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Thursday, March 24, 2016

Movie Review: A Very Dark Knight and Cold Man of Steel in Superman v Batman: Dawn of Justice

Posted By on Thu, Mar 24, 2016 at 11:30 AM

Batman v Superman: Dawn of Justice★★★ Opening Friday, March 25 A millennium hence, our descendants might try to decipher our current superhero obsession the way we study ancient Greek legends. Batman v Superman: Dawn of Justice, which conflates modern religious and mythological allegories, will be rich material. In a span of minutes, eccentric nemesis Lex Luthor (Jesse Eisenberg, too manic by half) positions Kal-El, Superman’s Kryptonian name, alongside Zeus, Yahweh, and Horus. A messianic parable, the film explores how mortals might really react to the arrival of an omnipotent being. Eighteen months have passed since the calamitous climax of Batman...

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Wednesday, March 23, 2016

UNC Students Head for Cannes with Short Film Of Princes

Posted By on Wed, Mar 23, 2016 at 4:00 PM

Despite the lack of a film major at UNC-Chapel Hill, one group of passionate students didn’t just look for channels to pursue this interest. Instead, they created one. As co-founders of the video production company Uninsincerity, UNC juniors Riley Reid, Stuart Schrader, and Jan Bergengruen have produced several impressive works, including a campaign ad for student body president Bradley Opere and the short film Of Princes, which won a spot at the upcoming Cannes Film Festival. Of Princes was adapted from Schrader’s original concept, a six-part miniseries of ten-minute episodes. But he didn’t have time to implement this idea while...

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Friday, March 18, 2016

Movie Review: The Divergent Series: Allegiant Diverges From the Franchise's Intriguing Sci-Fi Sociology

Posted By on Fri, Mar 18, 2016 at 9:55 AM

The Divergent Series: Allegiant★★ Opening Friday, March 18 I have a suspicion that our future overlords (probably robotic) will look back at the first years of the twenty-first century and wonder: What was up with all the teenage wasteland movies? The Divergent Series: Allegiant is the latest installment in an increasingly weary genre, one in which Attractive Young People dodge strange perils in dystopian near-futures. Think The Hunger Games, The Maze Runner, and so forth. (For a superior specimen, look up the 2013 British entry How I Live Now, with Saoirse Ronan.) In the Divergent saga, Shailene Woodley headlines...

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Friday, March 11, 2016

Movie Review: 10 Cloverfield Lane Has Wit and Suspense, Not Just Mysterious Marketing

Posted By on Fri, Mar 11, 2016 at 1:08 PM

10 Cloverfield Lane★★★ ½ Opening Friday, March 11 The crazy survivalist just might be right, but he’s still crazy. That’s the lesson of 10 Cloverfield Lane, a film that begins like a prequel to Room and ends like a sequel to Alien. Or, well, Cloverfield. A gripping cold open introduces Michelle (Mary Elizabeth Winstead), a Louisiana seamstress sideswiped off the roadway while fleeing her estranged husband (a disembodied Bradley Cooper) and her presumably dispirited life. She awakes with an injured leg and an IV in her arm, chained to a water pipe in a barren concrete bunker. Its armed...

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Thursday, March 3, 2016

Movie Review: London Has Fallen Isn't the Action Movie We Need

Posted By on Thu, Mar 3, 2016 at 2:01 PM

London Has Fallen★ Opening Friday In London Has Fallen, U.S. president Benjamin Asher (Aaron Eckhart) is back after escaping capture in 2013’s Olympus Has Fallen. To paraphrase the eulogy for another Eckhart character, Harvey Dent in The Dark Knight, this isn’t the action movie we need, but it’s the one we deserve. A cavalcade of jingoism and xenophobia varnished in terror porn, it espouses a fanatical worldview fueled by Old Testament-style vengeance. Clumsily directed by Iranian-born Swede Babak Najafi, it makes 13 Hours: The Secret Soldiers of Benghazi seem measured by comparison. Against the advice of his Secret Service director...

