Theater | Arts | Indy Week
Arts
INDY Week's arts blog

Archives | RSS | Follow on

Theater

Friday, February 17, 2017

Theater Review: A Colony of Broken People Explore Imagination, Sex, Anesthesia, Detox, and Reinvention in The Night Alive

Posted By on Fri, Feb 17, 2017 at 4:06 PM

The Night Alive★★★★ Through Feb. 25 North Raleigh Arts and Creative Theatre, Raleigh It can be a good thing when a set triggers flashbacks before a show begins. Prior to the first light cue in Honest Pint Theatre’s The Night Alive, designer Thomas Mauney’s squalid little flat took me back to the Hotel New Hampshire. No, not the edifice in the famous John Irving novel, but the crash pad of preference to which my friends gave the same name in my undergrad days. The random decor, rundown furniture, and slovenly housekeeping was similar, down to the black garbage bags holding...

Continue reading…

  • Pin It

Wednesday, February 15, 2017

Theater Review: Raleigh Little Theatre's One Man, Two Guvnors Isn't Overacted. That's an Issue for a Farce.

Posted By on Wed, Feb 15, 2017 at 11:44 AM

One Man, Two Guvnors ★★★ Through Feb. 26 Raleigh Little Theatre, Raleigh If you doubt that One Man, Two Guvnors, the theatrical time trip on offer at Raleigh Little Theatre, is up to the minute, take a moment to consider the number of jobs you have to work to make a living wage. If n > 1, then you, like me, are in the same boat as Francis, the play's central character. Richard Bean’s 2011 farce is an update of The Servant of Two Masters, Carlo Goldoni’s eighteenth-century commedia dell’arte classic. Thus Francis (an energetic Jesse R. Gephart) is roughly...

Continue reading…

  • Pin It

Friday, February 10, 2017

Sonorous Road Productions Is Moving to Hillsborough Street in June

Posted By on Fri, Feb 10, 2017 at 1:20 PM

Prospects for the region’s independent theater scene look brighter today, after Sonorous Road Productions announced that it would relocate to a new facility on Hillsborough Street in June. The news follows a span of uncertainty about Sonorous Road's fate after the building it currently occupies on Oberlin Road was sold. After months of searching and negotiations, the theater and filmmaking concern signed a five-year lease Thursday morning on a space in the Royal Bakery Building at 3801 Hillsborough Street, across from Meredith College. “It was the biggest relief,” artistic director Michelle Murray Wells said. “We’ve been under so much pressure...

Continue reading…

  • Pin It

Friday, February 3, 2017

Theater Review: Yes, the Touring Version of Hedwig and the Angry Inch at DPAC Has Been Updated, and Yes, Pat McCrory Gets Called Out

Posted By on Fri, Feb 3, 2017 at 4:41 PM

Hedwig and the Angry Inch★★★ ½ Through Sunday, Feb. 5 Durham Performing Arts Center, Durham The year before the Berlin Wall came down, the title character of Hedwig and the Angry Inch, now in Durham on a national tour following a 2014 Broadway production, was in his early twenties when he was permanently disfigured by a disastrous East German gender-confirmation surgery, becoming what playwright John Cameron Mitchell calls “a gender of one." The math is unforgiving; the title character would be pushing fifty or beyond now. Perhaps it's a small point in a world where septuagenarians like Mick Jagger,...

Continue reading…

  • Pin It

Tuesday, January 31, 2017

Theater Review: Don't Dismiss Intimate Apparel at PlayMakers as a Mere Period Piece

Posted By on Tue, Jan 31, 2017 at 1:54 PM

Intimate Apparel ★★★★ Through Feb. 12 PlayMakers Repertory Company, Chapel Hill It’s tempting to dismiss the faithful production by PlayMakers Rep of Lynn Nottage’s Intimate Apparel as a period piece. Based on the life of the playwright’s great-grandmother, the 2003 drama chronicles the life and the loneliness of Esther (Rasool Jahan) a black woman who carved out a life for herself as an independent seamstress in New York City, eighteen years after fleeing the South as a teenager during the northern migration in 1887. Her gifts at designing and handcrafting the titled commodity—colorful lingerie for the boudoirs of both the social upper-crust,...

