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Friday, February 17, 2017

Movie Review: I Am Not Your Negro Shows That We're Still Catching Up with James Baldwin's Clear, Unforgiving Vision

Posted By on Fri, Feb 17, 2017 at 5:24 PM

I Am Not Your Negro★★★ ½ Now playing In Raoul Peck’s new documentary, I Am Not Your Negro, James Baldwin stands before a Cambridge University audience and goes about dismantling white liberal sentiment as embodied by one of the decade’s liberal heroes. Robert F. Kennedy had said in a public address that he thought it possible that the United States could have a black president in forty years. “That sounded like a very emancipated statement, I suppose, to white people,” says Baldwin. But what white people failed to understand was that from the point of view of the Harlem barbershop,...

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Theater Review: A Colony of Broken People Explore Imagination, Sex, Anesthesia, Detox, and Reinvention in The Night Alive

Posted By on Fri, Feb 17, 2017 at 4:06 PM

The Night Alive★★★★ Through Feb. 25 North Raleigh Arts and Creative Theatre, Raleigh It can be a good thing when a set triggers flashbacks before a show begins. Prior to the first light cue in Honest Pint Theatre’s The Night Alive, designer Thomas Mauney’s squalid little flat took me back to the Hotel New Hampshire. No, not the edifice in the famous John Irving novel, but the crash pad of preference to which my friends gave the same name in my undergrad days. The random decor, rundown furniture, and slovenly housekeeping was similar, down to the black garbage bags holding...

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Wednesday, February 15, 2017

Theater Review: Raleigh Little Theatre's One Man, Two Guvnors Isn't Overacted. That's an Issue for a Farce.

Posted By on Wed, Feb 15, 2017 at 11:44 AM

One Man, Two Guvnors ★★★ Through Feb. 26 Raleigh Little Theatre, Raleigh If you doubt that One Man, Two Guvnors, the theatrical time trip on offer at Raleigh Little Theatre, is up to the minute, take a moment to consider the number of jobs you have to work to make a living wage. If n > 1, then you, like me, are in the same boat as Francis, the play's central character. Richard Bean’s 2011 farce is an update of The Servant of Two Masters, Carlo Goldoni’s eighteenth-century commedia dell’arte classic. Thus Francis (an energetic Jesse R. Gephart) is roughly...

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Friday, February 10, 2017

Movie Review: John Wick: Chapter 2, a Solid Return for Keanu Reeves's Laconic Hit Man, Runs on Muscle Cars and Muscle Memory

Posted By on Fri, Feb 10, 2017 at 10:24 AM

John Wick: Chapter 2 ★★★ ½ Now playing “You’re not very good at retiring,” observes a crime lord played by Laurence Fishburne in John Wick: Chapter 2. “I’m workin’ on it,” responds Wick, the laconic hit man reprised by Keanu Reeves. This reunion of Neo and Morpheus is apropos, as Reeves was very much workin’ on his de facto retirement following the end of the Matrix trilogy in 2003. Forgettable parts in forgettable films were suddenly and rather inexplicably interrupted in 2014, when the original John Wick, an unheralded neo-noir, become an instant cult classic and resuscitated Reeves’s career. Director...

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Thursday, February 9, 2017

Movie Review: Everyone Says Lego Flicks Are Uniquely Fun for Kids and Adults. We Sent One of Each to The Lego Batman Movie to Find Out.

Posted By and on Thu, Feb 9, 2017 at 12:16 PM

The Lego Batman Movie Now playing One statement you are guaranteed to hear regarding any Lego-based movie, TV special, or video game is that it offers fun for young and old alike. Testing that, the INDY sent two reviewers—one thirteen, one demonstrably older—to The Lego Batman Movie. THE KID: Not the jokes you need, but the jokes you deserve ★★★★★ I enjoyed The Lego Batman Movie immensely, mainly for the comedy. There are some absolutely hilarious jokes, like when the plane carrying a lot of bombs is called McGuffin Airlines. There are also enough butt jokes to please any kid,...

