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Tuesday, April 11, 2017

Movie Review: Animated Fable The Red Turtle Uses No Words, and No Words Do It Justice

Posted By on Tue, Apr 11, 2017 at 12:32 PM

The Red Turtle★★★★½ Now playing Dutch writer-director Michael Dudok de Wit’s first animated feature is quiet, mysterious, and breathtaking. It is almost entirely void of vocal language, other than the occasional emotive grunt. It complements silence with the audible twisting and turning of the tropics—leaves whistling in the wind, ocean waves washing onto the sand, unseen life bustling and breathing. The light bleeding off de Wit’s trademark watercolors render the island of The Red Turtle into some kind of spiritual being. When a nameless middle-aged man finds himself stranded on an island after his ship is swallowed by a storm,...

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Monday, April 10, 2017

Full Frame: Dina Is Earning Acclaim for Its Portrait of Love and Autism. But Is It Illuminating or Exploitative?

Posted By on Mon, Apr 10, 2017 at 1:36 PM

Full Frame Documentary Film Festival: Dina ★★ Friday, April 7 Carolina Theatre, Durham It speaks to the high quality of Full Frame that the films in its perennial programming range in quality from “above average” to “transcendent.” Any chagrin is typically reserved for experimental submissions that might not suit the taste of some viewers or docs that delve into controversial subject matter. You certainly don’t see many missteps among the invited films—the ones not in competition but chosen due to the pedigree of the director or the film’s previous accolades. Foremost among the invited fare at Full Frame this year...

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Sunday, April 9, 2017

Full Frame: All Skate, Everybody Skate Peeks Inside a Post-Office-Slash-Skating-Rink with a Five-Decade History on Topsail Island

Posted By on Sun, Apr 9, 2017 at 7:00 PM

We first meet Doris Jenkins onscreen at the Topsail Beach Skating Rink, standing behind a counter, flanked by a shelf of roller skates and an old record player. She wears a loose white T-shirt with her name airbrushed on the front in neon colors. You know, the kind of souvenir you get at the fair—or the beach. But at the rink she’s owned and operated for more than fifty years, this is a uniform for Jenkins. Durham filmmaker and Elon University professor Nicole Triche spent March through September of 2015 filming All Skate, Everybody Skate, a short documentary about the rink...

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Full Frame: An Avetts Agnostic Finds Some Faith in May It Last: A Portrait of the Avett Brothers

Posted By on Sun, Apr 9, 2017 at 4:59 PM

Full Frame Documentary Film Festival: May It Last: A Portrait of the Avett Brothers★★★★ Saturday, April 8 Carolina Theatre, Durham I’m not particularly a fan of the Avett Brothers, which made me the odd person out in Fletcher Hall last night, judging from the outbursts of mid-screening applause and the fawning post-screening Q-and-A. Through fifteen years of dogged persistence, the brothers from Concord, North Carolina, and their adopted musical family have built a devoted global fanbase for their soulful, punk-tinged acoustic bluegrass and folk. When singer/banjoist Scott Avett and cellist Joe Kwon showed up with codirector Michael Bonfiglio after the...

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Full Frame: 2017 Award Winners Announced

Posted By on Sun, Apr 9, 2017 at 1:11 PM

For ticketing details on this afternoon's encore screenings of the festival's award winners, visit Full Frame's website. 2017 Award Winners THE REVA AND DAVID LOGAN GRAND JURY AWARD Sponsored by The Reva and David Logan Foundation QUEST by Jonathan Olshefski Encore 4 – 4:40 pm, Fletcher Hall Honorable Mention: Last Men in Aleppo by Feras Fayyad Encore 7 – 7:20 pm, Cinema 1 FULL FRAME JURY AWARD FOR BEST SHORT Provided by Drs. Andrew and Barbra Rothschild Heaven Is a Traffic Jam on the 405 by Frank Stiefel Encore 6 – 5:00 pm, Cinema 3 Honorable Mention: The Great Theater...

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Saturday, April 8, 2017

Full Frame: What's the Use of Looking Back? In the Case of Two Towns of Jasper, It Helps Us Gauge Our Progress from Then to Now.