Continue reading…

  • Pin It

Friday, January 13, 2017

Theater Review: An In-Process Adaptation of De Profundis Is Still Floundering in Oscar Wilde's Seas

Posted By on Fri, Jan 13, 2017 at 4:49 PM

De Profundis ★ ½ PlayMakers Repertory Company, Chapel Hill Through Sunday, Jan. 15 Last year, PlayMakers Repertory Company's second-stage series devoted an entire season to two-to-five-year-old repertory solo works by out-of-town playwrights, in a drastically smaller-scale, alt-theater version of the itinerant shows that visit DPAC and DECPA. So it was entirely appropriate to raise the stakes this season. In August, PRC² presented the world premiere of Mashuq Mushtaq Deen’s autobiographical solo, Draw the Circle. In late December, director Brian Mertes, designer Jim Findlay, and actor Nicole Villamil began a three-week residency to create a new stage adaptation of Oscar Wilde’s De Profundis,...

Continue reading…

  • Pin It

Thursday, December 15, 2016

Theater Review: Take High Tea with Little Women in the Women's Theatre Festival's Holiday Production

Posted By on Thu, Dec 15, 2016 at 2:40 PM

Little Women★★★ Through Dec. 18 Women’s Theatre Festival @ Sonorous Road Theatre, Raleigh At its heart, the Women’s Theatre Festival is actually a conveyance: a theatrical vehicle intent on moving the region (and, by extension, our culture) forward by bringing a broader array of women’s voices and stories to the fore, and by leading women to more equitable states of theatrical access, training, and competency than they’ve had in the past. In this new production of Little Women, the group passes another milestone toward those laudable goals: a holiday show, in the vein of seasonal productions by more established...

Continue reading…

  • Pin It

Friday, December 9, 2016

Theater Review: A Leading Local Theater Artist Mines Her Life's Schisms, Contradictions, and Eerie Beauty in Ethelred the Unready

Posted By on Fri, Dec 9, 2016 at 2:56 PM

Ethelred the Unready★★★ ½ Through Dec. 10 Little Green Pig Theatrical Concern, various venues There are hundreds of professional actors in the area, but prior to Dana Marks’s Ethelred the Unready, only three have produced an autobiographical one-person show in the last decade. Why? Solo performance is daunting; autobiographical solo work is even harder. In the former, you merely spend an hour onstage, alone, before a live audience. In the latter, you also open some of the most private parts of your life—irrevocably—to public scrutiny. It’s more than enough reason, all told, for anyone to think twice. But monologists...

Continue reading…

  • Pin It

Thursday, December 8, 2016

Theater Review: Is The May Queen an Indictment of the Male Gaze or an Apologia for a Stalker?

Posted By on Thu, Dec 8, 2016 at 9:19 AM

The May Queen★★★ Through Dec. 11 PlayMakers Repertory Company, Chapel Hill Molly Smith Metzler surely intended her play The May Queen as more than an apologia for a stalker, but it’s hard to leave the current production at PlayMakers Repertory Company without the nagging sense that her critique of an annual, real-world rite of spring in a small New York State town, and of the social pecking order found in high schools everywhere, has somehow lost its way. Metzler’s hometown of Kingston has named a May Queen every spring since 1916. The tradition continues despite the ritual’s possibly sinister origins...

Continue reading…

  • Pin It

Wednesday, November 16, 2016

Will to Live Cautiously Returning? Here's a Few Things to Do This Week.

Posted By and on Wed, Nov 16, 2016 at 3:26 PM

STAGE TUESDAY, NOVEMBER 15–SUNDAY, NOVEMBER 20 SPAMALOT “Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony!” We’ve become so much more politically sophisticated since the time of King Arthur. Still, anyone feeling nostalgic for the days of the Round Table—or the Tony award-winning 2005 musical based on Monty Python and the Holy Grail—should catch NC Theatre’s revival of Spamalot, starring Broadway’s Jeff McCarthy and Ta’Rea Campbell. Jennifer Werner directs. —Byron Woods RALEIGH MEMORIAL AUDITORIUM, RALEIGH STAGE WEDNESDAY,...

Continue reading…

  • Pin It

Tuesday, November 15, 2016

Theater Review: Dividing and Conquering by Lying and Stirring Base Emotions in Richard III

Posted By on Tue, Nov 15, 2016 at 2:28 PM

Richard III ★★★★ Through Nov. 20 Bare Theatre @ Sonorous Road Theatre, Raleigh Seth Blum’s disarmingly matter-of-fact—and absolutely lethal—take on Richard, the implacable Duke of Gloucester, was one of the most vivid performances in a late-summer production of Henry VI: The War of the Roses. His patient explanations of Richard’s psychopathic plans to achieve the crown by pruning the royal family trees suggested a character from House of Cards, a “fifteenth-century Frank Underwood, minus the charming Southern accent,” as we noted at the time. So we were enthused to learn Bare Theatre let director Lucinda Danner Gainey continue pursuing that...