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Friday, February 3, 2017

Theater Review: Yes, the Touring Version of Hedwig and the Angry Inch at DPAC Has Been Updated, and Yes, Pat McCrory Gets Called Out

Posted By on Fri, Feb 3, 2017 at 4:41 PM

Hedwig and the Angry Inch★★★ ½ Through Sunday, Feb. 5 Durham Performing Arts Center, Durham The year before the Berlin Wall came down, the title character of Hedwig and the Angry Inch, now in Durham on a national tour following a 2014 Broadway production, was in his early twenties when he was permanently disfigured by a disastrous East German gender-confirmation surgery, becoming what playwright John Cameron Mitchell calls “a gender of one." The math is unforgiving; the title character would be pushing fifty or beyond now. Perhaps it's a small point in a world where septuagenarians like Mick Jagger,...

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Movie Review: Men Are From Mars and Women Are Typecast in The Space Between Us, a Garishly Inauthentic Interplanetary Romance

Posted By on Fri, Feb 3, 2017 at 2:17 PM

The Space Between Us ★ Now playing As if the surfeit of YA weepies hadn’t proliferated enough, now it’s invading other planets. Men are from Mars and women are typecast in The Space Between Us, which may as well describe the void left by an absence of adequate filmmaking. Set in the not-too-distant-future, it imagines a world with private space travel, self-driving cars, and the ability to Skype between planets, yet teen slang and the products and prices at Sam’s Club haven’t changed a bit. A blustering, floundering Gary Oldman plays Nathaniel Shepherd, the Richard Branson-esque head of a billion-dollar...

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Thursday, February 2, 2017

Movie Review: In The Comedian, De Niro Gives Us Too Much Insult and Not Enough Comic

Posted By on Thu, Feb 2, 2017 at 9:42 AM

The Comedian ★★ Opening Friday, Feb. 3 Comedy is equal parts material and delivery. The funniest quip will flop if told with bad timing, and a sharp style can’t carry leaden content. Unfortunately, both afflictions affect The Comedian, a character study that never digs below its protagonist's loathsome surface and a comedy in which the jokes fall flat. Robert De Niro plays Jackie Burke, a former sitcom star and comedy icon spending the twilight of his life slogging through the grimy stand-up circuit. He abhors his fading TV stardom, but his bitter temperament self-sabotages any effort to jump-start his...

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Tuesday, January 31, 2017

Theater Review: Don't Dismiss Intimate Apparel at PlayMakers as a Mere Period Piece

Posted By on Tue, Jan 31, 2017 at 1:54 PM

Intimate Apparel ★★★★ Through Feb. 12 PlayMakers Repertory Company, Chapel Hill It’s tempting to dismiss the faithful production by PlayMakers Rep of Lynn Nottage’s Intimate Apparel as a period piece. Based on the life of the playwright’s great-grandmother, the 2003 drama chronicles the life and the loneliness of Esther (Rasool Jahan) a black woman who carved out a life for herself as an independent seamstress in New York City, eighteen years after fleeing the South as a teenager during the northern migration in 1887. Her gifts at designing and handcrafting the titled commodity—colorful lingerie for the boudoirs of both the social upper-crust,...

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Friday, January 27, 2017

Scott Crawford Refused to Sell Us a Plate of Food at Crawford and Son

Posted By on Fri, Jan 27, 2017 at 3:18 PM

I expected to spend hours at Crawford and Son, the new restaurant from four-time James Beard semifinalist Scott Crawford, to review it for the INDY. Instead, I was there for barely twenty minutes before being told to leave. We were late for our reservation, made under my partner’s name. As he greeted the host, she stared at me, abruptly excused herself, and brought back a man who, well, stared at me. She then showed us to our table—a four-top, far from the other diners, close to the door. I counted the empty two-tops as one server, then another asked for...