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Thursday, February 25, 2016

Opinion: A Local Filmmaker Says Indies Need to Lead Hollywood to Diversity

Posted By on Thu, Feb 25, 2016 at 12:29 PM

For many years, I had been a spectator of the big screen, watching from the sidelines and measuring whether there was any progress in diversity. Not finding it, I delayed my entry into the industry for years, and it profoundly affected my course after I got there. As an actress who studied the craft professionally, I did not want to jump into an industry where I didn’t see enough people who looked like me in roles considered Oscar-worthy. I wanted to see something beyond slavery and civil rights—movies depicting the diversity of black lives. I wanted to see espionage, action,...

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Friday, February 19, 2016

Movie Review: The Witch Conjures the Demon-Haunted World of English Settlers From Real Accounts

Posted By on Fri, Feb 19, 2016 at 12:34 PM

The Witch ★★★ ½ Now playing For seventeenth-century English Puritan Joseph Glanvill, belief in the supernatural was a prerequisite for belief in God. Folktales about ghosts, witches, and devils weren't just children's pastimes, but a vital part of the historical record. The stories Glanvill collected captured readers’ imaginations long after skepticism became the norm for England's educated bourgeoisie, inspiring early gothic novelists who saw supernatural fiction as a history of consciousness. Through meticulous research and detailed craftsmanship, director Robert Eggers returns to the roots of Anglo-American horror in The Witch, reconstructing the demon-haunted world of early English settlers from their...

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Friday, February 12, 2016

Movie Review: Deadpool Is Spider-Man But With Nudity, Gore and No Fourth Wall

Posted By on Fri, Feb 12, 2016 at 12:42 PM

Deadpool ★★ ½ Now playing With the irreverent action comedy Deadpool, Marvel Entertainment jumps headfirst into the hard-R end of the comic-book movie spectrum. The results are mixed. The good news is that the film is better than the trailers suggest—largely because the best jokes are far too filthy to put in general-audience previews. The bad news is that the movie isn't as clever as it thinks it is, and the essential shabbiness of the concept can't be obscured. Deadpool is basically a wisecracking superhero movie, like Spider-Man, but with extended nudity, extreme gore, and lots of wink-nudge meta irony....

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Friday, February 5, 2016

Movie Review: A Delightful Satire of Postwar Hollywood in Hail, Caesar!

Posted By on Fri, Feb 5, 2016 at 11:11 AM

Hail, Caesar!★★★★ Now playing If Hail, Caesar! is the Coen brothers’s Contempt—Jean-Luc Godard's 1963 mock epic about the making of a historical blockbuster in postwar Hollywood—then it's an homage that inverts Godard's satirical aims. Caesar’s moral center doesn’t belong to a lone writer or director struggling against the corrupt studio systems, but to producer and studio executive Eddie Mannix (Josh Brolin), who has the unenviable task of managing the egos and personal crises of the “creatives” in his charge. Mannix is an actual historical figure, and a colorful cast of Coen regulars, newcomers, and star cameos is playfully split between real...

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Thursday, February 4, 2016

Movie Review: A Body in a Glacier Cracks Open a Long Marriage in 45 Years

Posted By on Thu, Feb 4, 2016 at 11:20 AM

45 Years ★★★ ½ Opening Friday Writer-director Andrew Haigh’s most fiendish ploy in 45 Years is that he provides precious few hints of the good times shared by Kate Mercer (Charlotte Rampling), a retired schoolteacher, and Geoff (Tom Courtenay), a retired factory manager. No pictures of the couple adorn the walls of their provincial English home, nor has their four-decade-long marriage produced any children. There’s little enmity—just the agreeable everyday of an “old married couple” on the occasion of their forty-fifth wedding anniversary. But their languid tranquility is rattled when Geoff receives a dispatch from Swiss authorities informing him that...

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Friday, January 29, 2016

Movie review: Real-life maritime rescue story The Finest Hours is Disneyfied disaster porn

Posted By on Fri, Jan 29, 2016 at 9:05 AM

The Finest Hours★★★ Now playing On February 18, 1952, a massive nor'easter crashed upon the New England coastline with colossal waves and gale-force winds. The storm was so powerful that not one but two massive oil tankers split in half off the coast of Cape Cod. With four separate floating husks in the water—and four potential rescue situations—the local Coast Guard was stretched dangerously thin. The circumstances ultimately led four very brave men to pilot a ridiculously small boat into a ridiculously big storm. That's the set-up for Disney’s real-life seagoing drama, which delivers astounding visuals wrapped in unapologetic hokeyness....

