The word "appropriation" in this article is used in a negative sense, leading one to think that singers such as Elvis Presley were stealing music they performed. This reminded me of a youtube video playing Big Mama Thornton's "Hound Dog" back to back with Elvis' version and stating that "Elvis stoled the song." Actually the song writers, Leiber and Stoller, made much more money from Elvis' version than they did from Big Mama's.
If anything, Elvis' versions of songs from earlier records made many more music buyers aware of artists like Big Mama -- and, for example, Arthur Crudup, Roy Brown and Junior Parker -- I bought records by all of these great artists because Elvis' recordings brought those artists to my attention. Otherwise, it's likely that I would never have heard of them.
I'm sure that it wasn't intentional, but if there's any stealing going on, it's by Indy columnist Allison Hussey who didn't think about the implications of her indicating that her "guitar teacher Max Drake" gave her "a CD-R of Thornton's 'Hound Dog: The Peacock Recordings.' " Burning a CD-R actually eliminates any chance a recording artist (estate or owner) has of collecting any artist royalties from their work.
When introduced to other artists like "Memphis Minnie and other lesser-sung heroes," hopefully that wasn't via "artist royalty free" CD-R's as well.
FYI, the version of Hound Dog that Elvis recorded had different lyrics. They had been changed by Freddie Bell (and the Bellboys). Elvis asked Freddie for permission to record his version and that's what he did. Elvis learned of this version when he was in Las Vegas performing at the New Frontier in spring 1956. Freddie Bell was performing in the Sands lounge, which was across the street. It was Elvis' back up band that discovered this version and told Elvis about it. Elvis did know of Mama Thornton's version. The best example of singing both versions was his performance of the song on the Milton Berle show. I suggest listening to Freddie's version first, then check out the Berle version.
Great list, but not much local hip-hop! I'd throw out Izz the Unknown, who's been making the rounds in Chapel Hill, Raleigh, and Durham. Plus, looks like he's got recent collabos with Raleigh producer Sadvillain. https://soundcloud.com/izztheunknown
The Never. Haven't thought about them in ever. That song "The Astronaut" from their first record is a power pop opus.
Pam I'm so glad you are back on the air. Thanks for being so very honest with your struggles in this article. I missed that smile and happiness you brought to the broadcast. Congratulations on what you are now doing with this chapter in your life.
I've had nothing but positive experiences working with Slums, his music always seemed to me more club ready where raund haus tends to be more experimental, but one is a solo artist and one is a showcase, so that's more the reason for the confusion.
That entire conversation only circulated among the beat community and a few others who chimed in. Then, it was deleted. The point of bringing it back to life is to inform the larger community about what happened among a very prominent community of musicians. Also, the fact you're expressing some level of sensitivity toward my making a judgment about Slums' being "ahead" of whomever, may indicate that there is still some lingering "attitude" about the whole issue.
Slums' comments on sexism in the industry are something of a dead horse at this point, not sure what the point of bringing it back to life is... also raund haus is a crew of musicians with different performers for every show, usually they don't sound anything like Slums so saying he's "ahead" of them misses the point. but for sure a great performer with big things ahead
JCD: Duke Performances dedicated a significant portion of our 2015 summer season to celebrating Music Maker's 20th anniversary. We featured artists including Cool John Ferguson, Sam Frazier Jr., Boo Hanks, John Dee Holeman, Ironing Board Sam, Williette Hinton, The Branchettes, Pat 'Mother Blues' Cohen & Big Ron Hunter. Over the past decade, we've also had the good fortune of presenting Music Maker artists Joe Thompson, Dom Flemons & Bishop Dready Manning. Keep an eye on our offerings, I'm sure that we'll have opportunity to showcase more of the elders as time goes by. Finally, I'd be careful w/ the term 'original musicians', none of the folks living today were making music alongside Rev. Gary Davis, Etta Baker & Blind Boy Fuller during the 'heyday' of the Piedmont blues in the 1920s, 30s & 40s.
caab's suggestion sounds exciting. It's a shame that the original musicians didn't fit into this particular performance, but I'd pay good money to see Duke Performances showcase them for a different event. I hope we can see that happen soon.
Gerald & the team on 'Piedmont Blues' spent a great deal of time with living, though elderly, Piedmont blues musicians. Duke Performances, working with Music Makers, has presented many of these artists over the past decade. After considerable conversation & consideration it was our conclusion that none of those musicians was nimble enough to effectively participate in this project. To be clear, Clayton's 'Piedmont Blues' is a synthetic project that attempts to honor the elders while making a presentation that bristles with a contemporary energy; only the audience will be able to determine whether this approach works.
I would be curious to know why living Piedmont Blues legends are not involved in the actual performance when they are still alive and extremely capable at their craft, why this is not a performance collaboration.
I always thought German Love was his pet name for her: "German Love, I will give it to you."
yes! if but for just 'idiot wind'
But should he really accept this Swedish prize ? After all Alfred Nobel was a major Swedish weapons manufacturer (Bofors Cannons) and inventor of projectiles, smokefree gunpowder and, of course dynamite. Still today the Nobel Prize Group is sponsored by the weapons industry in direct connection to Alfred Nobes own war industry: http://saab.com/region/singapore/about-saab/stories/saab-singapore-stories/2015/saab-supports-the-nobel-prize-series-in-singapore/
Listen to Masters of War !
BTW this devastating Nobel project must be stopped: https://www.youtube.com/watch?v=WpigW2zkZKA
"No" would have been more accurate and succinct.
my family needed to fill out IN Application form for Enrolment as Civil Defence Member this month and came across a website that has an online forms library . If you are requiring IN Application form for Enrolment as Civil Defence Member too , here's a https://goo.gl/YCl1Dr
I saw her in Kansas City, years ago, her voice, stage presence, the show was mystical. Surprise should be reissued, along with a intimate tour.
Why is that even a conversation?i wonder the intent in highlighting the 2 comments when there were probably many more.In this case maybe all should look within to examine intent.
I am a Cohn Bros. fan whatever the subject and I thought the movie was great. I agree with Stewart this music seems mislabeled as "bluegrass". OTOH I am grateful for the music and the article. More please.
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