Continue reading…

  • Pin It

Friday, November 11, 2016

Theater Review: Two Turtle Doves Skims the Underside of Sports and Small-Town Sleaze

Posted By on Fri, Nov 11, 2016 at 1:49 PM

Two Turtle Doves ★★★ ½ Through Nov. 12 Common Ground Theatre, Durham There’s a hint of the unsavory from the outset of local playwright Mark Cornell’s Two Turtle Doves, now in its premiere production at Common Ground Theatre. The off-avocado wallpaper and aged amenities on designer Jeff Alguire’s set suggest a time-share resort half gone to seed. And after Meredith, a sullen girl with a flat east Carolina accent, cusses out a hotel clerk on the phone, our unease is unabated when a visibly uncomfortable—and much older—man named James emerges from the bathroom in a snorkel and swimsuit and tries...

Continue reading…

  • Pin It

Tuesday, November 8, 2016

Theater News: Common Ground Theatre to Go Dark in December

Posted By on Tue, Nov 8, 2016 at 9:00 AM

Common Ground Theatre, the influential, intimate Durham venue that has nurtured regional independent theater and improv comedy throughout its twelve-year run, is set to cease operations next month. Last night, executive director Shelby Hahn told the INDY that he will step down at the end of December. Hahn took the post in July 2015 after the departure of former director Devra Thomas. Following an unsuccessful search across the theatrical community for his replacement, the company’s board decided to cease operations when Hahn leaves. Rachel Klem and Michelle Byars created the theater in 2005 to provide an affordable rehearsal and...

Continue reading…

  • Pin It

Friday, October 28, 2016

Theater Review: Once You Get Over It Not Being the Book, Fun Home Soars at DPAC

Posted By on Fri, Oct 28, 2016 at 2:45 PM

Fun Home★★★★ Through Sunday, Oct. 30 Durham Performing Arts Center, Durham The great difficulty of taking in an adaptation of a work you already love is that, inevitably, the adaptation finds a way to let you down. The things you love aren’t always represented the way you wanted; the fine details to which you cling don’t always make the cut from the original to its offspring. I found myself facing this conundrum at Tuesday night’s presentation of Fun Home, the Broadway-smashing adaptation of Alison Bechdel’s stirring 2006 graphic novel memoir of the same name. The story unravels Bechdel’s coming to...

Continue reading…

  • Pin It

Thursday, October 27, 2016

Theater Review: PlayMakers' The Crucible Is a Brisk Study in Paranoia and Suspicion

Posted By on Thu, Oct 27, 2016 at 4:29 PM

The Crucible★★★★ Through Nov. 6 PlayMakers Repertory Company, Chapel Hill From the outset, we all know what’s to come in The Crucible, Arthur Miller’s classic drama, now in a notable revival at PlayMakers Repertory Company. Stacked and dry as timber, the unspoken internecine grudges among the citizens of a small New England town will ignite when a new fear arises—that their neighbors have practiced witchcraft in secret against them. Given the homogeneity of the community’s Puritan beliefs, the conflagration will quickly spread, and with those beliefs so thoroughly codified in their laws, the courts will swiftly move against the...

Continue reading…

  • Pin It

Friday, October 14, 2016

Theater Review: In Everscape, a Gripping Collision of Real and Online Worlds

Posted By on Fri, Oct 14, 2016 at 5:00 PM

EverScape ★★★★ Through October 23 Sonorous Road Theater, Raleigh The reason I got out of database interface design? Those all-night coding sessions felt more and more like out-of-body experiences the longer they went on. Manipulating constructs in a weightless, three-dimensional environment was fun; it felt like stepping off the planet and the clock. But re-entry into an exhausted, sluggish body afterward became progressively problematic over time. Then I began wishing that I didn’t have to—re-enter, that is. That’s when I knew I had to quit. I’ve always seen more than a tinge of bait-and-switch in popular multiplayer games like the...