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Friday, January 22, 2016

Movie review: The awful, ugly Dirty Grandpa is the comedy equivalent of torture porn

Posted By on Fri, Jan 22, 2016 at 1:50 PM

Dirty Grandpa ★ Now playing Dirty Grandpa is easily the worst movie of the new year so far, and it will surely be a strong contender at the end of the year, too. In fact, in the dizzying moments after being bludgeoned by this miserable specimen, I was convinced it's among the worst movies ever made. That's a rare moment in a film lover's life, and something to savor, in a weird way. Zac Efron headlines, ostensibly, as uptight law-school graduate Jason Kelly, who's preparing to wed his even more uptight fiancée (Julianne Hough, suffering through a standard-issue bridezilla role)....

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Movie review: Charlie Kaufman returns with Anomalisa, a singular stop-motion fable about consumer capitalism and the male ego

Posted By on Fri, Jan 22, 2016 at 12:26 PM

Anomalisa★★★ Now playing In the opening shot of Anomalisa, Charlie Kaufman's return to film after 2008's divisive Synecdoche, New York, an airliner is framed against a majestic sunset. A cacophony of voices—passenger chatter, a flight attendant's recited instructions—surrounds us as the camera slowly pulls back to reveal our vantage point as that of neither god nor man, but of a puppet in another plane. It's a marvelous way of introducing us to Kaufman and co-director Duke Johnson's stop-motion simulacrum of the modern world's most banal environments: airports, hotels, the Midwest. This ambiguity of perspective carries through the rest of the one-of-a-kind...

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Friday, January 8, 2016

Movie review: Todd Haynes' Carol is a harrowing, exquisite story of forbidden love in the 1950s

Posted By on Fri, Jan 8, 2016 at 3:03 PM

Carol★★★★ Now playing With Carol, filmmaker Todd Haynes continues to delve into forbidden love during a tense, conflicted era. In 2002, he had ’50s housewife Julianne Moore flirting with African-American gent Dennis Haysbert (while her husband, Dennis Quaid, was busy failing to suppress his homosexuality) in the period melodrama Far from Heaven. But while that was practically a Douglas Sirk tribute in ironic quotation marks, Carol is more like a same-sex Brief Encounter. And just like that classic love story, the subject matter is handled with genuine, romantic sincerity. Once again tripping back to the beautiful but hopelessly repressed ’50s,...

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Friday, December 18, 2015

Toilet humor meets family values in Sisters, the new comedy starring Amy Poehler and Tina Fey

Posted By on Fri, Dec 18, 2015 at 9:57 AM

Sisters Now playing Sisters stars Amy Poehler and Tina Fey as Maura and Kate Ellis, terminally immature siblings whose empty-nester parents decide to finally sell their childhood home. Poehler sweetly plays the straight woman to Fey’s not-totally-believable middle-aged lady gone wild. It’s a completely competent comedy that occasionally hits some very funny notes, though it mostly stays within the tried-and-true formula of mainstream American comedy: toilet humor meets family values. In the spirit of revenge—and for the sake of giving Maura the bad-kid fun she never allowed herself to have—the sisters decide to throw a rager the night before the...

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Wednesday, December 16, 2015

Movie review: J.J. Abrams potently remixes a modern myth for a new generation in Star Wars: The Force Awakens

Posted By on Wed, Dec 16, 2015 at 4:24 PM

Star Wars: The Force Awakens★★★★ Opening wide Friday Remember the moment near the end of the original Star Wars when Luke Skywalker piloted his X-wing through a last-ditch run on the Death Star, turning off his targeting computer to rely on the Force instead? That’s what director J.J. Abrams does with Star Wars: The Force Awakens, the gargantuan commercial and artistic endeavor opening wide on Friday. He's delivered a triumph in an unexpected fashion, flouting the usual reboot expectations and grooving with the Force to essentially make a disco remix of franchise mythology. Dodging spoilers with this release is an...