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Movie Review: A Dog's Purpose Rolls Over and Plays Dead Under Its Own Heart-Tugging Weight

Posted By on Fri, Jan 27, 2017 at 2:17 PM

A Dog's Purpose ★★ Now playing Commercials for the new family film A Dog's Purpose give away the entire premise and plot, right up to the final scene. The movie follows the various embodiments of a reincarnating dog as he lives and loves his people over the course of multiple lifetimes. If you're a dog lover, it's a tearjerker of a pitch. If you're a dog lover with kids, you'll get immediate petitions and pleadings. Even if you just have fond memories of a childhood pet, you're going to get the urge to see this movie. You'll want to resist...

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Friday, January 20, 2017

Movie Review: How M. Night Shyamalan Got His Groove Back in Split

Posted By on Fri, Jan 20, 2017 at 11:33 AM

Split★★★ Now playing The time when M. Night Shyamalan was poised to become cinema’s next great master of suspense has long since come and gone, bulldozed by the hubris of effects-driven hokum and recycled self-parody. After a decade of five consecutive whiffs, last year’s The Visit was a cautious, low-budget return to form. Shyamalan’s comeback continues with Split, a psychological thriller (natch) blessed with competent acting and adroit direction. And just when it feels like the script is jumping the rails, well, here comes the Twist™. During a well-staged cold open, three teenage girls—Casey (Anya Taylor-Joy from The Witch), Claire...

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Thursday, January 19, 2017

Movie Review: Family Is a Slippery Thing in Mike Mills's Loopy, Lovely 20th Century Women

Posted By on Thu, Jan 19, 2017 at 11:52 AM

20th Century Women ★★★★ Opening Friday, Jan. 20 The slippery concept of family is at the heart of director Mike Mills's loopy, lovely, and largely autobiographical new film, 20th Century Women, a story that aches with bittersweet memory. It's 1979 in the Southern California enclave of Santa Barbara, and fifteen-year-old Jamie (Lucas Jade Zumann) is coming of age the traditional way, learning about sex, drugs, and rock 'n' roll from his family, friends, and pop culture. Jamie shares a strong bond with his single mom, Dorothea (Annette Bening), but his teenage years are taking the usual toll on their relationship. Jamie...

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Friday, January 13, 2017

Theater Review: An In-Process Adaptation of De Profundis Is Still Floundering in Oscar Wilde's Seas

Posted By on Fri, Jan 13, 2017 at 4:49 PM

De Profundis ★ ½ PlayMakers Repertory Company, Chapel Hill Through Sunday, Jan. 15 Last year, PlayMakers Repertory Company's second-stage series devoted an entire season to two-to-five-year-old repertory solo works by out-of-town playwrights, in a drastically smaller-scale, alt-theater version of the itinerant shows that visit DPAC and DECPA. So it was entirely appropriate to raise the stakes this season. In August, PRC² presented the world premiere of Mashuq Mushtaq Deen’s autobiographical solo, Draw the Circle. In late December, director Brian Mertes, designer Jim Findlay, and actor Nicole Villamil began a three-week residency to create a new stage adaptation of Oscar Wilde’s De Profundis,...

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Thursday, January 12, 2017

Movie Review: In Silence, Scorsese Taps a Deeply Spiritual Vein in a Visceral Story of Faith

Posted By on Thu, Jan 12, 2017 at 1:19 PM

Silence ★★★★ ½ Opening Friday, Jan. 13 We may never see the likes of Martin Scorsese again in American cinema. He’s the embodiment of what Orson Welles should have become: the master auteur and leader of a New Hollywood movement who nimbly balances fan-friendly and money-making gangster flicks, psychological thrillers, and edgy character dissections with highly personal and profound films. While his American New Wave contemporaries like Steven Spielberg, George Lucas, and Francis Ford Coppola have migrated to effects-driven sequels and semi-retirement, Scorsese continues to produces masterworks like Silence, one of the most deeply spiritual and religiously layered films...