Posted By on Sat, Apr 8, 2017 at 4:31 PM

Full Frame Documentary Film Festival: Two Towns of Jasper Friday, April 7 Carolina Theatre, Durham In 1998, an African-American man was murdered by three white men in the seemingly peaceful town of Jasper, Texas. Not long after the incident took place, filmmaker Whitney Dow, intuiting the complexity of the story, asked his colleague Marco Williams to join the project of documenting it. Together they determined that they needed two film crews, one white and one black, which would explore the story from the perspective of the white and black townspeople, respectively. Two Towns of Jasper, the result of this unconventional...

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Friday, April 7, 2017

Full Frame: An Interview with the Director of Purple Dreams, a New Doc Capturing the Power of Art Education in a Charlotte High School

Posted By on Fri, Apr 7, 2017 at 5:58 PM

Full Frame Documentary Film Festival: Purple Dreams Friday, April 7 Carolina Theatre, Durham It was by sheer luck that I wound up sitting next to Joanne Hock and Heidi Dove, the director and assistant director of Purple Dreams (which has its world premiere in a primetime slot at Fletcher Hall tonight), at a screening this morning. “That’s the fun part about coming to these festivals, meeting people,” Hock remarked when I pulled her aside in the hall to learn more about her film, which is about the first high school (a magnet school in Charlotte) allowed to stage the musical...

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Movie Review: Do Not Go, in Style or Otherwise, to Zach Braff's Going in Style

Posted By on Fri, Apr 7, 2017 at 10:56 AM

Going in Style ★ Now playing Going in Style, the new “comedy” from “filmmaker” Zach Braff, has a familiar setup: three old friends, played by veteran actors in their golden years, run into trouble and reunite for one last caper. In this case, the actors are Morgan Freeman, Alan Arkin, and Michael Caine. The caper is a bank heist. The jokes are tame (and lame) and the entire film hinges on the accumulated good will these performers have earned over their lifetimes. If it feels like you've already seen this movie, you have, figuratively and literally. This iteration tells the story...

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Friday, March 24, 2017

Movie Review: Life Wants to Be Alien SO. BAD. But It's Just Another Creature Feature.

Posted By on Fri, Mar 24, 2017 at 12:45 PM

Life ★★ ½ Now playing As a B-minus movie with an A-plus cast, the sci-fi horror specimen Life is the latest in a looong line of films that recycle the same imperishable plot: a group of explorers in a hermetically sealed environment encounters a hostile creature, which sneaks through the facility and picks off the crew one-by-one. This monster-in-space template has been around since at least 1958 (It! The Terror From Beyond Space) and it was, of course, perfected by Ridley Scott in 1979 with Alien. So, with a movie like Life, it's not a matter of whether it's derivative; it's an...

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Friday, March 3, 2017

Movie Review: Table 19 Goes for Grown-Up John Hughes But Spreads Out a Banquet of Winces and Cringes

Posted By on Fri, Mar 3, 2017 at 3:54 PM

Table 19 ★ ½ Now playing Science has yet to identify the precise biomechanical workings of the cringe. A function of the sympathetic nervous system, it's an involuntary muscular reaction that occurs when we see or hear something embarrassing or unpleasant. Watching Table 19, the new ensemble comedy starring Anna Kendrick, I'm pretty sure I strained several important cringe muscles. It's a surprisingly bad movie, the kind that usually get detoured into foreign markets or a DVD/digital release well before any U.S. theatrical distribution is negotiated. It's a genuine curiosity to see a specimen like this on the big screen....

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Friday, February 24, 2017

Movie Review: Jordan Peele Crosses Guess Who's Coming to Dinner with a Racially Charged The Stepford Wives to Brilliant Effect in Get Out

Posted By on Fri, Feb 24, 2017 at 1:17 PM

Get Out ★★★★ ½ Now playing The go-to synopsis for Get Out, the brilliant new horror film from writer-director Jordan Peele (Key & Peele), is that it's Guess Who's Coming to Dinner crossed with a racially charged update of The Stepford Wives. That's about right, but Peele's game-changing film is more than that, and it's the best thing to happen to the horror genre in twenty years. Brooklyn photographer Chris Washington (Daniel Kaluuya) is about to meet the parents of his new girlfriend, Rose Armitage (Allison Williams), on a weekend getaway upstate. That's stressful enough as it is, but Chris...

