enjoying new jazz
- Beckoning from the dark: Ambrose Akinmusire
- Photo courtesy of Duke Performances
- Oct 10, 2012
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- Iranian master Mohammad-Reza Shajarian delivers more than a stunning voice
- On Mohammad-Reza Shajarian: "If my distance to my...
- Photo courtesy of Duke Performances
- Apr 25, 2012
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- Jazz pianist Robert Glasper doesn't have time for a dead form
- Game plan: The Robert Glasper Experiment
- Photo courtesy of Duke Performances
- Mar 28, 2012
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- Greil Marcus
- Greil Marcus
- Photo courtesy of Duke Performances
- Feb 18, 2012
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- Greil Marcus Listening Session
- Greil Marcus
- Photo courtesy of Duke Performances
- Feb 18, 2012
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- If Sonic Youth is finally done, its many ghosts are welcome
- Thurston Moore
- Photo courtesy of Duke Performances
- Feb 1, 2012
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- In Memoriam: Solomon Burke, 1940–2010
- Solomon Burke
- Photo courtesy of Duke Performances
- Oct 13, 2010
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- Joe Henry and the Carolina Chocolate Drops honor traditions
- Carolina Chocolate Drops
- Photo courtesy of Duke Performances
- Sep 22, 2010
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- The Farber Foundry reckons with apartheid through the lens of Greek tragedy
- Dorothy Ann Gould as Klytemnestra in "MoLoRa"
- Photo courtesy of Duke Performances
- Mar 17, 2010
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- David Dorfman challenges racialism in Disavowal
- David Dorfman (left) and Kyle Abraham in Disavowal
- Photo courtesy of Duke Performances
- Nov 19, 2008
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- Dancing in tongues: Yin Mei's human ideograms translate abandon and abandonment
- Yin Mei, in Ink/Paper/Body/Scent
- Photo courtesy of Duke Performances
- Nov 29, 2006