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Wednesday, December 21, 2016

Movie Review: Passengers Proves a Bad Ending Can Ruin an Otherwise Good Movie

Posted By on Wed, Dec 21, 2016 at 4:08 PM

Passengers ★★ ½ Now playing Exhibit 2001 for the proposition that a bad ending can ruin an otherwise good movie: Passengers, a glossy interstellar vehicle for some provocative moral entanglements that ultimately implodes from the pressure of its star-driven, crowd-pleasing mission. The film’s December release date suggests it once harbored awards-season aspirations. Instead, it just ends up lost in space. Jim Preston (Chris Pratt) is one of more than five thousand people in cryogenic sleep aboard the Starship Avalon, on a 120-year voyage to colonize the distant outpost Homestead II. The ship’s sylvan destination stands in contrast to Earth,...

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Thursday, December 15, 2016

Theater Review: Take High Tea with Little Women in the Women's Theatre Festival's Holiday Production

Posted By on Thu, Dec 15, 2016 at 2:40 PM

Little Women★★★ Through Dec. 18 Women’s Theatre Festival @ Sonorous Road Theatre, Raleigh At its heart, the Women’s Theatre Festival is actually a conveyance: a theatrical vehicle intent on moving the region (and, by extension, our culture) forward by bringing a broader array of women’s voices and stories to the fore, and by leading women to more equitable states of theatrical access, training, and competency than they’ve had in the past. In this new production of Little Women, the group passes another milestone toward those laudable goals: a holiday show, in the vein of seasonal productions by more established...

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Tuesday, December 13, 2016

Movie Review: Rogue One, the New Star Wars, Is a Dazzling Space Drama

Posted By on Tue, Dec 13, 2016 at 2:13 PM

Rogue One: A Star Wars Story ★★★★ Opening Thursday, Dec. 15 As the first in a series of spinoff movies set in the Star Wars universe, Rogue One is an experiment of sorts. If it succeeds, you can expect to see a new Star Wars movie in theaters pretty much every year until the end of time. Fine by me. If Disney and Lucasfilm can deliver a movie as good as Rogue One on a yearly basis, we could declare it a kind of global movie holiday. May 4 would seem to be the proper date. Rogue One is essentially...

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Friday, December 9, 2016

Theater Review: A Leading Local Theater Artist Mines Her Life's Schisms, Contradictions, and Eerie Beauty in Ethelred the Unready

Posted By on Fri, Dec 9, 2016 at 2:56 PM

Ethelred the Unready★★★ ½ Through Dec. 10 Little Green Pig Theatrical Concern, various venues There are hundreds of professional actors in the area, but prior to Dana Marks’s Ethelred the Unready, only three have produced an autobiographical one-person show in the last decade. Why? Solo performance is daunting; autobiographical solo work is even harder. In the former, you merely spend an hour onstage, alone, before a live audience. In the latter, you also open some of the most private parts of your life—irrevocably—to public scrutiny. It’s more than enough reason, all told, for anyone to think twice. But monologists...

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Movie Review: Office Christmas Party Is Raucous, Rude, Lampoon-Worthy Fun

Posted By on Fri, Dec 9, 2016 at 1:54 PM

Office Christmas Party ★★★ Now playing I've been to exactly one office Christmas party in my life. It was in San Francisco during the dot-com bubble of the late 1990s, when the Internet held infinite promise and banks were hosing down new media companies with cash. Everyone was young and restless, designer drugs were cheap and plentiful, and money wasn't really money at all. We partied like it was 1999, because it was 1999. I remember thinking, "This party would be an excellent premise for a movie." (That's about all I remember.) Twenty years later, that movie has finally rolled...

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Thursday, December 8, 2016

Theater Review: Is The May Queen an Indictment of the Male Gaze or an Apologia for a Stalker?

Posted By on Thu, Dec 8, 2016 at 9:19 AM

The May Queen★★★ Through Dec. 11 PlayMakers Repertory Company, Chapel Hill Molly Smith Metzler surely intended her play The May Queen as more than an apologia for a stalker, but it’s hard to leave the current production at PlayMakers Repertory Company without the nagging sense that her critique of an annual, real-world rite of spring in a small New York State town, and of the social pecking order found in high schools everywhere, has somehow lost its way. Metzler’s hometown of Kingston has named a May Queen every spring since 1916. The tradition continues despite the ritual’s possibly sinister origins...