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Tuesday, November 24, 2015

Movie review: The Good Dinosaur is a throwback, and not just in the evolutionary sense

Posted By on Tue, Nov 24, 2015 at 1:58 PM

The Good Dinosaur ★★★ Opening Wednesday The publicity materials for Disney and Pixar’s The Good Dinosaur focus on the fact that it’s set in a world where an asteroid didn’t hit Earth and dinosaurs continued to evolve. What goes unmentioned is that the premise is an excuse for an old-fashioned children’s adventure story—a “boy and his dog” tale where the dog is the boy and the boy is a dinosaur. Making the protagonists the more expected species would have resulted in something not unlike the adventurous coming-of-age tales that once populated children’s literature—and which were often adapted into Disney films...

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Friday, November 6, 2015

Movie review: Suffragette is a fiery political thriller disguised as a British prestige picture

Posted By on Fri, Nov 6, 2015 at 3:08 PM

Suffragette ★★★★ Now playing Those expecting a proper period piece will be sorely disappointed by Suffragette, a restless and angry drama that sometimes plays out like a violent political thriller. The film is set in London, eight years before the 19th Amendment was ratified in the U.S., at the moment when the women's suffrage movement was turning militant. Carey Mulligan plays Maud Watts, a desperately poor washerwoman eking out a miserable existence in London circa 1912. Maud is a wage slave in an era when the term is, for all practical purposes, nearly literal. The industrial laundry she's been laboring at...

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Movie review: Reclaiming original Bond lore, Spectre is a step back for the franchise

Posted By on Fri, Nov 6, 2015 at 11:52 AM

Spectre★★  Now playing Until now, Ernst Stavro Blofeld and the rest of the SPECTRE global crime syndicate hadn’t appeared in a James Bond film since 1971’s Diamonds Are Forever. But in 2013, after decades of rights-wrangling, MGM and the estate of film producer Kevin McClory finally reached a legal settlement, allowing Bond’s original infamous foes to return to the franchise. As its title might let on, the 24th Bond film is overeager to reintegrate its birthright, shoehorning it into the narrative reboot that began with Daniel Craig’s 007 and temporarily rejuvenated the franchise. But the slapdash Spectre is a nostalgic...

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Friday, October 30, 2015

The Strange Beauty Film Festival is a warm, unpretentious haven for experimental film

Posted By on Fri, Oct 30, 2015 at 8:12 AM

Strange Beauty Film Festival Shadowbox Studio, Durham Thursday, Oct. 22, 2015 We pull into the Ample Storage facility off East Club Boulevard. Glorified storage units line up like a mini-strip mall. A plumbing business, a hair salon and a church, among others, make up a wonderful little community of entrepreneurs. Shadowbox Studio, where we have sometimes hosted our experimental film series, Unexposed, stands out from the others with its artistic, homey vibe. As we’re buying tickets for the Strange Beauty Film Festival, an hour before its kickoff, Tom Whiteside of Durham Cinematheque is setting up his double-projector 16mm film in...

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Thursday, October 29, 2015

Movie review: The Assassin is a gorgeous, unusually intimate martial-arts costume drama

Posted By on Thu, Oct 29, 2015 at 1:45 PM

The Assassin ★★★ ½ Opening Friday Listen, I’m not going to mince words: Good luck finding out what the hell is going on in The Assassin. Renowned Chinese filmmaker Hou Hsiao-Hsien’s first movie in seven years, which earned him the best director award at this year’s Cannes Film Festival, is an epic martial-arts period piece that’s beguiling, ambiguous and—for some, at least—frustrating in its storytelling. Good thing it’s also one of the most visually breathtaking films you’ll see this year. Nie Yinniang (Shu Qi, a ravishing Hou regular) is an assassin in 9th-century Tang Dynasty-era China. She’s ruthless and efficient,...