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Friday, February 10, 2017

Movie Review: John Wick: Chapter 2, a Solid Return for Keanu Reeves's Laconic Hit Man, Runs on Muscle Cars and Muscle Memory

Posted By on Fri, Feb 10, 2017 at 10:24 AM

John Wick: Chapter 2 ★★★ ½ Now playing “You’re not very good at retiring,” observes a crime lord played by Laurence Fishburne in John Wick: Chapter 2. “I’m workin’ on it,” responds Wick, the laconic hit man reprised by Keanu Reeves. This reunion of Neo and Morpheus is apropos, as Reeves was very much workin’ on his de facto retirement following the end of the Matrix trilogy in 2003. Forgettable parts in forgettable films were suddenly and rather inexplicably interrupted in 2014, when the original John Wick, an unheralded neo-noir, become an instant cult classic and resuscitated Reeves’s career. Director...

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Thursday, February 9, 2017

Movie Review: Everyone Says Lego Flicks Are Uniquely Fun for Kids and Adults. We Sent One of Each to The Lego Batman Movie to Find Out.

Posted By and on Thu, Feb 9, 2017 at 12:16 PM

The Lego Batman Movie Now playing One statement you are guaranteed to hear regarding any Lego-based movie, TV special, or video game is that it offers fun for young and old alike. Testing that, the INDY sent two reviewers—one thirteen, one demonstrably older—to The Lego Batman Movie. THE KID: Not the jokes you need, but the jokes you deserve ★★★★★ I enjoyed The Lego Batman Movie immensely, mainly for the comedy. There are some absolutely hilarious jokes, like when the plane carrying a lot of bombs is called McGuffin Airlines. There are also enough butt jokes to please any kid,...

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Wednesday, February 8, 2017

An Epilogue for Unexposed Microcinema's Bold, Meaningful Year of Holding Down a Stable Venue for Experimental Film

Posted By on Wed, Feb 8, 2017 at 11:51 AM

Not all art spaces are meant to last forever. You swallow hard and get them up and running on a shoestring. You host great programming and build an audience and sustain it as long as you can. There are triumphs, when you pack the house and get good coverage, and then there are the nights when the performers outnumber the audience. And eventually, one month when you’re writing the rent check that you know will bounce or you’re snaking the stopped-up sink for the umpteenth time, you get that awful feeling in the pit of your stomach. It’s over. It’s...

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Friday, February 3, 2017

Movie Review: Men Are From Mars and Women Are Typecast in The Space Between Us, a Garishly Inauthentic Interplanetary Romance

Posted By on Fri, Feb 3, 2017 at 2:17 PM

The Space Between Us ★ Now playing As if the surfeit of YA weepies hadn’t proliferated enough, now it’s invading other planets. Men are from Mars and women are typecast in The Space Between Us, which may as well describe the void left by an absence of adequate filmmaking. Set in the not-too-distant-future, it imagines a world with private space travel, self-driving cars, and the ability to Skype between planets, yet teen slang and the products and prices at Sam’s Club haven’t changed a bit. A blustering, floundering Gary Oldman plays Nathaniel Shepherd, the Richard Branson-esque head of a billion-dollar...

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Thursday, February 2, 2017

Movie Review: In The Comedian, De Niro Gives Us Too Much Insult and Not Enough Comic

Posted By on Thu, Feb 2, 2017 at 9:42 AM

The Comedian ★★ Opening Friday, Feb. 3 Comedy is equal parts material and delivery. The funniest quip will flop if told with bad timing, and a sharp style can’t carry leaden content. Unfortunately, both afflictions affect The Comedian, a character study that never digs below its protagonist's loathsome surface and a comedy in which the jokes fall flat. Robert De Niro plays Jackie Burke, a former sitcom star and comedy icon spending the twilight of his life slogging through the grimy stand-up circuit. He abhors his fading TV stardom, but his bitter temperament self-sabotages any effort to jump-start his...

