I'd like to take part in the contest next time. How do I go about it?
I think it's just a matter of differing sensibilities. Hart is a broader comic who appeals to a wider range of people. For better or worse, Louis could never play PNC. Hart is more in the same class with Dane Cook or the a Blue a Collar guys or even Tosh. Meanwhile, Hannibal Buress is very popular with tastemakers because his style is more off-kilter and unpredictable.
To note: The current liscensing from Music Theatre International provides and requires the use of their prerecorded track for the songs Today 4 U and Contact.
Vanessa, Thanks for pointing that out. It has been corrected.
love poem #1! but correction in interview with poet #2: it's Virginia Woolf not Wolfe!!!
A minor correction: I'm the retired Town Manager of Knightdale, not Wake Forest.
We did a background check on Chris before we agreed to do the Kidz Newz with him. The puppets he uses for the Kidz Newz is different than he uses for the Green Report and he's never been arrested.
As for my opinion about legalizing marijuana, I have no use for it, but it's obvious that continuing to spend billions of dollars to fight it, the smart thing would be to legalize and regulate it. We should have learned our lesson with prohibition of alcohol. Same thing.
Saw the Indy cover and immediately knew I had to read the article. I really love that he uses his puppetry for both the community access kids show, and pro-cannabis YouTube puppet show. The article took a hard turn when it delved into the conspiracy theories. Occam's razor is a fantastic concept! It's a pity that the most plausible idea to some involves such amazing complexity.
Anybody who has an infowars bumper sticker can't be all bad.
Cool perspective, but misleading. You guy's missed mentioning the awesome creations on display. Did you bother to check out master builders Jason Burik, Jonathan Lopes huge LEGO displays or the large selection of LEGO Bionicle creations? Personally, my kids who are 8 and 10 were mesmerized by all the creations and loved the Challenge Zone, building zone and architecture area - those areas should have been mentioned. I saw a lot of people of all ages building, learning, and just having a great time!
I m sitting here watching rush hour 3 and I can't stop laughing. Man I miss you so much Mr.Tucker. You are truly one of a kind. Hurry back to the screen. Missing your face.... Ms. Reality
I found it an excellent production and enjoyed what Mr Quaintance brought to the table, including the quirky strobe and slo-mo gestures that evoked the McCarthy hearings, and the unexpected hurling of polluted water in the faces of the Stockmans. But like you I suddenly realized that the play has the shape of tragedy after all--that the hero for all his greatness is terminally arrogant and goes far to bring on his own fall. I suppose the problem is endemic to all whistleblowers. What shall history do with Snowden?
I remember when SAJ had her Tree Planting exhibit at the John Hope Franklin Center years ago. The most amazing work and the first time I ever out a piece on layaway until I could own one for myself! Still my favorite piece of art ever!
With all due respect, theatrefan, every ticket buyer to this production spends time and gets to know Mr. Torres (or Patrick, as you call him), over several hours -- through experiencing the quality of the work he and his company are able to bring to stage.
For the overwhelming majority of theater-goers, that's the only reasonable expectation. Ultimately, an artist meets the public through their work.
Those of us that have spent time with Patrick and gotten to know him have no questions about what he is bringing to RLT
If you like beat-boxing, watch this street performance i saw yesterday in London, UK: www.youtube.com/watch?v=6ISu98pMCas
This is some of the best writing I have seen on SAJ's work, and I should know- I have been her dealer for over ten years. Bravo on the great show and beautiful review. ps don't forget to see the amazing catalog/ monograph for the show.
Chaunesti Webb stole my work. She stole my story, my words, and admitted as such. She received grants and awards for my work. She crowdfunded my work, and received over $5,000 for that, alone. She traveled the play based upon my story for years. Any of you who writes, or makes any creative work, can probably understand my position. This woman had never claimed to write anything- before or since. Yet, she can apparently read, and comprehend spoken English. I believe she was able to decipher the countless Cease and Desist demands told to her, letters sent to her via email, USPS, and from different attorneys.
Man Bites Dog Theater revealed their position, by elevating this thief to their Board of Directors. They also proudly claim the output from their 'help' made the play as "good' as it has been described by the editors of Indyweek, who awarded her a best new playwright accolade.
Instead of claiming this is any form of the vile televised reality shows, featuring "black" women behaving badly; you should all wonder: what should be the punishment of this woman and her co-conspirators, Man Bites Dog Theater? Many of the things they have done are punishable under North Carolina law.
Further, I would never wish this situation upon my worst enemy. This has been an extremely painful and extraordinarily costly event for me. She had mounted the play, months before she made any contact with me. She thanked, according to Byron Woods, the theater critic of Indyweek, over 160 people in the playbill of the play. None of the 'thanked' were the other two women she stole sentences from; and my name was absent, despite the paragraphs and sentences she stole from me. Instead of placing any blame upon me; take a moment to consider why she and her co-conspirators should be free to steal?
I wish she had stolen my car, or burgled my home, instead. Wait! She did! She broke into a book, selectively stole what she wanted, including way too much of my essay, from a book that was partially named after my essay. Is ignoring this ongoing travesty a way to respond? #blacklivesmatter
So does their work.
I agree, it's great to see actors of the correct age in the leads. But I liked the innovative and imaginative fight choreography.
I really enjoyed Brian Howe's review of this important Miro show at the Nasher Museum. He offers us a wide range of impressions, many both art-historical and natural, all well relating to the singular Miro image worlds
we see, usually floating in the paintings, and playing in the sculpture.
He's writing here more as a poet; sharing impressions and impulses, rather than using the artist's history and possible meanings and object relations, as "exhibit labels" often do. I often skip the information on the "exhibit label" as it tends to drag the wonder of a work down, or save it for a quick reality check afterward.
I appreciate that Mr. Howe's words have simple let the Miro works just be themselves, and offer their joyous questions. After all, Miro is one of the premier artists of the “distant” of life, with uncertain forms and possible meanings. Only these things, these lives, whatever they are… they are precise. Their situation is not understood. (As in life, we know ourselves, but are not sure of our surroundings.)
Miro’s art, in simply being (be here now), regardless of what we think - keeps it art that seems to be in the process of becoming, as we all experience. It's very living art. And in its seeming motion, color and scale, it remains young and joyful art. An art of play, and the dance of life.
Dennis in Hillsborough
Indy Week • 201 W. Main St., Suite 101, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
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