Continue reading…

  • Pin It

In Fake It Till You Make It, Tommy Noonan and Compagnie Marie Lenfant Find Unstable Common Ground in the Masks of Politicians

Posted By on Fri, Oct 14, 2016 at 10:55 AM

Tommy Noonan & Cie. Marie Lenfant: Fake It Till You Make It Saturday, Oct. 15, 8 p.m. & Sunday, Oct. 16, 5 p.m., $15 Living Arts Collective, Durham It’s hard to pinpoint exactly who is saying what in my conversation with Tommy Noonan and Murielle Elizéon of Saxapahaw’s Culture Mill and three members of France’s Compagnie Marie Lenfant. A reply might begin in English and then gradually transform into French as it travels around the table, only to be translated back for me by someone other than the original speaker. Ideas and roles dissolve into a fluid welter. That’s much...

Continue reading…

  • Pin It

Friday, September 30, 2016

Theater Review: Fallout and Reckoning with the AIDS Epidemic in Mothers and Sons

Posted By on Fri, Sep 30, 2016 at 8:33 AM

Mothers and Sons★★★★ ½ Through October 9 Raleigh Little Theatre, Raleigh You almost have to delve into the speculative side of evolutionary biology to understand Katherine Gerard, the aging matriarch in Terrence McNally’s Mothers and Sons. After her outer layer of skin was permanently stripped away—metaphorically, at least—by the death of her son, Andre, some twenty years ago, Katherine developed a protective trait that is on constant display throughout this gripping family drama at Raleigh Little Theatre. The concentrated venom of her views renders her immediate surroundings so toxic that no one can possibly get close enough to attack her....

Continue reading…

  • Pin It

Wednesday, September 14, 2016

Theater Review: Lungs Is a Rewarding Drama for a Theatrically Underserved Millennial Generation

Posted By on Wed, Sep 14, 2016 at 4:10 PM

Lungs★★★★ 1/2 Through Sept. 25 Sonorous Road Theatre, Raleigh You scarcely need a critic to note the conspicuous strengths of Sonorous Road Theatre’s rewarding production of Lungs. Two eyes, two ears, and a waking mind should do the trick. Artistic director Michelle Murray Wells and a previously underutilized Jonathan King are clearly among the strongest members of an emerging generation of young regional actors. Under Tony Lea’s discerning direction, in a stripped-down show with little in the way of technical filigree, both expertly pursue the comedy and pathos in the hairpin curves of Duncan Macmillan’s script. It’s obvious why Wells...

Continue reading…

  • Pin It

Friday, September 9, 2016

Assessing the First Outing—and the Future—of the Women's Theatre Festival

Posted By on Fri, Sep 9, 2016 at 12:27 PM

Our region had never before seen anything like the Women’s Theatre Festival. In an organized grassroots revolt against long-term local and national gender inequity in playwriting, directing, casting, and technical design, the fully crowd-sourced endeavor produced seventy-three events in four cities over five weeks. It mounted eight mainstage productions—and eight hands-on workshops where dozens of women received an introduction to disciplines including stage combat and set design. During one intensive, participants learned arc welding while constructing a set piece that would be used during the North Carolina Dance Festival. In front of live audiences and viewers on the Internet,...

Continue reading…

  • Pin It

Wednesday, September 7, 2016

Theater Review: Something Rotten in the State of Kansas Delights in Maccountant

Posted By on Wed, Sep 7, 2016 at 2:56 PM

Maccountant  ★★★★ Through Sept. 17 Little Green Pig Theatrical Concern @ Common Ground Theatre One’s first instinct is to simply laugh Maccountant off. Indeed, the gag-filled season opener for Little Green Pig Theatrical Concern provides ample reason for laughter as artistic director Jaybird O’Berski transplants his freewheeling adaptation of Shakespeare’s Macbeth from eleventh-century Scotland to downtown Wichita in the mid-1960s. O’Berski manifests the absurdity of that premise in his mise-en-scène. The bloody conflicts aren’t played out amid the industrial arc welders and heavy machinery of that city’s airplane manufacturers, nor in the wringing sweat of its surrounding farmlands. Rather, they...

Continue reading…

  • Pin It

Tuesday, September 6, 2016

A Loss of Words: Remembering PlayMakers Repertory Company's Connie Mahan

Posted By on Tue, Sep 6, 2016 at 3:25 PM

“There are words for everything in the mind but if you speak with your heart, your work will grow continuously.” As I sit at my desk at PlayMakers Repertory Company, thinking about the moment in the wake of our Associate Director of Communications Connie Mahan’s death, the proverb encompasses the impact she has had on PlayMakers and the greater North Carolina community. We received the news hours before our Season Kick-Off, usually a joyous event, to which subscribers and guests were invited to hear more about the upcoming season from Artistic Director Vivienne Benesch and members of the PRC staff....