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Friday, October 23, 2015

Movie review: Steve Jobs is a bittersweet symphony about the man who put a thousand songs in your pocket

Posted By on Fri, Oct 23, 2015 at 11:52 AM

Steve Jobs★★★★ ½ Now playing Steve Jobs is essentially a three-act opera. Each part is set at different times, inside different California concert halls, with composer Daniel Pemberton’s soundtrack accompanied by dollops of Bob Dylan and indie rock. The same characters rotate through each act, and at one point, Jobs (a mesmerizing Michael Fassbender) likens them to an orchestra that he conducts. But instead of being sung, the lyrics are set in screenwriter Aaron Sorkin’s distinctive cadence. When scolded for shunning his young daughter, the stubborn, visionary and messianic Apple guru retorts, “God sent his only son on a suicide...

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Friday, October 16, 2015

Movie review: Tom Hanks is a Cold War Atticus Finch in Spielberg's Bridge of Spies

Posted By on Fri, Oct 16, 2015 at 2:00 PM

Bridge of Spies★★★ ½ Now playing The childlike wonder that once accompanied the release of a Steven Spielberg film has been supplanted by an appreciation of the director’s finely honed craftsmanship, a maturation that parallels his preferred story lines. The now 68-year-old Spielberg still dabbles in the adventure flicks of his filmmaking yesteryear. But now they turn out like The Adventures of Tintin and Indiana Jones and the Kingdom of the Crystal Skull. Bridge of Spies is Spielberg’s stab at a Cold War spy film, filling another chronological gap in his growing oeuvre of historical dramas. The titular thoroughfare refers...

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Monday, October 12, 2015

The lost Colony: With the Raleigh art-house set to close, we reflect on its legacy as a hub for indie and retro film fans

Posted By on Mon, Oct 12, 2015 at 1:43 PM

As several new theaters try to change the local moviegoing experience, one of the Triangle’s centers for independent film is about to shut its doors for good. Last week, the News & Observer reported that the Colony, which has operated in North Raleigh since 1994, will close in late December, as part of a plan to consolidate resources and fund improvements to parent company Ambassador Entertainment’s flagship, the Rialto, in Raleigh’s Five Points neighborhood. The Colony has a long history, opening as Six Forks Cinema in 1972. By the 1980s, it had become a second-run movie house. Then it was restored by...

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Friday, October 2, 2015

Movie review: Apollo 13 meets Cast Away in sci-fi master Ridley Scott's The Martian

Posted By on Fri, Oct 2, 2015 at 1:48 PM

The Martian ★★★ ½ Now playing With its earnest discussions of orbital velocities and hexadecimal alphabets, director Ridley Scott’s The Martian is one nerdy-ass science fiction movie—in a good way. Matt Damon headlines as astronaut Mark Watney, a biologist on the Ares III manned mission to Mars. In a recognizable near future, NASA is properly funded and technology is sufficiently advanced to enable giant interplanetary space ships to make regular trips to Mars. Things quickly go sideways, however, when a rogue dust storm hits the Ares III landing party on the surface of the planet. Watney is separated, presumed dead...

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Thanks RobU. This review ran online only.

by Brian Howe, INDY managing editor for arts & culture on Theater Review: Three Shakespeare Plays Are Pared Down to a Ninety-Minute Game of Dramatic Chess in Henry VI (Arts)

Great review! Since it was out in previous paper, how do we get this in print? Possible to order it?

by RobU on Theater Review: Three Shakespeare Plays Are Pared Down to a Ninety-Minute Game of Dramatic Chess in Henry VI (Arts)

This show is dreadful. I watched clips of the London production which lacked the wonderful sets in the Australian production. …

by mrappleby on Love never dies, but many terrible musicals have: Sitting through Andrew Lloyd Webber's Phantom sequel. (Arts)

Awesome summation of the beauty and skill surrounding this tap festival! Great Job Dan!
Annabel's mom💕 …

by Dcable on Dance Review: Tap Genius Michelle Dorrance Brings It Home at the NC Rhythm Tap Festival (Arts)

Comments

Thanks RobU. This review ran online only.

by Brian Howe, INDY managing editor for arts & culture on Theater Review: Three Shakespeare Plays Are Pared Down to a Ninety-Minute Game of Dramatic Chess in Henry VI (Arts)

Great review! Since it was out in previous paper, how do we get this in print? Possible to order it?

by RobU on Theater Review: Three Shakespeare Plays Are Pared Down to a Ninety-Minute Game of Dramatic Chess in Henry VI (Arts)

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