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Friday, January 27, 2017

Movie Review: A Dog's Purpose Rolls Over and Plays Dead Under Its Own Heart-Tugging Weight

Posted By on Fri, Jan 27, 2017 at 2:17 PM

A Dog's Purpose ★★ Now playing Commercials for the new family film A Dog's Purpose give away the entire premise and plot, right up to the final scene. The movie follows the various embodiments of a reincarnating dog as he lives and loves his people over the course of multiple lifetimes. If you're a dog lover, it's a tearjerker of a pitch. If you're a dog lover with kids, you'll get immediate petitions and pleadings. Even if you just have fond memories of a childhood pet, you're going to get the urge to see this movie. You'll want to resist...

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Friday, January 20, 2017

Movie Review: How M. Night Shyamalan Got His Groove Back in Split

Posted By on Fri, Jan 20, 2017 at 11:33 AM

Split★★★ Now playing The time when M. Night Shyamalan was poised to become cinema’s next great master of suspense has long since come and gone, bulldozed by the hubris of effects-driven hokum and recycled self-parody. After a decade of five consecutive whiffs, last year’s The Visit was a cautious, low-budget return to form. Shyamalan’s comeback continues with Split, a psychological thriller (natch) blessed with competent acting and adroit direction. And just when it feels like the script is jumping the rails, well, here comes the Twist™. During a well-staged cold open, three teenage girls—Casey (Anya Taylor-Joy from The Witch), Claire...

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Thursday, January 19, 2017

Movie Review: Family Is a Slippery Thing in Mike Mills's Loopy, Lovely 20th Century Women

Posted By on Thu, Jan 19, 2017 at 11:52 AM

20th Century Women ★★★★ Opening Friday, Jan. 20 The slippery concept of family is at the heart of director Mike Mills's loopy, lovely, and largely autobiographical new film, 20th Century Women, a story that aches with bittersweet memory. It's 1979 in the Southern California enclave of Santa Barbara, and fifteen-year-old Jamie (Lucas Jade Zumann) is coming of age the traditional way, learning about sex, drugs, and rock 'n' roll from his family, friends, and pop culture. Jamie shares a strong bond with his single mom, Dorothea (Annette Bening), but his teenage years are taking the usual toll on their relationship. Jamie...

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Thursday, January 12, 2017

Movie Review: In Silence, Scorsese Taps a Deeply Spiritual Vein in a Visceral Story of Faith

Posted By on Thu, Jan 12, 2017 at 1:19 PM

Silence ★★★★ ½ Opening Friday, Jan. 13 We may never see the likes of Martin Scorsese again in American cinema. He’s the embodiment of what Orson Welles should have become: the master auteur and leader of a New Hollywood movement who nimbly balances fan-friendly and money-making gangster flicks, psychological thrillers, and edgy character dissections with highly personal and profound films. While his American New Wave contemporaries like Steven Spielberg, George Lucas, and Francis Ford Coppola have migrated to effects-driven sequels and semi-retirement, Scorsese continues to produces masterworks like Silence, one of the most deeply spiritual and religiously layered films...

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Wednesday, December 21, 2016

Movie Review: Passengers Proves a Bad Ending Can Ruin an Otherwise Good Movie

Posted By on Wed, Dec 21, 2016 at 4:08 PM

Passengers ★★ ½ Now playing Exhibit 2001 for the proposition that a bad ending can ruin an otherwise good movie: Passengers, a glossy interstellar vehicle for some provocative moral entanglements that ultimately implodes from the pressure of its star-driven, crowd-pleasing mission. The film’s December release date suggests it once harbored awards-season aspirations. Instead, it just ends up lost in space. Jim Preston (Chris Pratt) is one of more than five thousand people in cryogenic sleep aboard the Starship Avalon, on a 120-year voyage to colonize the distant outpost Homestead II. The ship’s sylvan destination stands in contrast to Earth,...