Continue reading…

  • Pin It

Wednesday, August 31, 2016

Theater Review: Creature Emerges Not Quite Fully Formed

Posted By on Wed, Aug 31, 2016 at 1:50 PM

Creature ★★ Through Sept. 11 Tiny Engine Theatre Company @ North Raleigh Arts & Creative Theatre Those who study acting and directing build upon their skills. Once they learn how to stage a monologue, they move on to scene work, and then full-length plays. Unfortunately, this Raleigh production of Creature is clearly stuck somewhere between the latter two. Though individual sequences amuse and occasionally move us in this Tiny Engine Theatre Company coproduction with North Raleigh Arts & Creative Theatre, they never truly cohere into a unified or satisfying whole. We’re sympathetic with playwright Heidi Schreck’s attempts to reimagine the life...

Continue reading…

  • Pin It

Thursday, August 11, 2016

Theater Review: The Roaring Girl Is a Kinetic, Gender-Fluid Revisionist History of Seventeenth-Century Norms

Posted By on Thu, Aug 11, 2016 at 12:47 PM

The Roaring Girl ★★★ Through Aug. 20 Little Independent Theatre @ Murphey School Auditorium, Raleigh As they say, you gotta have a gimmick. Mary Frith was a London thief and pickpocket; her nickname, Moll Cutpurse, referred to her first primary source of income. She also dressed as a man in public, cursed like a sailor, and smoked like a house aflame—activities that were equally frowned upon for women in the year 1600. Surprisingly, however, her public disregard for gender roles and social norms earned her fame and a large degree of acceptance in King James’s England. In the years that...

Continue reading…

  • Pin It

Wednesday, August 10, 2016

Theater Review: Domestic-Violence Drama The Traditionalists Leaves Us Wanting More—But Not in a Good Way

Posted By on Wed, Aug 10, 2016 at 2:46 PM

The Traditionalists★★ Through Aug. 14 Women’s Theatre Festival @ Umstead Park United Church of Christ I am an adult survivor of domestic violence. I still have the pistol my father used one night to threaten my mother’s life and my own. I keep that firearm, which is now unable to menace or injure anyone else, because people regularly doubt, discount, and second-guess accounts of domestic abuse. Evidence, I’ve learned, is important. The gun was in his hand. I can vouch for the authenticity of the damage depicted in Carol Torian’s one-act, The Traditionalists, part of the Women’s Theatre Festival’s first evening...

Continue reading…

  • Pin It

Calendar



Twitter Activity

Most Recent Comments

Best ending should have been:

Aurora got really hurt by projectile (in movie it hit her arm). It should …

by Sergej on Movie Review: Passengers Proves a Bad Ending Can Ruin an Otherwise Good Movie (Arts)

I'd keep an eye on the Facebook page and expect to see events there as they finish reshuffling, but if …

by Brian Howe, INDY managing editor for arts & culture on An Epilogue for Unexposed Microcinema's Bold, Meaningful Year of Holding Down a Stable Venue for Experimental Film (Arts)

sorry i missed these events. how do I find out about future ones? Web link is dead. FB/Twitter links appear …

by Geoff Dunkak on An Epilogue for Unexposed Microcinema's Bold, Meaningful Year of Holding Down a Stable Venue for Experimental Film (Arts)

The critic sounds like a self-absorbed adolescent. Why would she publish a non-review? Only to prove that a chef doesn't …

by ncreader on Scott Crawford Refused to Sell Us a Plate of Food at Crawford and Son (Arts)

I easily believe Crawford would. There's a lot of ego needed to achieve the self-aggrandizement required at those levels. Those …

by AgentDani on Scott Crawford Refused to Sell Us a Plate of Food at Crawford and Son (Arts)

Comments

Best ending should have been:

Aurora got really hurt by projectile (in movie it hit her arm). It should …

by Sergej on Movie Review: Passengers Proves a Bad Ending Can Ruin an Otherwise Good Movie (Arts)

I'd keep an eye on the Facebook page and expect to see events there as they finish reshuffling, but if …

by Brian Howe, INDY managing editor for arts & culture on An Epilogue for Unexposed Microcinema's Bold, Meaningful Year of Holding Down a Stable Venue for Experimental Film (Arts)

© 2017 Indy Week • 201 W. Main St., Suite 101, Durham, NC 27701 • phone 919-286-1972 • fax 919-286-4274
RSS Feeds | Powered by Foundation