Paper Trail: The Poster Art of Casey Burns & Ron Liberti
UNC-Chapel Hill's Wilson Library • Monday, March 17
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Liberti and Burns were driven to rock-band poster art by similar impulses: As musicians, neither Liberti (of Pipe, Ghosts of Rock, Bringerer) nor Burns (formerly of The Nein) were getting their fix by producing colorful adverts for their own bands. They began to offer their skills to others, pestering Frank Heath—the owner of the Cat's Cradle, who was on hand to speak on a panel with Burns and Liberti—for work. The two finally met while hanging their posters—mixtures of pop art, narrative illustration, orchestrated chaos and, of course, band names, dates and venues—in the streets.
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As the crowd gathered to buy prints that once told fans where and when they could see Polvo, Sonic Youth, Tift Merritt and a few hundred other bands, Weiss said those posters captured "ephemeral moments." I wondered how many others in the room had slyly pealed a Burns or Liberti original from its place on the wall of the Cradle or a record store to document their memory, taking it home and hanging it up in their own private gallery.
Paper Trail: The Poster Art of Casey Burns & Ron Liberti is on display through the end of May on the fourth floor of UNC-Chapel Hill's Wilson Library.