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Wednesday, November 23, 2016

Dance Review: Stephanie Leathers and Company Deconstruct Durham Development in Home: the metamorphosis

Posted By on Wed, Nov 23, 2016 at 4:53 PM

Stephanie Leathers: Home: the metamorphosis★★★ Saturday, Nov. 12, 6:30 p.m. Downtown Durham On the map on the wall, the usual “You are here” marker is absent. In its place are multicolored circular stickers, plotting scalloped pathways through downtown Durham. Some of these stickers presumably answer the question, “Where do you fall?” The ticket-taker encourages us to interpret the question broadly. Stephanie Leathers’s Home: the metamorphosis is friendly to queries of spatial orientation. The second offering from Durham Independent Dance Artists in its current season, Home is a traveling performance in the truest sense. Nearly every moment is locomotive. Leathers...

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Friday, November 18, 2016

Movie Review: Fantastic Beasts and Where to Find Them Is a Promising Start for a New Rowling Franchise

Posted By on Fri, Nov 18, 2016 at 2:49 PM

Fantastic Beasts and Where to Find Them ★★★ ½ Now playing I suspect that, for a while at least, it's going to be difficult to avoid processing every halfway applicable film through the nightmare lens of the recent elections. Fantastic Beasts and Where to Find Them, the latest installment in J.K. Rowling's Harry Potter universe, opens with a montage of headlines. “Anti-Wizard Sentiment Sweeps America,” reads one swirling paper as we're introduced to the setup. In the movie's alternate history, it's 1926 in New York City, and hateful fringe groups are agitating for the deportation of all witches and wizards, the...

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Movie Review: Barry Jenkins's Exquisite Moonlight Is a Meditative Character Study at the Nexus of Black Masculinity and Homosexuality

Posted By on Fri, Nov 18, 2016 at 8:46 AM

Moonlight ★★★★ Now playing Color looms large in Moonlight. The film is adapted from Tarell Alvin McCraney’s play In Moonlight Black Boys Look Blue, and two characters are called Black and Blue. According to IndieWire, director Barry Jenkins and cinematographer James Laxton adjusted the lighting contrast to emphasize the skin tones of the African-American cast. Each of the film’s three chapters, covering different stages in the life of its protagonist, emulates different film stock to convey distinct hues and textures. Like Richard Linklater’s Boyhood, Moonlight tracks the life of its male lead across varying ages, though in this case the...

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Tuesday, November 15, 2016

Theater Review: Dividing and Conquering by Lying and Stirring Base Emotions in Richard III

Posted By on Tue, Nov 15, 2016 at 2:28 PM

Richard III ★★★★ Through Nov. 20 Bare Theatre @ Sonorous Road Theatre, Raleigh Seth Blum’s disarmingly matter-of-fact—and absolutely lethal—take on Richard, the implacable Duke of Gloucester, was one of the most vivid performances in a late-summer production of Henry VI: The War of the Roses. His patient explanations of Richard’s psychopathic plans to achieve the crown by pruning the royal family trees suggested a character from House of Cards, a “fifteenth-century Frank Underwood, minus the charming Southern accent,” as we noted at the time. So we were enthused to learn Bare Theatre let director Lucinda Danner Gainey continue pursuing that...

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Aurora got really hurt by projectile (in movie it hit her arm). It should …

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Best ending should have been:

Aurora got really hurt by projectile (in movie it hit her arm). It should …

by Sergej on Movie Review: Passengers Proves a Bad Ending Can Ruin an Otherwise Good Movie (Arts)

I'd keep an eye on the Facebook page and expect to see events there as they finish reshuffling, but if …

by Brian Howe, INDY managing editor for arts & culture on An Epilogue for Unexposed Microcinema's Bold, Meaningful Year of Holding Down a Stable Venue for Experimental Film (Arts)

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