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Tuesday, December 13, 2016

Movie Review: Rogue One, the New Star Wars, Is a Dazzling Space Drama

Posted By on Tue, Dec 13, 2016 at 2:13 PM

Rogue One: A Star Wars Story ★★★★ Opening Thursday, Dec. 15 As the first in a series of spinoff movies set in the Star Wars universe, Rogue One is an experiment of sorts. If it succeeds, you can expect to see a new Star Wars movie in theaters pretty much every year until the end of time. Fine by me. If Disney and Lucasfilm can deliver a movie as good as Rogue One on a yearly basis, we could declare it a kind of global movie holiday. May 4 would seem to be the proper date. Rogue One is essentially...

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Friday, December 9, 2016

Movie Review: Office Christmas Party Is Raucous, Rude, Lampoon-Worthy Fun

Posted By on Fri, Dec 9, 2016 at 1:54 PM

Office Christmas Party ★★★ Now playing I've been to exactly one office Christmas party in my life. It was in San Francisco during the dot-com bubble of the late 1990s, when the Internet held infinite promise and banks were hosing down new media companies with cash. Everyone was young and restless, designer drugs were cheap and plentiful, and money wasn't really money at all. We partied like it was 1999, because it was 1999. I remember thinking, "This party would be an excellent premise for a movie." (That's about all I remember.) Twenty years later, that movie has finally rolled...

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Friday, November 18, 2016

Movie Review: Fantastic Beasts and Where to Find Them Is a Promising Start for a New Rowling Franchise

Posted By on Fri, Nov 18, 2016 at 2:49 PM

Fantastic Beasts and Where to Find Them ★★★ ½ Now playing I suspect that, for a while at least, it's going to be difficult to avoid processing every halfway applicable film through the nightmare lens of the recent elections. Fantastic Beasts and Where to Find Them, the latest installment in J.K. Rowling's Harry Potter universe, opens with a montage of headlines. “Anti-Wizard Sentiment Sweeps America,” reads one swirling paper as we're introduced to the setup. In the movie's alternate history, it's 1926 in New York City, and hateful fringe groups are agitating for the deportation of all witches and wizards, the...

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Movie Review: Barry Jenkins's Exquisite Moonlight Is a Meditative Character Study at the Nexus of Black Masculinity and Homosexuality

Posted By on Fri, Nov 18, 2016 at 8:46 AM

Moonlight ★★★★ Now playing Color looms large in Moonlight. The film is adapted from Tarell Alvin McCraney’s play In Moonlight Black Boys Look Blue, and two characters are called Black and Blue. According to IndieWire, director Barry Jenkins and cinematographer James Laxton adjusted the lighting contrast to emphasize the skin tones of the African-American cast. Each of the film’s three chapters, covering different stages in the life of its protagonist, emulates different film stock to convey distinct hues and textures. Like Richard Linklater’s Boyhood, Moonlight tracks the life of its male lead across varying ages, though in this case the...

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Revitalization = Gentrification and a mentality that says the area needs to be made great again. I don't get how …

by John Curtis Smith on Op-Ed: Revitalization Without Gentrification: The Scrap Exchange in Durham’s Lakewood Neighborhood (Arts)

I haven't seen the movie, so I won't comment on the reading of the documentary. Just want to say that …

by Max Brzezinski on Full Frame: Dina Is Earning Acclaim for Its Portrait of Love and Autism. But Is It Illuminating or Exploitative? (Arts)

BTW, I see that Indy Week expresses the right to remove comments that include ad hominem attacks. Do you remove …

by Robin Elizabeth on Full Frame: An Avetts Agnostic Finds Some Faith in May It Last: A Portrait of the Avett Brothers (Arts)

Oy! Here we go again. You guys are like a dog with a bone. Let it go.

by Robin Elizabeth on Full Frame: An Avetts Agnostic Finds Some Faith in May It Last: A Portrait of the Avett Brothers (Arts)

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Revitalization = Gentrification and a mentality that says the area needs to be made great again. I don't get how …

by John Curtis Smith on Op-Ed: Revitalization Without Gentrification: The Scrap Exchange in Durham’s Lakewood Neighborhood (Arts)

I haven't seen the movie, so I won't comment on the reading of the documentary. Just want to say that …

by Max Brzezinski on Full Frame: Dina Is Earning Acclaim for Its Portrait of Love and Autism. But Is It Illuminating or Exploitative? (Arts)

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