With all due respect, theatrefan, every ticket buyer to this production spends time and gets to know Mr. Torres (or Patrick, as you call him), over several hours -- through experiencing the quality of the work he and his company are able to bring to stage.
For the overwhelming majority of theater-goers, that's the only reasonable expectation. Ultimately, an artist meets the public through their work.
Those of us that have spent time with Patrick and gotten to know him have no questions about what he is bringing to RLT
If you like beat-boxing, watch this street performance i saw yesterday in London, UK: www.youtube.com/watch?v=6ISu98pMCas
This is some of the best writing I have seen on SAJ's work, and I should know- I have been her dealer for over ten years. Bravo on the great show and beautiful review. ps don't forget to see the amazing catalog/ monograph for the show.
Chaunesti Webb stole my work. She stole my story, my words, and admitted as such. She received grants and awards for my work. She crowdfunded my work, and received over $5,000 for that, alone. She traveled the play based upon my story for years. Any of you who writes, or makes any creative work, can probably understand my position. This woman had never claimed to write anything- before or since. Yet, she can apparently read, and comprehend spoken English. I believe she was able to decipher the countless Cease and Desist demands told to her, letters sent to her via email, USPS, and from different attorneys.
Man Bites Dog Theater revealed their position, by elevating this thief to their Board of Directors. They also proudly claim the output from their 'help' made the play as "good' as it has been described by the editors of Indyweek, who awarded her a best new playwright accolade.
Instead of claiming this is any form of the vile televised reality shows, featuring "black" women behaving badly; you should all wonder: what should be the punishment of this woman and her co-conspirators, Man Bites Dog Theater? Many of the things they have done are punishable under North Carolina law.
Further, I would never wish this situation upon my worst enemy. This has been an extremely painful and extraordinarily costly event for me. She had mounted the play, months before she made any contact with me. She thanked, according to Byron Woods, the theater critic of Indyweek, over 160 people in the playbill of the play. None of the 'thanked' were the other two women she stole sentences from; and my name was absent, despite the paragraphs and sentences she stole from me. Instead of placing any blame upon me; take a moment to consider why she and her co-conspirators should be free to steal?
I wish she had stolen my car, or burgled my home, instead. Wait! She did! She broke into a book, selectively stole what she wanted, including way too much of my essay, from a book that was partially named after my essay. Is ignoring this ongoing travesty a way to respond? #blacklivesmatter
So does their work.
I agree, it's great to see actors of the correct age in the leads. But I liked the innovative and imaginative fight choreography.
Indy Week • 201 W. Main St., Suite 101, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation