It's fitting that the coolest bar in Raleigh is owned by the coolest cat in Raleigh.
Like the Brewery before it, Slims is a place where you might see some performances that change your life. Every time I see one of my favorite bands in town at some other venue and they ask where to go for drinks after the show someone inevitably directs them to Slims. It's that kinda place. Thanks Mr. Alston!
Perhaps our reviewer was in a bad mood.
I have to agree with the counter-review by Rich Haney. I found the performance of The Landing delightful all the way through from the story-telling frame of the first story and the fine and believable performance of the child actor, Neil Bullard, to the laugh-out-loud funny second story, The Brick, with the romantic and antic dance/song by actors Mark Ridenour and Erin Tito, and the finale with a moving tale of the late-in-life adoption of the perfect son by a gay couple (perfection is always suspect!).
I loved the music and the movement and John Allore's comedic skills. Hats off to a fine performance by all actors and musicians and director Paul Frellick.
Don't miss it!
Evelyn Daniel, Carrboro
The following represents a different perspective.,,
Sometimes classical music fans enjoy a symphony concert, and at other times a chamber music concert of Beethoven’s “late quartets”. Sometimes it is great to see a large-scale musical on Broadway or on tour at DPAC and enjoy big production numbers, but it is also delightful to see a work such as The Landing, a set of three small jewels now at the Deep Dish Theater. For this work, John Kander, who wrote the music for Cabaret and Chicago, has now brought us a chamber musical. At the Deep Dish we see four musicians accompanying four actors playing different roles in three short works. Instead of bringing us another big musical, 86-year-old John Kander has brought us his own late quartets.
Last year Kander teamed up with 35-year-old playwright Greg Pierce to bring us The Landing in New York. This fall, Paul Frellick of Deep Dish Theater is staging The Landing for its second time. Paul Frellick’s direction is spare, clean, and not self-indulgent. What adds to the stories’ poignancy is the use of the unamplified instruments and voices.
One of the themes of the three stories is that of loneliness and the longing -- and need -- for companionship of different kinds. You will also find common themes among the three stories made clear in the third play, but that each has its own unique twist.
The acting is all top-level. In the second, Mark Ridenour gives an extraordinary performance. Yet he still gives actress Erin Tito enough room to perform amazingly in what is the lead role. With disciplined acting, the second story is a well-crafted example of the theater of the absurd. Equal to the first two actors – and giving us an acting clinic of his own -- is John Allore in a series of small cameos (some of which are stunning) and well as principal roles. The three actors work well-together with performances by thirteen-year-old Neil Bullard that are also quite good. Under Frellick’s direction, the ensemble plays well together in all three chamber musicals.
In the future, playwright Greg Pierce could certainly write larger-scale plays or musical dramas. But many of us would also be delighted if he and Kander kept working on their own, small-scale works until Kander is 96.
Don’t miss “The Landing” at the Deep Dish Theater. Its three chamber musicals are jewels.
Rich Haney, Chapel Hill
Hello, I got in-touch with Caktus Group and met this week. I believe they are looking at posibilities and are not sweeping it all under the perverbial rug. Thank you to the out pouring of support from artists, art and nature lovers. I hope to hear from them by the end of November, Em
Thanks, Brian! Zack is a great guy and we enjoyed having him in... I just think that he got a little excited. We don't fault him for that. We enjoy the Indy, and would welcome the chance to carry it in store.
Thanks again for your professionalism.
Mr. Sterling, this is Zack's editor, Brian Howe -- I apologize for the error. Will correct the text now.
Hi Zack, Rod here from the Little Leviathan.
I would like to make a very important correction to your article (and part of the reason I asked to see it before press). You list us as having a two headed *SEA TURTLE*. What you saw was a box turtle, not a sea turtle. Owning a sea turtle in any capacity is illegal.
We work closely with the NC Wildlife Enforcement officers to make certain that we are in full compliance with all state and federal laws, and will continue to do so in the future.
Thanks for the article, it was (mostly) great!
-R. Sterling, Proprietor
"Celebrity Pumpkins (Part 2)":
The horror, the horror!
I love that they took the sign off the top, it was originally designed not to have a sign.
Great article, and right on about what makes Dave's work at H&B stand out -- design sense + willingness and ability to work with the full range of available technologies. Thanks for shining some well-deserved light on his work specifically, and this kind of work in general.
Big thanks to Brian Howe and The Indy for the article.
I did want to let folks know the Upfront Gallery is open EVERY Thursday and Friday from 11am–2pm if people are interested in checking out our work or the guest artist exhibits — and we will be open the next two Saturdays, Oct 11 and 18, from 9am-Noon.
Also, I will be giving an show and share talk at the downtown Durham County Library on Thursday, Dec 4 at 7:00pm and will have many books available for handling.
Dave Wofford | Horse & Buggy Press
I enjoyed reading this article for the information about the printing process and our local artisian who is up to his inky finger nails in doing it his way, but i also was pleased and often amused by the writer of the article, or maybe it was really a story. I dunno.
Please put something back on the top of the building. It looks incomplete without something on top........maybe a rooftop bar surrounding a sphere?
So, did I miss the public meeting to be called by Caktus group? No? Did they ever intend to have one? A question for the intrepid reporters at the Indy...
The information on the reception is in the info box directly below Watanabe's photo.
There is a public reception for Hiroshi Watanabe's exhibition opening at Daylight on Friday, Sept. 26, 6-9pm. Daylight is located at 121 W. Margaret Lane, Hillsborough, NC 27278 (downtown, next to the public library).
Despite decades of theater-going, including four separate full productions of Love's Labour's Lost (for some reason), this is my first time seeing Hamlet on stage. I knew I could count on LGP to knock it out of the park, which they did. Congratulation to all!
Nice Byron. Scuttles is a word I have missed and is invariably misused. Congratulations to all for rolling on and up.
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